# LLM.txt - Website Content Structure # Generated: 2025-09-04T01:25:12.603Z # Source: https://rms.studio --- ### Page: https://www.rms.studio Title: Award-Winning Sound Post-Production | RMS Meta Description: RMS is Australia's premier sound post-production studio, crafting immersive audio for acclaimed films and series from studios in Sydney and Melbourne. Language: en-AU Canonical URL: https://www.rms.studio ## Headings Structure: H1: Award Winning Sound Design & Mixing H3: Sydney H3: Melbourne H2: State-of-the-Art Facilities, Purpose-Built for Storytelling H2: Our Work & Clients H2: Our Team H2: Recent Work H2: Over 25 Years of Experience H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Award Winning Sound Design & Mixing H3: Sydney H3: Melbourne H2: State-of-the-Art Facilities, Purpose-Built for Storytelling H2: Our Work & Clients H2: Our Team H2: Recent Work H2: Over 25 Years of Experience RMS is Australia’s premier sound post-production studio, trusted on high-budget international productions and home-grown stories alike. With world-class facilities in Sydney and Melbourne, our award-winning team of sound designers, editors, and mixers specialise in immersive audio for film, TV, streaming, and theatrical releases. Equipped with Dolby Atmos and built for the demands of global storytelling, we deliver exceptional sound for stories that matter. New South Wales, Australia From our flagship Dolby Atmos theatrical stage in Sydney to our networked sound-design suites in Melbourne, every RMS room is engineered to translate creative vision into truly immersive audio. Designed by leading acousticians and powered by Krix loudspeaker systems, our studios give directors, producers, and mixers absolute confidence that what they hear at RMS will translate flawlessly to cinemas and home theatres around the world. RMS is trusted by major international studios and streamers, collaborating with Netflix, Amazon, Warner Bros, and Lionsgate on large-budget global productions. Our portfolio includes acclaimed feature films such as The Power of the Dog, Mortal Kombat, and Furiosa, alongside award-winning international TV series and documentaries. Our team includes Academy Award–winning mixer Robert Mackenzie (Hacksaw Ridge) with a broad team of passionate sound artists, we bring decades of experience to every project. We work closely with directors and producers to shape nuanced, emotionally resonant soundscapes that enhance storytelling. For over 25 years, Robert Mackenzie has helped shape the sound of modern cinema, collaborating with some of the world’s most visionary directors. As an Academy Award-winning sound designer and re-recording mixer, his work includes Hacksaw Ridge, The Power of the Dog, The Nightingale, and The King, as well as box office successes like Mortal Kombat and Peter Rabbit 2.At RMS, Rob brings this experience into a studio environment built on collaboration. Working alongside a talented team of sound editors, mixers, and designers, RMS continues to push creative and technical boundaries. Recent projects include Three Thousand Years of Longing, Run Rabbit Run, The Lost Flowers of Alice Hart, and Furiosa, the latest chapter in George Miller’s Mad Max saga.With studios in Sydney and Melbourne, RMS delivers world-class sound design and mixing — combining artistry, innovation, and a deep commitment to storytelling. --- ### Page: https://www.rms.studio/work Title: Our Sound Portfolio | RMS Australia Meta Description: Discover RMS's award-winning sound work on acclaimed films and series, showcasing our expertise in delivering exceptional audio post-production. Language: en-AU Canonical URL: https://www.rms.studio/work ## Headings Structure: H1: Work H1: Mortal Kombat II H1: Mortal Kombat II H1: Mercy H1: Mercy H1: Candy Bar H1: Candy Bar H1: Deeper H1: Deeper H1: Black Snow Season 2 H1: Black Snow Season 2 H1: The Last Anniversary H1: The Last Anniversary H1: Went Up The Hill H1: Went Up The Hill H1: Porcelain War H1: Porcelain War H1: Furiosa H1: Furiosa H1: The Lost Flowers of Alice Hart H1: The Lost Flowers of Alice Hart H1: Run Rabbit Run H1: Run Rabbit Run H1: Foe H1: Foe H1: Black Snow H1: Black Snow H1: Girl at the Window H1: Girl at the Window H1: FIRE FRONT H1: FIRE FRONT H1: The Power of the Dog H1: The Power of the Dog H1: Peter Rabbit 2 The Runaway H1: Peter Rabbit 2 The Runaway H1: Mortal Kombat H1: Mortal Kombat H1: RELIC H1: RELIC H1: Go Karts H1: Go Karts H1: Top End Wedding H1: Top End Wedding H1: The King H1: The King H1: Mystify/ Michael Hutchence H1: Mystify/ Michael Hutchence H1: Judy & Punch H1: Judy & Punch H1: I Am Woman H1: I Am Woman H1: The Nightingale H1: The Nightingale H1: Peter Rabbit H1: Peter Rabbit H1: Mountain Quest H1: Mountain Quest H1: Mr Inbetween H1: Mr Inbetween H1: Mary Magdalene H1: Mary Magdalene H1: Was It Love? H1: Was It Love? H1: Top of the Lake H1: Top of the Lake H1: Another Shot H1: Another Shot H1: Mountain H1: Mountain H1: Ellipsis H1: Ellipsis H1: Breath H1: Breath H1: Berlin Syndrome H1: Berlin Syndrome H1: Waiting for Rain H1: Waiting for Rain H1: Whoever Was Using This Bed H1: Whoever Was Using This Bed H1: The Monkey King H1: The Monkey King H1: See You Tomorrow H1: See You Tomorrow H1: Lion H1: Lion H1: GIMPSEY H1: GIMPSEY H1: Down Under H1: Down Under H1: Hacksaw Ridge H1: Hacksaw Ridge H1: Truth H1: Truth H1: THE GUESTS H1: THE GUESTS H1: Sherpa H1: Sherpa H1: Partisan H1: Partisan H1: Holding the Man H1: Holding the Man H1: Backtrack H1: Backtrack H1: Words and Pictures H1: Words and Pictures H1: The Rover H1: The Rover H1: The Monkey King Havoc in Heaven's Palace H1: The Monkey King Havoc in Heaven's Palace H1: Son of a Gun H1: Son of a Gun H1: Dragon Nest/ Warriors' Dawn H1: Dragon Nest/ Warriors' Dawn H1: The Turning H1: The Turning H1: The Grandmaster H1: The Grandmaster H1: Saving General Yang H1: Saving General Yang H1: Patrick/ Evil Awakens H1: Patrick/ Evil Awakens H1: GALORE H1: GALORE H1: Drift H1: Drift H1: Felony H1: Felony H1: Lore H1: Lore H1: Save Your Legs! H1: Save Your Legs! H1: Redfern Now H1: Redfern Now H1: Dead Europe H1: Dead Europe H1: Bait H1: Bait H1: The Hunter H1: The Hunter H1: The Eye of the Storm H1: The Eye of the Storm H1: The Flowers of War H1: The Flowers of War H1: Hail H1: Hail H1: Don't Be Afraid of the Dark H1: Don't Be Afraid of the Dark H1: Cloudstreet H1: Cloudstreet H1: True Legend H1: True Legend H1: Mercury H1: Mercury H1: Animal Kingdom H1: Animal Kingdom H1: The Loved Ones H1: The Loved Ones H1: The Cat Piano H1: The Cat Piano H1: Red Cliff II H1: Red Cliff II H1: Mao's Last Dancer H1: Mao's Last Dancer H1: Blessed H1: Blessed H1: The Square H1: The Square H1: The Forbidden Kingdom H1: The Forbidden Kingdom H1: Red Cliff H1: Red Cliff H1: Not Quite Hollywood H1: Not Quite Hollywood H1: CJ7 H1: CJ7 H1: Bastardy H1: Bastardy H1: Storm Warning H1: Storm Warning H1: Captain Cook: Obsession and Discovery H1: Captain Cook: Obsession and Discovery H1: The Book of Revelation H1: The Book of Revelation H1: Silk H1: Silk H1: Desolation Angels H1: Desolation Angels H1: Krrish H1: Krrish H1: Dead and Buried H1: Dead and Buried H1: Curse of the Golden Flower H1: Curse of the Golden Flower H1: The Legend of the Shadowless Sword H1: The Legend of the Shadowless Sword H1: Seven Swords H1: Seven Swords H1: Last Man Standing H1: Last Man Standing H1: South of the Clouds H1: South of the Clouds H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Work H4: Mortal Kombat II H1: Mortal Kombat II H1: Mortal Kombat II H4: Mortal Kombat II H4: Mercy H1: Mercy H1: Mercy H4: Mercy H4: Candy Bar H1: Candy Bar H1: Candy Bar H4: Candy Bar H4: Deeper H1: Deeper H1: Deeper H4: Deeper H4: Black Snow Season 2 H1: Black Snow Season 2 H1: Black Snow Season 2 H4: Black Snow Season 2 H4: The Last Anniversary H1: The Last Anniversary H1: The Last Anniversary H4: The Last Anniversary H4: Went Up The Hill H1: Went Up The Hill H1: Went Up The Hill H4: Went Up The Hill H4: Porcelain War H1: Porcelain War H1: Porcelain War H4: Porcelain War H4: Furiosa H1: Furiosa H1: Furiosa H4: Furiosa H4: The Lost Flowers of Alice Hart H1: The Lost Flowers of Alice Hart H1: The Lost Flowers of Alice Hart H4: The Lost Flowers of Alice Hart H4: Run Rabbit Run H1: Run Rabbit Run H1: Run Rabbit Run H4: Run Rabbit Run H4: Foe H1: Foe H1: Foe H4: Foe H4: Black Snow H1: Black Snow H1: Black Snow H4: Black Snow H4: Girl at the Window H1: Girl at the Window H1: Girl at the Window H4: Girl at the Window H4: FIRE FRONT H1: FIRE FRONT H1: FIRE FRONT H4: FIRE FRONT H4: The Power of the Dog H1: The Power of the Dog H1: The Power of the Dog H4: The Power of the Dog H4: Peter Rabbit 2 The Runaway H1: Peter Rabbit 2 The Runaway H1: Peter Rabbit 2 The Runaway H4: Peter Rabbit 2 The Runaway H4: Mortal Kombat H1: Mortal Kombat H1: Mortal Kombat H4: Mortal Kombat H4: RELIC H1: RELIC H1: RELIC H4: RELIC H4: Go Karts H1: Go Karts H1: Go Karts H4: Go Karts H4: Top End Wedding H1: Top End Wedding H1: Top End Wedding H4: Top End Wedding H4: The King H1: The King H1: The King H4: The King H4: Mystify/ Michael Hutchence H1: Mystify/ Michael Hutchence H1: Mystify/ Michael Hutchence H4: Mystify/ Michael Hutchence H4: Judy & Punch H1: Judy & Punch H1: Judy & Punch H4: Judy & Punch H4: I Am Woman H1: I Am Woman H1: I Am Woman H4: I Am Woman H4: The Nightingale H1: The Nightingale H1: The Nightingale H4: The Nightingale H4: Peter Rabbit H1: Peter Rabbit H1: Peter Rabbit H4: Peter Rabbit H4: Mountain Quest H1: Mountain Quest H1: Mountain Quest H4: Mountain Quest H4: Mr Inbetween H1: Mr Inbetween H1: Mr Inbetween H4: Mr Inbetween H4: Mary Magdalene H1: Mary Magdalene H1: Mary Magdalene H4: Mary Magdalene H4: Was It Love? H1: Was It Love? H1: Was It Love? H4: Was It Love? H4: Top of the Lake H1: Top of the Lake H1: Top of the Lake H4: Top of the Lake H4: Another Shot H1: Another Shot H1: Another Shot H4: Another Shot H4: Mountain H1: Mountain H1: Mountain H4: Mountain H4: Ellipsis H1: Ellipsis H1: Ellipsis H4: Ellipsis H4: Breath H1: Breath H1: Breath H4: Breath H4: Berlin Syndrome H1: Berlin Syndrome H1: Berlin Syndrome H4: Berlin Syndrome H4: Waiting for Rain H1: Waiting for Rain H1: Waiting for Rain H4: Waiting for Rain H4: Whoever Was Using This Bed H1: Whoever Was Using This Bed H1: Whoever Was Using This Bed H4: Whoever Was Using This Bed H4: The Monkey King H1: The Monkey King H1: The Monkey King H4: The Monkey King H4: See You Tomorrow H1: See You Tomorrow H1: See You Tomorrow H4: See You Tomorrow H4: Lion H1: Lion H1: Lion H4: Lion H4: GIMPSEY H1: GIMPSEY H1: GIMPSEY H4: GIMPSEY H4: Down Under H1: Down Under H1: Down Under H4: Down Under H4: Hacksaw Ridge H1: Hacksaw Ridge H1: Hacksaw Ridge H4: Hacksaw Ridge H4: Truth H1: Truth H1: Truth H4: Truth H4: THE GUESTS H1: THE GUESTS H1: THE GUESTS H4: THE GUESTS H4: Sherpa H1: Sherpa H1: Sherpa H4: Sherpa H4: Partisan H1: Partisan H1: Partisan H4: Partisan H4: Holding the Man H1: Holding the Man H1: Holding the Man H4: Holding the Man H4: Backtrack H1: Backtrack H1: Backtrack H4: Backtrack H4: Words and Pictures H1: Words and Pictures H1: Words and Pictures H4: Words and Pictures H4: The Rover H1: The Rover H1: The Rover H4: The Rover H4: The Monkey King Havoc in Heaven's Palace H1: The Monkey King Havoc in Heaven's Palace H1: The Monkey King Havoc in Heaven's Palace H4: The Monkey King Havoc in Heaven's Palace H4: Son of a Gun H1: Son of a Gun H1: Son of a Gun H4: Son of a Gun H4: Dragon Nest/ Warriors' Dawn H1: Dragon Nest/ Warriors' Dawn H1: Dragon Nest/ Warriors' Dawn H4: Dragon Nest/ Warriors' Dawn H4: The Turning H1: The Turning H1: The Turning H4: The Turning H4: The Grandmaster H1: The Grandmaster H1: The Grandmaster H4: The Grandmaster H4: Saving General Yang H1: Saving General Yang H1: Saving General Yang H4: Saving General Yang H4: Patrick/ Evil Awakens H1: Patrick/ Evil Awakens H1: Patrick/ Evil Awakens H4: Patrick/ Evil Awakens H4: GALORE H1: GALORE H1: GALORE H4: GALORE H4: Drift H1: Drift H1: Drift H4: Drift H4: Felony H1: Felony H1: Felony H4: Felony H4: Lore H1: Lore H1: Lore H4: Lore H4: Save Your Legs! H1: Save Your Legs! H1: Save Your Legs! H4: Save Your Legs! H4: Redfern Now H1: Redfern Now H1: Redfern Now H4: Redfern Now H4: Dead Europe H1: Dead Europe H1: Dead Europe H4: Dead Europe H4: Bait H1: Bait H1: Bait H4: Bait H4: The Hunter H1: The Hunter H1: The Hunter H4: The Hunter H4: The Eye of the Storm H1: The Eye of the Storm H1: The Eye of the Storm H4: The Eye of the Storm H4: The Flowers of War H1: The Flowers of War H1: The Flowers of War H4: The Flowers of War H4: Hail H1: Hail H1: Hail H4: Hail H4: Don't Be Afraid of the Dark H1: Don't Be Afraid of the Dark H1: Don't Be Afraid of the Dark H4: Don't Be Afraid of the Dark H4: Cloudstreet H1: Cloudstreet H1: Cloudstreet H4: Cloudstreet H4: True Legend H1: True Legend H1: True Legend H4: True Legend H4: Mercury H1: Mercury H1: Mercury H4: Mercury H4: Animal Kingdom H1: Animal Kingdom H1: Animal Kingdom H4: Animal Kingdom H4: The Loved Ones H1: The Loved Ones H1: The Loved Ones H4: The Loved Ones H4: The Cat Piano H1: The Cat Piano H1: The Cat Piano H4: The Cat Piano H4: Red Cliff II H1: Red Cliff II H1: Red Cliff II H4: Red Cliff II H4: Mao's Last Dancer H1: Mao's Last Dancer H1: Mao's Last Dancer H4: Mao's Last Dancer H4: Blessed H1: Blessed H1: Blessed H4: Blessed H4: The Square H1: The Square H1: The Square H4: The Square H4: The Forbidden Kingdom H1: The Forbidden Kingdom H1: The Forbidden Kingdom H4: The Forbidden Kingdom H4: Red Cliff H1: Red Cliff H1: Red Cliff H4: Red Cliff H4: Not Quite Hollywood H1: Not Quite Hollywood H1: Not Quite Hollywood H4: Not Quite Hollywood H4: CJ7 H1: CJ7 H1: CJ7 H4: CJ7 H4: Bastardy H1: Bastardy H1: Bastardy H4: Bastardy H4: Storm Warning H1: Storm Warning H1: Storm Warning H4: Storm Warning H4: Captain Cook: Obsession and Discovery H1: Captain Cook: Obsession and Discovery H1: Captain Cook: Obsession and Discovery H4: Captain Cook: Obsession and Discovery H4: The Book of Revelation H1: The Book of Revelation H1: The Book of Revelation H4: The Book of Revelation H4: Silk H1: Silk H1: Silk H4: Silk H4: Desolation Angels H1: Desolation Angels H1: Desolation Angels H4: Desolation Angels H4: Krrish H1: Krrish H1: Krrish H4: Krrish H4: Dead and Buried H1: Dead and Buried H1: Dead and Buried H4: Dead and Buried H4: Curse of the Golden Flower H1: Curse of the Golden Flower H1: Curse of the Golden Flower H4: Curse of the Golden Flower H4: The Legend of the Shadowless Sword H1: The Legend of the Shadowless Sword H1: The Legend of the Shadowless Sword H4: The Legend of the Shadowless Sword H4: Seven Swords H1: Seven Swords H1: Seven Swords H4: Seven Swords H4: Last Man Standing H1: Last Man Standing H1: Last Man Standing H4: Last Man Standing H4: South of the Clouds H1: South of the Clouds H1: South of the Clouds H4: South of the Clouds At RMS, sound isn’t just our craft, it’s our passion. Every project is approached with precision, artistry, and a commitment to excellence, ensuring that every detail is heard exactly as it should be. Sian Davies, Matthew Saville, Helena Brooks & Travis Fimmel Brendan Bellomo, Slava Leontyev The Lost Flowers of Alice Hart Sian Davies, Matthew Saville, Helena Brooks, Travis Fimmel. Peter Rabbit 2 The Runaway Mystify/ Michael Hutchence Jane Campion, Garth Davis, Ariel Kleiman. Whoever Was Using This Bed Soi Cheang (as Pou-Soi Cheang) and Jack Lai (executive director) The Monkey King Havoc in Heaven's Palace Soi Cheang (as Pou-Soi Cheang) Dragon Nest/ Warriors' Dawn Jonathan auf der Heide, Tony Ayres, Jub Clerc, Robert Connolly, Shaun Gladwell, Rhys Graham, Justin Kurzel, Yaron Lifschitz. Patrick/ Evil Awakens Ben Nott, Morgan O'Neill The directors for the production "Redfern Now" include Rachel Perkins, Wayne Blair, Leah Purcell, Catriona McKenzie, Adrian Russell Wills, and Beck Cole. Don't Be Afraid of the Dark The search results do not provide information about the director for the production with the IMDb title ID tt1765912. However, you can find the director's name by visiting the IMDb page directly. Ari Gibson, Eddie White The Forbidden Kingdom Captain Cook: Obsession and Discovery The Book of Revelation Curse of the Golden Flower The Legend of the Shadowless Sword Adrian Holmes, Daniel Nettheim, Declan Eames, Elise McCredie, Emma Freeman, Grant Brown, Ian Gilmour, Jeffrey Walker, Pino Amenta, Steve Jodrell Sian Davies, Matthew Saville, Helena Brooks, Travis Fimmel. Sian Davies, Matthew Saville, Helena Brooks & Travis Fimmel Captain Cook: Obsession and Discovery Curse of the Golden Flower Devils on the Doorstep Don't Be Afraid of the Dark Dragon Nest/ Warriors' Dawn Ben Nott, Morgan O'Neill Adrian Holmes, Daniel Nettheim, Declan Eames, Elise McCredie, Emma Freeman, Grant Brown, Ian Gilmour, Jeffrey Walker, Pino Amenta, Steve Jodrell The search results do not provide information about the director for the production with the IMDb title ID tt1765912. However, you can find the director's name by visiting the IMDb page directly. Mystify/ Michael Hutchence Patrick/ Evil Awakens Peter Rabbit 2 The Runaway Brendan Bellomo, Slava Leontyev The directors for the production "Redfern Now" include Rachel Perkins, Wayne Blair, Leah Purcell, Catriona McKenzie, Adrian Russell Wills, and Beck Cole. The Book of Revelation Ari Gibson, Eddie White The Forbidden Kingdom The Legend of the Shadowless Sword The Lost Flowers of Alice Hart Soi Cheang (as Pou-Soi Cheang) and Jack Lai (executive director) --- ### Page: https://www.rms.studio/about Title: Meet the RMS Team | Sound Post-Production Experts Meta Description: Learn about RMS's team of experienced sound professionals dedicated to delivering high-quality audio post-production services across Australia. Language: en-AU Canonical URL: https://www.rms.studio/about ## Headings Structure: H1: About Us H2: Over 25 Years of Experience H2: Studios H3: Sydney H3: Melbourne H2: Team H3: Robert Mackenzie H3: Monica Anderson H3: Gabrielle McIndoe-Parvin H3: Marisa Marsionis H3: Sean Walker H3: Linus Ferris H3: Matt Lee H3: Milo Fisher H3: Oliver McQuoid H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: About Us H2: Over 25 Years of Experience H2: Studios H3: Sydney H3: Melbourne H2: Team H3: Robert Mackenzie H3: Monica Anderson H3: Gabrielle McIndoe-Parvin H3: Marisa Marsionis H3: Sean Walker H3: Linus Ferris H3: Matt Lee H3: Milo Fisher H3: Oliver McQuoid RMS is Australia’s premier sound post-production studio, home to a team of award-winning mixers, editors, and sound designers. With state-of-the-art facilities in Sydney and Melbourne, we craft immersive, detailed soundscapes that elevate every story. Our work features in acclaimed films including The Power of the Dog, Mortal Kombat, and Three Thousand Years of Longing. Designed for seamless collaboration, our studios offer Dolby Atmos capabilities, cutting-edge technology, and thoughtfully curated spaces that support creative excellence. For over 25 years, Robert Mackenzie has helped shape the sound of modern cinema, collaborating with some of the world’s most visionary directors. As an Academy Award-winning sound designer and re-recording mixer, his work includes Hacksaw Ridge, The Power of the Dog, The Nightingale, and The King, as well as box office successes like Mortal Kombat and Peter Rabbit 2.At RMS, Rob brings this experience into a studio environment built on collaboration. Working alongside a talented team of sound editors, mixers, and designers, RMS continues to push creative and technical boundaries. Recent projects include Three Thousand Years of Longing, Run Rabbit Run, The Lost Flowers of Alice Hart, and Furiosa, the latest chapter in George Miller’s Mad Max saga.With studios in Sydney and Melbourne, RMS delivers world-class sound design and mixing — combining artistry, innovation, and a deep commitment to storytelling. New South Wales, Australia 7 / 17-21 Bowden Street Alexandria 2015, New South Wales 18-21 Miller Street, Brunswick East 3057, Victoria Sound Designer, Re-Recording Mixer Post Production Coordinator Assistant Sound Editor Assistant Sound Editor Assistant Sound Editor Assistant Sound Editor Assistant Sound Editor --- ### Page: https://www.rms.studio/contact Title: Contact RMS Studios Meta Description: Get in touch with RMS's Sydney or Melbourne studios to discuss your next sound post-production project or to schedule a consultation. Language: en-AU Canonical URL: https://www.rms.studio/contact ## Headings Structure: H1: Contact Us H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Contact Us Looking for career opportunities? --- ### Page: https://www.rms.studio/careers Title: Join RMS: Careers in Sound Post-Production Meta Description: Explore career opportunities at RMS. We're seeking talented sound professionals to join our award-winning team in Sydney and Melbourne. Language: en-AU Canonical URL: https://www.rms.studio/careers ## Headings Structure: H1: Careers H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Careers We're always on the lookout for talented sound professionals to join RMS. If you're interested in working with us, send an email with the subject "Your Name - Position" and include a brief introduction about yourself, your background, and where you're located. Highlight your relevant work, attach your full CV, and provide links to your IMDb profile and website. We receive a high volume of enquiries, so responses may take some time - we appreciate your patience and interest in RMS.jobs@rmsounds.com.au --- ### Page: https://www.rms.studio/awards Title: Recognized Excellence in Sound Post-Production | RMS Australia Meta Description: Explore the accolades and awards RMS has received for outstanding sound design and mixing in film and television productions. Language: en-AU Canonical URL: https://www.rms.studio/awards ## Headings Structure: H1: Awards & Nominations H2: Academy Awards H2: Hollywood Motion Picture Sound Editors H2: AACTA Awards H2: Australian Screen Sound Guild H2: CAS (Cinema Audio Society) H2: International Online Cinema Awards H2: OFTA Awards H2: ACCA Awards H2: AMPS Awards H2: ARIA Awards H2: BAFTA Awards H2: Discussing Film Critic Awards) H2: Golden Bauhinia Awards H2: International Sound & Film Music Festival H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Awards & Nominations H2: Academy Awards H2: Hollywood Motion Picture Sound Editors H2: AACTA Awards H2: Australian Screen Sound Guild H2: CAS (Cinema Audio Society) H2: International Online Cinema Awards H2: OFTA Awards H2: ACCA Awards H2: AMPS Awards H2: ARIA Awards H2: BAFTA Awards H2: Discussing Film Critic Awards) H2: Golden Bauhinia Awards H2: International Sound & Film Music Festival Robert Mackenzie is an award-winning sound designer and re-recording mixer, recognized for his outstanding contributions to film sound. His work has earned multiple accolades, including Academy Awards, AACTA Awards, and industry honors from around the world. Best Sound Effects & Foley Curse of the Golden Flower Best Sound Effects and Foley Best Dialogue and ADR Best Sound in Television The Lost Flowers of Alice Hart Best Original Soundtrack Curse of the Golden Flower --- ### Page: https://www.rms.studio/facilities Title: State-of-the-Art Dolby Atmos Sound Facilities | RMS Studio Meta Description: Explore RMS's cutting-edge Dolby Atmos sound facilities in Sydney and Melbourne, designed for seamless collaboration and equipped with the latest audio technology. Language: en-AU Canonical URL: https://www.rms.studio/facilities ## Headings Structure: H1: World-Class Facilities, Crafted for Storytelling H3: Sydney H3: Melbourne H2: Dolby Atmos Mixing Stage H2: Creative-First Studio Design H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: World-Class Facilities, Crafted for Storytelling H3: Sydney H3: Melbourne H2: Dolby Atmos Mixing Stage H2: Creative-First Studio Design H4: Integrated 5.1/7.1.4 Editorial & Sound-Design Suites H4: Creative-First Studio Design H4: High-Speed, Secure & Remote Collaboration Pipeline With studios in Sydney and Melbourne, RMS offers purpose-built environments designed to support every stage of sound post-production. Our facilities are engineered for seamless collaboration, ensuring that creative teams can focus on bringing stories to life. New South Wales, Australia Our flagship Dolby Atmos accredited sound stage, purpose-built from the ground up by Hector and Jeff Bugallo, recreates the acoustics of a premier cinema within a controlled studio environment. Every surface was modelled and tuned by leading acousticians AKA Acoustics to achieve an exceptionally flat frequency response and tight imaging. A 360-degree loudspeaker array, including overhead channels, delivers true three-dimensional playback. Powered by Krix speaker systems and Dolby Atmos, our stage enables mixers to treat every element as an independent “audio object,” placing or moving up to 128 of them anywhere in three-dimensional space and rendering them in real-time to our 49 independently driven speakers, including a full overhead array. The result is a hyper-precise, wrap-around sound field where a helicopter truly swoops overhead and the subtlest whisper stays intimate, no matter where you sit. Every room—mix, edit, or lounge—was designed for focus, flow, and collaboration. Natural light, generous space, and purposeful ergonomics reduce fatigue, while high-speed 10–25 GbE networking and encrypted file transfer keep assets secure and sessions moving fast. Our 5.1 and 7.1 editorial suites are networked directly to the mix stage, enabling real-time playback and efficient collaboration between editors, designers, and mixers. Whether you’re cutting dialogue, building a scene, or previewing a sequence, everything happens under one roof. Every RMS room is built to support focus, flow, and collaboration. From our acoustically treated mix suites to quiet edit rooms and inviting communal spaces, we’ve designed an environment where creatives can settle in, stay sharp, and do their best work. Built for the pace of modern production. Our studios run on high-speed 10–25 GbE networks with redundant storage and encrypted file transfer, ensuring your assets are safe, fast to access, and ready for remote workflows. --- ### Page: https://www.rms.studio/sydney Title: RMS Sydney | Dolby Atmos Mixing Stage Meta Description: Explore RMS's flagship Dolby Atmos mixing stage & facilities, located in the heart of Alexandria, designed for seamless collaboration and equipped with the latest audio technology. Language: en-AU Canonical URL: https://www.rms.studio/sydney ## Headings Structure: H1: RMS Sydney H2: Dolby Atmos Mixing Stage H2: Creative-First Studio Design H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: RMS Sydney H2: Dolby Atmos Mixing Stage H2: Creative-First Studio Design H4: Integrated 5.1/7.1.4 Editorial & Sound-Design Suites H4: Creative-First Studio Design H4: High-Speed, Secure & Remote Collaboration Pipeline RMS Sydney is our flagship facility located in the heart of Alexandria, New South Wales. Purpose-built for Dolby Atmos mixing and seamless editorial collaboration, the studio gives filmmakers and showrunners everything they need to craft unforgettable sonic experiences, right in the heart of New South Wales. Our flagship Dolby Atmos accredited sound stage, purpose-built from the ground up by Hector and Jeff Bugallo, recreates the acoustics of a premier cinema within a controlled studio environment. Every surface was modelled and tuned by leading acousticians AKA Acoustics to achieve an exceptionally flat frequency response and tight imaging. A 360-degree loudspeaker array, including overhead channels, delivers true three-dimensional playback. Powered by Krix speaker systems and Dolby Atmos, our stage enables mixers to treat every element as an independent “audio object,” placing or moving up to 128 of them anywhere in three-dimensional space and rendering them in real-time to our 49 independently driven speakers, including a full overhead array. The result is a hyper-precise, wrap-around sound field where a helicopter truly swoops overhead and the subtlest whisper stays intimate, no matter where you sit. Every room—mix, edit, or lounge—was designed for focus, flow, and collaboration. Natural light, generous space, and purposeful ergonomics reduce fatigue, while high-speed 10–25 GbE networking and encrypted file transfer keep assets secure and sessions moving fast. Our 5.1 and 7.1 editorial suites are networked directly to the mix stage, enabling real-time playback and efficient collaboration between editors, designers, and mixers. Whether you’re cutting dialogue, building a scene, or previewing a sequence, everything happens under one roof. Every RMS room is built to support focus, flow, and collaboration. From our acoustically treated mix suites to quiet edit rooms and inviting communal spaces, we’ve designed an environment where creatives can settle in, stay sharp, and do their best work. Built for the pace of modern production. Our studios run on high-speed 10–25 GbE networks with redundant storage and encrypted file transfer, ensuring your assets are safe, fast to access, and ready for remote workflows. --- ### Page: https://www.rms.studio/work/all-the-kings-horses Title: All The Kings Horses | Sound Post Production | RMS Meta Description: Intricate sound design by Robert Mackenzie in enhances the emotional journey of Matt Norman's All The Kings Horses Language: en-AU Canonical URL: https://www.rms.studio/work/all-the-kings-horses ## Headings Structure: H1: All The Kings Horses H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: All The Kings Horses H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "All The Kings Horses," the intricate soundscape crafted by Robert Mackenzie immerses viewers in the poignant journey of a father and son confronting their shared history. The subtle interplay of ambient sounds and dialogue, meticulously mixed by Mackenzie, enhances the emotional depth of their reconciliation. Livia Ruzic's precise sound editing and Bradley Dunn's attentive boom operation further enrich the auditory experience, drawing audiences into the film's intimate moments. This short film's sound design not only complements the narrative but also elevates the storytelling, creating a resonant atmosphere that lingers long after the final scene. Sound Mixer: Robert Mackenzie Sound Editor: Livia Ruzic Boom Operator: Bradley Dunn --- ### Page: https://www.rms.studio/work/animal-kingdom Title: Animal Kingdom | Sound Post Production | RMS Meta Description: Experience the tension of Animal Kingdom through its intricate soundscape by Robert Mackenzie and Sam Petty, under director David Michôd. Language: en-AU Canonical URL: https://www.rms.studio/work/animal-kingdom ## Headings Structure: H1: Animal Kingdom H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Animal Kingdom H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Animal Kingdom," the tension of a criminal underworld is brought to life through the intricate soundscape crafted by the talented team, with Robert Mackenzie at the helm as Sound Mixer. The film's auditory experience immerses the audience in the volatile world of the Cody family, where every whisper and gunshot resonates with precision. Mackenzie's collaboration with Sound Designer Sam Petty ensures that the sound design amplifies the film's emotional depth, capturing the chaos and quiet moments with equal intensity. This meticulous sound work has been recognized with numerous accolades, highlighting the film's exceptional contribution to cinematic sound. Sound Designer: Sam Petty Sound Mixer: Robert Mackenzie & Sam Petty Supervising Sound Editor: Sam Petty Sound Facilities Manager: Asha Ardill Sound Recordist: Philippe Decrausaz Sound Consultant: Bruce Emery Boom Operator: James Hardy & Jenny Sutcliffe Dialogue Editor: Leah Katz Foley Editor: Andy Neil Sound Effects Editor: Richard Pain Mix Assistant: Liesl Pieterse ADR Recordist: Simon Rosenberg & Andy Wright Foley Recordist: Alex Stewart Assistant Sound Editor: Brooke Trezise Atmospheres Editor: Brooke Trezise Foley Walker: Mario Vaccaro --- ### Page: https://www.rms.studio/work/another-shot Title: Another Shot | Sound Post Production | RMS Meta Description: Explore Stephon Marbury's journey in Another Shot through a rich soundscape by Robert Mackenzie and Zheng 'Joe' Huang, directed by Larry Yang. Language: en-AU Canonical URL: https://www.rms.studio/work/another-shot ## Headings Structure: H1: Another Shot H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Another Shot H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Another Shot," the soundscape intricately weaves the narrative of Stephon Marbury's transformative journey from NBA fame to rediscovering his passion in China. The film's auditory experience is a testament to the collaborative efforts of the sound team, with Robert Mackenzie playing a pivotal role as the Dialogue Pre-mixer. His nuanced touch ensures that every spoken word resonates with authenticity, complementing the dynamic sound design by Zheng 'Joe' Huang. The seamless integration of dialogue, music, and ambient sounds immerses the audience in Marbury's world, capturing the essence of his personal and professional rebirth. Sound Supervisor: Zheng 'Joe' Huang Sound Designer: Zheng 'Joe' Huang Re-recording Mixer: Peter Climpson & Zheng 'Joe' Huang Sound Editor: Dylan Burgess & Vic Kaspar Sound Effects Editor: Dylan Burgess, Lao Dunn, Juan Ferro, Vic Kaspar, Yiyin Zhao & Pablo Áset Dialogue Pre-mixer: Robert Mackenzie Music and Foley Pre-mixer: Zheng 'Joe' Huang ADR Recordist: Yu Zhou Dubbing Director: Hong Shang Dubbing Artist: Hao Chen, Qigang Chen, Ziping Chen, Xiyun Dongfang, Libin Huang, Lu Li, Xin Liu, Wei Niu, Zekun Shi, Randy Zhao Bo Sun, Shubin Zhang & Xiaozhu Zhao Dubbing Artist: for Wu Chun: Hao Chen Dubbing Artist: for Vivian Dawson: Randy Zhao Bo Sun Dubbing Team Organizer: Xiaobei Jiang Sound Recordist: Jie Ma First Boom Operator: Zhijun Cheng & Yongsheng Ren Second Boom Operator: Zhengyang Sun Sound Coordinator: Yong Zhang Production Coordinator: Ang Li Amb Editor: Chong Wang Sound Assistant: Juncong Zhou --- ### Page: https://www.rms.studio/work/australian-rules Title: Australian Rules | Sound Post Production | RMS Meta Description: The soundscape in Australian Rules by Paul Goldman captures a South Australian town's tension and unity, enriching its cultural story. Language: en-AU Canonical URL: https://www.rms.studio/work/australian-rules ## Headings Structure: H1: Australian Rules H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Australian Rules H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Australian Rules," the soundscape intricately weaves the tension and unity of an isolated South Australian fishing town. The film's auditory experience, recognized with the 2002 ASSG Award for Best Achievement in Sound for a Feature Film, immerses viewers in the cultural divide and shared passions of its characters. Robert Mackenzie, as Foley Engineer, crafts the subtle yet impactful sounds that bring authenticity to the football matches and the town's atmosphere. His work, alongside the talented sound team, enhances the narrative's emotional depth, capturing the essence of a community bound by sport yet fractured by societal challenges. Best Original Soundtrack Australian Recording Industry Association Australian Screen Sound Guild Production Sound Mixer: Ross Boyer Supervising Sound Editor: Julius Chan Re-Recording Mixer: Phil Judd Sound Effects Editor: Liam Egan Dialogue Editor: Jenny T. Ward ADR Editor: Delia McCarthy ADR Engineer: Mauricio Hernández Foley Artist: Les Fiddess & George Turnure Foley Editor: Les Fiddess & Mauricio Hernández Foley Engineer: Robert Mackenzie & Mauricio Hernández Stereo Sound Consultant: Steve Murphy Boom Swinger: David Pearson Additional Sound Editor: Katy Wood Sound Attachment: Christopher Evers Assistant Dialogue Editor: Ben Grant --- ### Page: https://www.rms.studio/work/backtrack Title: Backtrack | Sound Post Production | RMS Meta Description: Experience the haunting soundscape of Backtrack, crafted by Robert Mackenzie. Directed by Michael Petroni, it blurs reality and the supernatural. Language: en-AU Canonical URL: https://www.rms.studio/work/backtrack ## Headings Structure: H1: Backtrack H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Backtrack H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Backtrack," the haunting echoes of the past are brought to life through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as the Re-Recording Mixer, plays a pivotal role in weaving together the film's auditory elements, creating an immersive experience that blurs the line between reality and the supernatural. The film's sound design, recognized with the Australian Screen Sound Guild's 2016 ASSG Award for Feature Film Soundtrack of the Year, envelops the audience in a world where whispers of the past linger, and the truth is revealed through layers of meticulously mixed sound. Supervising Sound Editor: William Ward Re-Recording Mixer: Robert Mackenzie Sound Recordist: Paul 'Salty' Brincat Foley Supervisor: Blair Slater Foley Artist/Editor: Andrew Simmons Foley Editor: Luisa Hadley Foley Recordist: Duncan McAllister Sound Editor: Tara Webb Boom Operator: Ben Wyatt Sound Attachment: Tania Payne Additional Sound Effects Editor: Liam Price --- ### Page: https://www.rms.studio/work/bait Title: Bait | Sound Post Production | RMS Meta Description: Experience a tense, aquatic nightmare in Bait with Robert Mackenzie's sound design, enhancing suspense and terror in Kimble Rendall's film. Language: en-AU Canonical URL: https://www.rms.studio/work/bait ## Headings Structure: H1: Bait H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Bait H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Bait," the soundscape immerses viewers in a tense, aquatic nightmare, where the roar of a tsunami and the menacing silence of a submerged supermarket create a gripping atmosphere. Robert Mackenzie, as the Supervising Sound Designer and Re-recording Mixer, crafts an auditory experience that heightens the suspense and terror of a great white shark lurking in the flooded aisles. The intricate layering of sound elements, from the creaking of submerged shelves to the visceral splashes of water, draws audiences into the survivors' desperate struggle. Mackenzie's work ensures that every sound detail amplifies the film's tension and emotional impact. Sound Designer: Steve Burgess, Robert Mackenzie Sound Effects Editor: Steve Burgess, Peter Climpson Foley Artist: Adam Connelly, Mario Vaccaro ADR Mixer: Matt Dawson Sound Supervisor: Bruce Emery Sound Assistant: Belle Galpin, Jesse Rigby Sound Editor: Rennie Gomes Loop Group Editor: Leah Katz Re-recording Mixer: Robert Mackenzie Supervising Sound Designer: Robert Mackenzie Dialogue Editor: Tony Murtagh ADR Editor: Liesl Pieterse ADR Recordist: Liesl Pieterse Boom Operator: Aaron Price Sound Technician: Gerard Leong, Edward Tan Sound Engineer: Kelvin Singh Assistant Sound Engineer: Wee Zheo Tay, Edmond Wee Foley Editor: Brooke Trezise Sound Recordist: Craig Walmsley Foley Recordist: Andy Wright --- ### Page: https://www.rms.studio/work/bastardy Title: Bastardy | Sound Post Production | RMS Meta Description: Sound Designer Robert Mackenzie crafts an immersive soundscape in Amiel Courtin-Wilson's documentary, enriching Dan Kelly's story. Language: en-AU Canonical URL: https://www.rms.studio/work/bastardy ## Headings Structure: H1: Bastardy H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Bastardy H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the documentary "Bastardy," the soundscape plays a pivotal role in immersing the audience into the life of Australian singer-songwriter Dan Kelly. Sound Designer Robert Mackenzie crafts an auditory experience that captures the essence of Kelly's world, from the intimate moments shared with Leanne to the stark realities of their unconventional lifestyle. The nuanced sound design subtly underscores the emotional depth of the narrative, allowing viewers to feel the rhythm of Kelly's life. Mackenzie's work elevates the storytelling, providing a rich, textured backdrop that enhances the film's exploration of love, loss, and resilience. Sound Designer: Robert Mackenzie --- ### Page: https://www.rms.studio/work/berlin-syndrome Title: Berlin Syndrome | Sound Post Production | RMS Meta Description: Sound design in Berlin Syndrome by Robert Mackenzie and Luke Mynott heightens tension, enhancing Clare's entrapment under Cate Shortland. Language: en-AU Canonical URL: https://www.rms.studio/work/berlin-syndrome ## Headings Structure: H1: Berlin Syndrome H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Berlin Syndrome H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Berlin Syndrome," the soundscape becomes a character of its own, weaving tension and unease into every scene. Robert Mackenzie, alongside Luke Mynott, crafts an immersive auditory experience that captures the claustrophobia and suspense of Clare's entrapment. The film's sound design, recognized with awards from the Australian Screen Sound Guild for Best Achievement in Sound for Film Sound Recording and Mixing, intricately layers ambient city noises with the eerie silence of isolation. Each creak and whisper is meticulously placed, drawing the audience deeper into Clare's harrowing ordeal, making the sound an integral part of the storytelling. Head of Sound: William Ward Sound Designer: Robert Mackenzie, & Luke Mynott Re-recording Mixer: Phil Heywood Re-recording Engineer: Sam Gain-Emery, & Glenn Humphries Supervising ADR and Dialog Editor: Mark Franken Dialogue Editor: Leah Katz Sound Editor: Jasmine Guffond ADR Mixer: Kyle D. Krajewski ADR Recordist: Toby Craig Foley Artist: John Simpson Foley Recordist: Lisa Simpson Production Sound Mixer: Melbourne Unit: Dane Cody Sound Recordist: Steffen Graubaum, & Gregor Mazurczuk Field Sound Effects Recordist / FX Recording: German Unit: Tom Herdman Boom Operator: Melbourne Unit: Auryn Lacy First Boom Operator: German Unit: Manuel Neie Second Boom Operator: German Unit: Felix Kaufmann --- ### Page: https://www.rms.studio/work/black-snow Title: Black Snow | Sound Post Production | RMS Meta Description: Intricate soundscapes by Robert Mackenzie enhance Black Snow, immersing viewers in a mystery where every sound is a clue. Directed by Sian Davies. Language: en-AU Canonical URL: https://www.rms.studio/work/black-snow ## Headings Structure: H1: Black Snow H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Black Snow H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Sian Davies, Matthew Saville, Helena Brooks, Travis Fimmel. In "Black Snow," the haunting echoes of a decades-old murder reverberate through the small town of Ashford, brought to life by the intricate soundscapes crafted by Robert Mackenzie and his team. As Detective James Cormack delves into the mystery, the sound design envelops viewers in a world where every whisper and footstep holds a clue. Nominated for the 2023 Australian Screen Sound Guild Award for Best Achievement in Sound for a Television Drama, the series showcases the seamless blend of dialogue, ambient sounds, and atmospheric tension, with Mackenzie's contributions adding depth and intensity to this gripping narrative. Australian Screen Sound Guild Dialogue and ADR Supervisor: Justin Spasevski Re-Recording Mixer: Justin Spasevski Sound Designer: Tom Heuzenroeder & Troy Mauri & Robert Mackenzie Sound Recordist: Mark Cornish & Bronson Wilson Production Sound Mixer: Mark Cornish & Scott Mulready Sound Effects Editor: Lachlan Harris & Brendan Croxon & Hamish Keen Foley Artist: Adrian Medhurst Foley Editor: Adrian Medhurst Foley Recordist: Olivia Aquilina ADR Recordist: Liam Moses & Craig Beckett Additional Boom Operator: Michael McEvoy Boom Operator: Scott Bruce & Kempsey Lyon & Nick Steele Assistant Sound Editor: Milo Fisher & Jessica Meier ADR Mixer: Aaron Hasson --- ### Page: https://www.rms.studio/work/black-snow-season-2 Title: Black Snow Season 2 | Sound Post Production | RMS Meta Description: Sound post team on Black Snow S2 deliver immersive atmospheres and emotional depth, sculpting suspense through expertly crafted audio. Language: en-AU Canonical URL: https://www.rms.studio/work/black-snow-season-2 ## Headings Structure: H1: Black Snow Season 2 H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Black Snow Season 2 H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Sian Davies, Matthew Saville, Helena Brooks & Travis Fimmel Set against the lush yet haunting landscapes of Far North Queensland, continues the gripping blend of mystery and drama that captivated audiences in its debut. Following a new investigation that intertwines past and present, the series weaves themes of identity, justice, and truth through a taut narrative and richly drawn characters. The second season expands its world while maintaining the atmospheric intensity and emotional resonance that define the Black Snow experience. --- ### Page: https://www.rms.studio/work/blessed Title: Blessed | Sound Post Production | RMS Meta Description: Sound post-production in Blessed by Ana Kokkinos immerses viewers in Melbourne's night streets, capturing raw emotions and familial tensions. Language: en-AU Canonical URL: https://www.rms.studio/work/blessed ## Headings Structure: H1: Blessed H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Blessed H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Blessed," the night streets of working-class Melbourne come alive with the haunting echoes of lost children and the silent cries of their mothers. Robert Mackenzie, as the re-recording mixer, crafts an immersive auditory landscape that captures the raw emotions and tensions of familial bonds. The sound design, led by Glenn Newnham, intricately weaves the ambient city sounds with the intimate whispers of maternal instincts. Andy Neil's sound effects editing and Alex Stewart's foley work further enrich the narrative, creating a visceral experience that resonates with the audience, highlighting the unspoken struggles and connections between mothers and their children. Re-recording Mixer: Robert Mackenzie Sound Effects Editor: Andy Neil Supervising Sound Editor: Glenn Newnham Foley Recordist: Alex Stewart Sound: John Wilkinson --- ### Page: https://www.rms.studio/work/breath Title: Breath | Sound Post Production | RMS Meta Description: Experience the intricate soundscape of Breath, crafted by Robert Mackenzie, capturing the tension and beauty of Shams' WWII journey. Language: en-AU Canonical URL: https://www.rms.studio/work/breath ## Headings Structure: H1: Breath H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Breath H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Set against the backdrop of World War II, "Breath" immerses viewers in the life of Shams, an intersex seamstress whose world unravels when her secret is exposed. The film's soundscape, crafted by Robert Mackenzie, envelops the audience in the intimate sounds of a small island community. Mackenzie's dual role as Sound Designer and Re-recording Mixer, alongside Glenn Humphries, brings a nuanced auditory experience that captures the tension and beauty of Shams' journey. Nominated for Best Film Sound Recording by the Australian Screen Sound Guild, the film's sound design intricately weaves the ambient whispers of the island with the emotional depth of its characters. Head of Sound: William Ward Re-recording Mixer: Glenn Humphries & Robert Mackenzie Sound Designer: Robert Mackenzie Sound Effects Editor: Mick Boraso & Tara Webb Dialogue Editor: Jed M. Dodge & Leah Katz Boom Operator: Claire Healy Sound Recordist: Trevor Hope Foley Editor: Ryan Squires --- ### Page: https://www.rms.studio/work/candy-bar Title: Candy Bar | Sound Post Production | RMS Meta Description: A charming short by Nash Edgerton starring his daughter Zumi, Candy Bar blends family, humour, and crisp sound design in a sweet six-minute story. Language: en-AU Canonical URL: https://www.rms.studio/work/candy-bar ## Headings Structure: H1: Candy Bar H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Candy Bar H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading A light‑hearted short comedy crafted as a loving family project, with a sharp sonic identity at its core. When a young girl in a cinema lobby mistakes a man in the candy bar queue for her father, a sweet but awkward interaction unfolds. The six‑minute short stars Damon Herriman alongside Zumi Edgerton, daughter of director Nash Edgerton, who stepped into acting at age nine. The film premiered at Flickerfest Sydney in January 2025 and subsequently toured nationally. Sound Designer: Nathaniel Watkins Sound Mixer: Sean Walker & Linus Ferris Supervising Sound Editor: Robert Mackenzie Dialogue Editor: Sean Walker & Linus Ferris Foley Editor: Sean Walker & Linus Ferris Sound Recordist: Nathaniel Watkins Effects Editor: Sean Walker & Linus Ferris --- ### Page: https://www.rms.studio/work/captain-cook-obsession-and-discovery Title: Captain Cook: Obsession and Discovery | Sound Post Production | RMS Meta Description: Experience the intricate soundscape of Captain Cook: Obsession and Discovery, directed by Wain Fimeri, with sound by Robert Mackenzie. Language: en-AU Canonical URL: https://www.rms.studio/work/captain-cook-obsession-and-discovery ## Headings Structure: H1: Captain Cook: Obsession and Discovery H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Captain Cook: Obsession and Discovery H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Embark on a sonic journey with "Captain Cook: Obsession and Discovery," where the soundscape intricately weaves the tale of the legendary explorer. Under the meticulous guidance of Supervising Sound Editor Robert Mackenzie, the series transports viewers to the uncharted territories of Australia and New Zealand. The immersive sound design, crafted by a talented team including Sound Editor Chris Goodes and Sound Effects Editor Andy Neil, captures the essence of 18th-century exploration. Foley Artists Blair Slater and Mario Vaccaro breathe life into every creaking ship and rustling map, creating an auditory experience that echoes the vastness and mystery of Cook's voyages. Sound Recordist: Paul Finlay Supervising Sound Editor: Robert Mackenzie Sound Editor: Chris Goodes Sound Effects Editor: Andy Neil Sound Facilities Manager: Helen Field Foley Artist: Blair Slater, & Mario Vaccaro --- ### Page: https://www.rms.studio/work/chopper Title: Chopper | Sound Post Production | RMS Meta Description: Experience the gritty soundscape of Chopper, directed by Andrew Dominik, with meticulous sound post-production by Robert Mackenzie and team. Language: en-AU Canonical URL: https://www.rms.studio/work/chopper ## Headings Structure: H1: Chopper H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Chopper H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Chopper," the gritty soundscape immerses viewers in the chaotic world of notorious Australian criminal Mark "Chopper" Read. The film's sound post-production team, including Robert Mackenzie as Sound Mixing Assistant, crafts an auditory experience that captures the tension and unpredictability of Chopper's life. From the echoing confines of Pentridge Prison to the visceral street confrontations, each sound element is meticulously layered to enhance the narrative's intensity. The collaboration between sound designers and mixers, such as Frank Lipson and Steve Burgess, ensures that every auditory detail contributes to the film's raw and immersive atmosphere. Sound Designer / Supervising Sound Editor: Frank Lipson Foley Recordist / Re-Recording Mixer: Steve Burgess Sound Editor: Michael Carden Dialogue Editor: Glenn Newnham Sound Recordist: John Schiefelbein Foley Artist: Gerry Long Boom Operator: Matthew Archman Sound Mixing Assistant: Robert Mackenzie Dolby Consultant: Bruce Emery --- ### Page: https://www.rms.studio/work/cj7 Title: CJ7 | Sound Post Production | RMS Meta Description: Sound Editor Robert Mackenzie crafts an immersive soundscape in CJ7, enriching Stephen Chow's story with intricate, emotional audio. Language: en-AU Canonical URL: https://www.rms.studio/work/cj7 ## Headings Structure: H1: CJ7 H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: CJ7 H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "CJ7," the soundscape is a vivid tapestry that breathes life into the story of a father and son navigating their humble existence. Robert Mackenzie, as Sound Editor and Sound Effects Editor, crafts an auditory experience that captures the essence of their world. The alien creature's whimsical sounds and the bustling environment are intricately woven, enhancing the narrative's emotional depth. Each sound element, from the subtle rustle of the dilapidated house to the enchanting noises of the alien, is meticulously designed to immerse the audience, making the film's soundscape an integral part of its storytelling. Re-recording Mixer: Steve Burgess Supervising Sound Editor: Steve Burgess Sound Editor: Chris Goodes, Robert Mackenzie, Sam Wang Sound Effects Editor: Robert Mackenzie, Huijia Mo Dialogue Editor: Wei He, Stan Yau Dialogue Recording Supervisor (English Language Version): Fabiola Stevenson Dolby Consultant: Bruce Emery Sound Mixer: Terry Tu --- ### Page: https://www.rms.studio/work/cloudstreet Title: Cloudstreet | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of 1940s-50s Perth in Cloudstreet, crafted by Emma Bortignon and team, under director Matthew Saville. Language: en-AU Canonical URL: https://www.rms.studio/work/cloudstreet ## Headings Structure: H1: Cloudstreet H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Cloudstreet H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Cloudstreet," the evocative soundscape transports viewers to 1940s and 50s Perth, where two families navigate life's upheavals under one roof. The intricate sound design by Emma Bortignon and the seamless dialogue editing by Craig Carter breathe life into each scene. Robert Mackenzie's role as the final mixer ensures a harmonious blend of ambient sounds and character interactions, creating an immersive auditory experience. The Foley work by Adam Connelly, Dan Johnston, and Blair Slater adds authenticity, while the ADR contributions by Martin Oswin and team enhance the narrative's emotional depth. This sound team crafts a rich, textured world that resonates deeply. Sound Designer: Emma Bortignon Dialogue Editor: Craig Carter Sound Attachment: Derryn Clarkson Foley: Adam Connelly, Dan Johnston & Blair Slater Sound Recordist: Glen Dillon Boom Operator: Dan Giles Final Mixer: Robert Mackenzie ADR Mixer: Martin Oswin Sound Editor: Jed Palmer & Simon Walbrook Additional ADR Editor: Jenny T. Ward ADR Recording Engineer: Andrew McGrath --- ### Page: https://www.rms.studio/work/curse-of-the-golden-flower Title: Curse of the Golden Flower | Sound Post Production | RMS Meta Description: Sound design in Curse of the Golden Flower by Robert Mackenzie enriches Yimou Zhang's narrative, winning top awards for its immersive effects. Language: en-AU Canonical URL: https://www.rms.studio/work/curse-of-the-golden-flower ## Headings Structure: H1: Curse of the Golden Flower H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Curse of the Golden Flower H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Curse of the Golden Flower," the intricate layers of sound weave a rich tapestry that enhances the film's dramatic narrative. Robert Mackenzie, as a re-recording mixer and sound effects editor, plays a pivotal role in crafting the auditory experience, blending the clashing swords and whispered secrets with precision. The film's sound design, recognized with the Golden Bauhinia Award for Best Sound Effects and the Motion Picture Sound Editors, USA award for Best Sound Editing, immerses the audience in the opulent yet treacherous world of the Chinese palace. Each sound cue, from the rustling chrysanthemums to the echoing footsteps, deepens the unfolding tale of betrayal and rebellion. Best Sound Effects & Foley Motion Picture Sound Editors Golden Bauhinia Awards Sound Supervisor: Roger Savage Re-recording Mixer: Detlef Halaski, Robert Mackenzie & Roger Savage Sound Designer: Jing Tao Supervising Sound Editor: Jing Tao & Rainbow Wang Dialogue Recording Supervisor: Fabiola Stevenson Sound Effects Editor: Steve Burgess, Wei He, Hongrui Ji, Niu Ma, Robert Mackenzie, Glenn Newnham, Paul Pirola, Ye Shu, Andy Wright & Jing Xiao Sound Editor: Xue Han, Phil Jeffers, Jia Liu, Michael McMenomy & Qiuxia Sun Foley Artist: Phil Jeffers, Qianqian Ke, Jason Mannell, Terry Tu, Mario Vaccaro & David White Foley Editor: Peter Mills Sound Technician: Fan Xie Sound Post-Production Coordinator: Zhida Wei & Bin Zhang Dolby Consultant: Bruce Emery Sound Coordinator: Tsutomu Satomi --- ### Page: https://www.rms.studio/work/dead-and-buried Title: Dead and Buried | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie creates an eerie soundscape in Dead and Buried, enhancing Christopher Nolan's haunting narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/dead-and-buried ## Headings Structure: H1: Dead and Buried H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Dead and Buried H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the short film "Dead and Buried," the soundscape plays a pivotal role in immersing the audience in its haunting narrative. Under the expert guidance of sound designer Robert Mackenzie, the film's auditory elements weave seamlessly with its visual storytelling, creating an atmosphere that is both eerie and captivating. Mackenzie's meticulous attention to detail in sound design and mixing elevates the tension and emotional depth, drawing viewers into the film's mysterious world. The sound design not only complements the director Christopher Nolan's vision but also stands out as a crucial element in the film's storytelling. Sound Designer: Robert Mackenzie --- ### Page: https://www.rms.studio/work/dead-europe Title: Dead Europe | Sound Post Production | RMS Meta Description: The soundscape in Dead Europe, mixed by Robert Mackenzie, enhances Isaac's journey through Greece, deepening the film's tension and atmosphere. Language: en-AU Canonical URL: https://www.rms.studio/work/dead-europe ## Headings Structure: H1: Dead Europe H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Dead Europe H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Dead Europe," the soundscape intricately weaves the haunting atmosphere of Isaac's journey through Greece. Robert Mackenzie, as the Re-Recording Mixer, plays a pivotal role in crafting the film's auditory experience, blending layers of sound that echo the protagonist's internal and external conflicts. The film's sound team, recognized with the 2013 Australian Screen Sound Guild Award for Best Achievement in Sound for Film Sound Recording, creates an immersive environment where every whisper and echo deepens the narrative's tension. The collaboration between sound designers and mixers transforms the film into a visceral exploration of family secrets and ancient curses. Australian Screen Sound Guild Head of Sound: Angus Robertson Sound Designer: Sam Petty Re-Recording Mixer: Robert Mackenzie Re-Recording Engineer: Sam Hayward Sound Recordist: Paul Finlay Foley Artist: Mario Vaccaro Foley Editor: Steve Burgess Foley Recordist: Adam Connelly Dialogue Editor: Yulia Akerholt ADR Editor: Liesl Pieterse Atmosphere Editor: Leah Katz Sound Effects Editor: Brooke Trezise Boom Operator: Nikos Exarhos, Szabolcs Gáspár, Nicole Lazaroff & François Piednoir --- ### Page: https://www.rms.studio/work/deeper Title: Deeper | Sound Post Production | RMS Meta Description: Explorer Richard "Harry" Harris dives into New Zealand’s deepest cave, facing danger, self-discovery, and the emotional cost of risking everything. Language: en-AU Canonical URL: https://www.rms.studio/work/deeper ## Headings Structure: H1: Deeper H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Deeper H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In Deeper (2025), acclaimed explorer Richard “Harry” Harris, famed for his role in the Thai cave rescue, plunges into New Zealand’s darkest and most treacherous underwater cave, confronting his own limits, what drives him, and the cost to those he leaves behind. Sound Designer & Re-recording Mixer: Tara Webb Dialogue Editor: Mario Gabrieli Sound Recordist: Benjamin Dowie, Nick Emond & Sam Dawson --- ### Page: https://www.rms.studio/work/desolation-angels Title: Desolation Angels | Sound Post Production | RMS Meta Description: Intricate soundscapes by Robert Mackenzie and Nick Godkin enhance the emotional depth of Kurt Breitenmoser's Desolation Angels. Language: en-AU Canonical URL: https://www.rms.studio/work/desolation-angels ## Headings Structure: H1: Desolation Angels H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Desolation Angels H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Desolation Angels," the haunting landscapes and intense emotional beats are brought to life through the intricate soundscape crafted by Robert Mackenzie. As the Sound Mixer, Mackenzie weaves a tapestry of ambient sounds and subtle audio cues that immerse the audience in the film's desolate world. The collaboration with Sound Recordist Nick Godkin ensures every whisper of wind and distant echo enhances the narrative's depth. This short film, directed by Kurt Breitenmoser, showcases the power of sound in storytelling, creating an experience where silence speaks volumes and every sound detail resonates with the viewer. Sound Mixer: Robert Mackenzie Sound Recordist: Nick Godkin --- ### Page: https://www.rms.studio/work/devils-on-the-doorstep Title: Devils on the Doorstep | Sound Post Production | RMS Meta Description: Sound Editor Robert Mackenzie creates an immersive soundscape in Devils on the Doorstep, capturing wartime tension and village anxiety. Language: en-AU Canonical URL: https://www.rms.studio/work/devils-on-the-doorstep ## Headings Structure: H1: Devils on the Doorstep H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Devils on the Doorstep H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Devils on the Doorstep," the soundscape immerses viewers in the tension of a small village near the Great Wall during the Second Sino-Japanese War. Robert Mackenzie, serving as both Sound Editor and Assistant Mixer, crafts an auditory experience that captures the villagers' escalating anxiety and the oppressive silence of their predicament. The intricate layering of sound effects and the subtle interplay of ambient noise and dialogue transport the audience into the heart of the village's turmoil. Each sound element, from the rustle of the wind to the distant echoes of conflict, is meticulously woven to enhance the film's narrative depth. Re-recording Mixer: Steve Burgess Sound Effects Editor: James Harvey Foley Artist: Francis Ward Lindsay Sound Recordist: Ling Wu Audio Restorer: Gilles Barberis Assistant Mixer: Robert Mackenzie Sound Editor: Robert Mackenzie Executive: Quangang Zheng --- ### Page: https://www.rms.studio/work/dont-be-afraid-of-the-dark Title: Don't Be Afraid of the Dark | Sound Post Production | RMS Meta Description: Robert Mackenzie's soundscapes in Don't Be Afraid of the Dark enhance Troy Nixey's chilling atmosphere, blurring reality and imagination. Language: en-AU Canonical URL: https://www.rms.studio/work/dont-be-afraid-of-the-dark ## Headings Structure: H1: Don't Be Afraid of the Dark H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Don't Be Afraid of the Dark H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Don't Be Afraid of the Dark," the chilling atmosphere is brought to life through the intricate soundscape crafted by Robert Mackenzie. As both the sound designer and re-recording mixer, Mackenzie weaves an auditory tapestry that blurs the line between reality and imagination. The whispers from the ash pit and the unsettling presence of unseen creatures are given a haunting voice, immersing the audience in the young girl's terrifying journey. The sound design, complemented by the work of Roger Savage and Glenn Newnham, transforms the mansion into a character of its own, amplifying the tension and fear that permeate the film. Sound Supervisor & Re-Recording Mixer: Roger Savage Supervising Sound Editor: Glenn Newnham Re-Recording Mixer: Robert Mackenzie Sound Designer: Robert Mackenzie Sound Mixer: Gary Wilkins Sound Post Producer: Helen Field Sound Effects Editor: Andy Neil Foley Editor: Steve Burgess, Brendan Geaney Foley Artist: Adam Connelly, Mario Vaccaro Foley Recordist: Duncan McAllister, Blair Slater ADR Recordist: Chris Goodes, Liesl Pieterse, Simon Rosenberg, Greg Zimmerman ADR Mixer: Greg Steele Mix Technician: Mischa Herman Boom Operator: Mark J. Wasiutak Second Boom Operator: Chris O'Shea Sound Assistant: Chris O'Shea Boom Operator: Nick Godkin Second Unit: Sound Recordist: Andrew Ramage Sound Recordist: Gretchen Thornburn Dolby Sound Consultant: Bruce Emery Sound: Facilities Coordinator: Kathy Charles --- ### Page: https://www.rms.studio/work/down-under Title: Down Under | Sound Post Production | RMS Meta Description: Experience the post-riot soundscape of Down Under, crafted by Robert Mackenzie and team, under Abe Forsythe's direction. Language: en-AU Canonical URL: https://www.rms.studio/work/down-under ## Headings Structure: H1: Down Under H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Down Under H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Down Under," the tension of a post-riot landscape is brought to life through the intricate soundscape crafted by Robert Mackenzie and his team. The film's auditory experience immerses viewers in the chaotic aftermath of the Cronulla riots, with every sound meticulously placed to enhance the narrative's intensity. Robert Mackenzie's role as Supervising Sound Editor ensures that each auditory element, from the subtle rustle of tension-filled silence to the explosive clashes of conflict, resonates with authenticity. The collaboration with Re-Recording Mixer Andy Wright and the dedicated sound team creates a visceral journey that echoes the film's darkly comedic undertones. Supervising Sound Editor: Robert Mackenzie Re-Recording Mixer: Andy Wright Dialogue Editor: Leah Katz, Diego Ruiz Sound Effects Editor: Megan Wedge Foley Artist: Mario Vaccaro Foley Recordist: Alex Francis Sound Recordist: Nick Emond Boom Operator: Aron Dyer Sound Assistant: Daniel Becker Assistant: Sound Editor: Tania Payne --- ### Page: https://www.rms.studio/work/dragon-nest-warriors-dawn Title: Dragon Nest/ Warriors' Dawn | Sound Post Production | RMS Meta Description: Sound design in Dragon Nest: Warriors' Dawn by Robert Mackenzie and team immerses viewers in a world of chaos and magic. Directed by Yuefeng Song. Language: en-AU Canonical URL: https://www.rms.studio/work/dragon-nest-warriors-dawn ## Headings Structure: H1: Dragon Nest/ Warriors' Dawn H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Dragon Nest/ Warriors' Dawn H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Dragon Nest: Warriors' Dawn," the soundscape weaves an intricate tapestry of tension and wonder, immersing audiences in a world on the brink of chaos. Robert Mackenzie, as both sound designer and re-recording mixer, crafts a sonic journey that echoes the clashing of swords and the whispers of ancient magic. Alongside David F. Van Slyke, Mackenzie balances the delicate harmony between the human and mythical realms, while Jay Yin's supervision ensures every auditory detail enhances the narrative. The film's sound design invites viewers to experience the stirring of the Black Dragon and the courage of those who dare to confront it. Re-recording Mixer: Robert Mackenzie & David F. Van Slyke Sound Designer: Robert Mackenzie Supervising Sound Editor: Jay Yin --- ### Page: https://www.rms.studio/work/drift Title: Drift | Sound Post Production | RMS Meta Description: Sound design in Drift immerses viewers in 1960s surf culture. Crafted by Robert Mackenzie & Andy Wright. Directors: Ben Nott, Morgan O'Neill. Language: en-AU Canonical URL: https://www.rms.studio/work/drift ## Headings Structure: H1: Drift H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Drift H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Ben Nott, Morgan O'Neill In "Drift," the soundscape immerses viewers in the tumultuous journey of two brothers navigating the surf culture of 1960s Australia. Robert Mackenzie, as Supervising Sound Editor, crafts an auditory experience that captures the raw energy of the ocean and the tension of their struggles. The sound design, complemented by Andy Wright's re-recording mixing, seamlessly blends the roar of the waves with the subtle nuances of dialogue and ambient sounds. This intricate sound tapestry enhances the film's narrative, drawing audiences into the brothers' world as they chase their dreams amidst societal challenges and personal turmoil. Supervising Sound Editor: Robert Mackenzie Re-Recording Mixer: Andy Wright Sound Editor: Justine Angus, Brooke Trezise Foley Editor: Steve Burgess Sound Effects Editor: Peter Climpson Dialogue Supervisor: Leah Katz Boom Operator: Auryn Lacy ADR Recordist: Liesl Pieterse Foley Artist: Mario Vaccaro Foley Recordist: Adam Connelly Post Sound Facility Coordinator: Jasmin Cornford --- ### Page: https://www.rms.studio/work/ellipsis Title: Ellipsis | Sound Post Production | RMS Meta Description: Sound Mixer Robert Mackenzie, with Director David Wenham, crafts an immersive urban soundscape in Ellipsis, enhancing the narrative's depth. Language: en-AU Canonical URL: https://www.rms.studio/work/ellipsis ## Headings Structure: H1: Ellipsis H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Ellipsis H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Ellipsis," the bustling cityscape becomes a symphony of sound, guiding the serendipitous encounter of two strangers. Robert Mackenzie, as the Sound Mixer, crafts an immersive auditory experience that captures the essence of urban life and the intimate moments shared by the protagonists. The intricate layers of sound design, from the ambient city noises to the subtle nuances of dialogue, create a vivid backdrop for their night of adventure. Alongside Dialogue Editor Glenn Newnham and Sound Recordist Nick Emond, Mackenzie's work elevates the narrative, allowing the audience to feel the pulse of the city and the connection between the characters. Sound Mixer: Robert Mackenzie Dialogue Editor: Glenn Newnham Sound Recordist: Nick Emond Score Producer: Evan McHugh Recordist and Mixer: Evan McHugh --- ### Page: https://www.rms.studio/work/exposure Title: Exposure | Sound Post Production | RMS Language: en-AU Canonical URL: https://www.rms.studio/work/exposure ## Headings Structure: H1: Exposure H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Exposure H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading --- ### Page: https://www.rms.studio/work/felony Title: Felony | Sound Post Production | RMS Meta Description: Sound design in Felony by Robert Mackenzie enhances tension and depth, creating an immersive experience. Directed by Matthew Saville. Language: en-AU Canonical URL: https://www.rms.studio/work/felony ## Headings Structure: H1: Felony H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Felony H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Felony," the intricate layers of sound design and mixing craft a gripping auditory experience that mirrors the film's tense narrative. Robert Mackenzie, as the Re-Recording Mixer, plays a pivotal role in weaving together the film's sonic elements, creating an immersive atmosphere that heightens the emotional stakes. The film's soundscape, recognized with accolades from the Australian Screen Sound Guild and the AACTA Awards, underscores the moral complexities faced by the characters. Each sound cue and ambient layer is meticulously balanced, drawing the audience deeper into the unfolding drama and the internal struggles of the detectives. Australian Screen Sound Guild Australian Screen Sound Guild Supervising Sound Editor: Andrew Plain, William Ward Re-Recording Mixer: Robert Mackenzie Re-Recording Engineer: Glenn Butler Head of Sound: Angus Robertson Supervising Dialogue Editor: Jenny T. Ward Sound Effects Editor: Stuart Morton Dialogue Editor: Rick Lisle Foley Artist: Les Fiddess Foley Editor: Les Fiddess Foley Recordist: Martin Oswin Stage Recordist: Duncan McRae Second Sound Re-Recording Mixer: Sam Hayward Assistant Sound Editor: Thom Kellar Sound Editor: Thom Kellar Sound: Grant Shepherd --- ### Page: https://www.rms.studio/work/fire-front Title: FIRE FRONT | Sound Post Production | RMS Meta Description: Experience an immersive auditory landscape in FIRE FRONT, crafted by Robert Mackenzie and team, under Eddie Martin's direction. Language: en-AU Canonical URL: https://www.rms.studio/work/fire-front ## Headings Structure: H1: FIRE FRONT H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: FIRE FRONT H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "FIRE FRONT," the auditory landscape is meticulously crafted, immersing viewers in a world where sound becomes a character of its own. Under the expert guidance of Sound Supervisor and Re-recording Mixer Robert Mackenzie, the film's soundscape captures the raw intensity and subtle nuances of each scene. Collaborating with Re-recording Mixer and Sound Designer Tara Webb, Mackenzie weaves a tapestry of sound that enhances the narrative's emotional depth. Dialogue Editor Jessica Meier ensures every word resonates with clarity, while Sound Post Producer Helen Field orchestrates the seamless integration of these elements, creating an unforgettable auditory experience. Directed by Eddie Martin. Sound Supervisor: Robert Mackenzie Re-recording Mixer: Robert Mackenzie & Tara Webb Sound Design: Tara Webb Sound Post Producer: Helen Field Dialogue Editor: Jessica Meier --- ### Page: https://www.rms.studio/work/foe Title: Foe | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie crafts an immersive soundscape in Foe, enhancing Garth Davis's dystopian narrative with intricate audio elements. Language: en-AU Canonical URL: https://www.rms.studio/work/foe ## Headings Structure: H1: Foe H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Foe H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Foe," the soundscape intricately weaves the tension and emotional depth of a dystopian future. Robert Mackenzie, as the sound designer, crafts an auditory experience that immerses the audience in the isolation of Henrietta and Junior's farm. The subtle hum of biomechanical life and the eerie silence of their secluded land amplify the film's exploration of identity and love. Collaborating with a skilled team, Mackenzie ensures each sound element, from the delicate rustle of crops to the unsettling presence of Terrance, enhances the narrative's complexity. The sound design becomes a character of its own, echoing the film's themes and emotional beats. Sound Designer: Robert Mackenzie Sound Editor: James Ashton ADR Mixer: Simon Diggins & Caitlin McDaid Boom Operator: Cam Eason & Timothy Smith Technical Assistant: Owen Grieve Foley Recordist: Simon Koehn Assistant Sound Editor: Matthew Lee Foley Artist: Adrian Medhurst Foley Editor: Adrian Medhurst Sound Effects Editor: Jessica Meier Dialogue Editor: Glenn Newnham Sound Recordist: Roger Van Wensveen --- ### Page: https://www.rms.studio/work/furiosa Title: Furiosa | Sound Post Production | RMS Meta Description: Experience Furiosa's immersive soundscape by Robert Mackenzie, enhancing George Miller's post-apocalyptic vision with acclaimed audio. Language: en-AU Canonical URL: https://www.rms.studio/work/furiosa ## Headings Structure: H1: Furiosa H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Furiosa H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Furiosa," the desolate wasteland comes alive through the intricate soundscape crafted by Robert Mackenzie and his team. The film's auditory experience, nominated for multiple awards including the Golden Reel and INOCA, immerses viewers in a world where every revving engine and distant explosion tells a story. Mackenzie's dual role as sound designer and re-recording mixer ensures a seamless blend of effects and foley, capturing the raw intensity of Furiosa's journey. The sound design not only complements the visual narrative but also elevates the tension and emotion, making the post-apocalyptic landscape a character in its own right. Australian Academy of Cinema and Television Arts Australian Screen Sound Guild Australian Screen Sound Guild Online Film & Television Association DiscussingFilm Critic Awards Astra Creative Arts Awards International Online Cinema Awards Motion Picture Sound Editors Sound Designers: James Ashton, Robert Mackenzie Sound Effects Editors: Tom Heuzenroeder, Tara Webb Sound Editor: Jessica Meier Dialogue Editor: Yulia Akerholt ADR Editor: Marisa Marsionis Foley Artists: Adrian Medhurst Foley Editors: Adrian Medhurst Foley Assistant: Simon Koehn ADR Mixers: Nick Roberts, Angus Robertson, Tami Treadwell, Aaron Southerland Assistant Sound Editor: Matthew Lee Wireless Technicians: Steve Caldwell, Sam Sergi Sound Recordist: Gary Hamden Sound Effects Recordist: Frank Lipson Production Sound Mixer: Ben Osmo Boom Operators: Jordan Anastasi, Jaedon Cooper, Todd Moore, James Nowiczewski, Jack Rodrigues Assistant Sound: Gunay Demirci, Sue Kerr, Todd Moore, Troy Murphie, Claire Read Second Assistant Sound: Sonja Stojkov, Michal Zoltkowski French Dialogue Editor: Laure Montagnol --- ### Page: https://www.rms.studio/work/galore Title: GALORE | Sound Post Production | RMS Meta Description: Sound mixer Robert Mackenzie creates a rich soundscape in Galore, capturing youth's chaos. Directed by Rhys Graham. Language: en-AU Canonical URL: https://www.rms.studio/work/galore ## Headings Structure: H1: GALORE H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: GALORE H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Galore," the soundscape weaves a rich tapestry of tension and emotion, capturing the essence of a sweltering summer and the tumultuous lives of four teenagers. Robert Mackenzie, as the Sound Mixer, plays a pivotal role in crafting the film's auditory experience, seamlessly blending the ambient sounds of encroaching bushfires with the intimate whispers of secrets and desires. The film's sound design, recognized with a nomination for the 2014 Australian Screen Sound Guild Award for Feature Film Soundtrack of the Year, immerses the audience in a world where every sound amplifies the chaos and vulnerability of youth. Head of Sound: Angus Robertson Sound Mixer: Robert Mackenzie Sound Designer: Emma Bortignon Sound Editor: Jed Palmer Re-recording Engineer: Sam Hayward & Duncan McRae ADR Recordist: Chris Goodes & Simon Rosenberg Additional ADR Recordist: Paul 'Salty' Brincat & Vic Kaspar ADR Editor: Andy Neil Dialogue Editor: Simon Walbrook Foley Artist: John Simpson Foley Recordist: Ryan Squires Foley Editor: Belinda Trimboli Boom Operator: Belle Galpin Sound Recordist: Steven Bond --- ### Page: https://www.rms.studio/work/gimpsey Title: GIMPSEY | Sound Post Production | RMS Meta Description: Sound design in GIMPSEY enhances its narrative with Robert Mackenzie's mixing, aligning with Sofya Gollan's vision for an immersive experience. Language: en-AU Canonical URL: https://www.rms.studio/work/gimpsey ## Headings Structure: H1: GIMPSEY H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: GIMPSEY H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the short film "GIMPSEY," the auditory landscape is meticulously crafted, drawing viewers into its world through the nuanced work of sound designers and mixers. Robert Mackenzie, as the sound mixer, orchestrates a symphony of subtle ambient sounds and dynamic audio cues, enhancing the film's emotional depth and narrative tension. Each sound element, from the faintest whisper to the most resonant echo, is seamlessly integrated, creating an immersive experience that complements Sofya Gollan's directorial vision. The collaboration with sound recordist Tim Lloyd and sound editor Liam Price ensures a rich auditory tapestry that captivates and engages the audience throughout. Sound Mixer: Robert Mackenzie Sound Recordist: Tim Lloyd Sound Editor: Liam Price Boom Operator: Chris Keros Sound Assistant: Amelia Hallett --- ### Page: https://www.rms.studio/work/girl-at-the-window Title: Girl at the Window | Sound Post Production | RMS Meta Description: Intricate sound design in Girl at the Window by Robert Mackenzie and team heightens suspense, immersing viewers in Mark Hartley's tense narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/girl-at-the-window ## Headings Structure: H1: Girl at the Window H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Girl at the Window H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Girl at the Window," the tension of suburban suspicion is heightened through the intricate soundscape crafted by the talented team. Robert Mackenzie, as the Re-Recording Mixer and Sound Supervisor, orchestrates a symphony of suspense, weaving together the chilling whispers of the night with the unsettling creaks of a seemingly ordinary home. The sound design, led by Peter Climpson and Jessica Meier, immerses the audience in the protagonist's world, where every rustle and distant siren becomes a clue. Adrian Medhurst's foley work adds a tactile layer, making each footstep and door creak resonate with the viewer's own heartbeat. Sound Producer: Monica Anderson Sound Designer/Sound Effects Editor: Peter Climpson, Jessica Meier Boom Operator: Cam Eason Re-Recording Mixer/Sound Supervisor: Robert Mackenzie Foley Editor/Mixer/Foley Recordist: Adrian Medhurst ADR Recordist: Liesl Pieterse Second Boom Operator: Lloyd Pratt Supervising Dialogue Editor: Simon Rosenberg Sound Equipment Supplier/Sound Recordist: Roger Van Wensveen --- ### Page: https://www.rms.studio/work/go-karts Title: Go Karts | Sound Post Production | RMS Meta Description: Intricate sound design by Robert Mackenzie and team immerses viewers in Go Karts, directed by Owen Trevor, capturing every race moment. Language: en-AU Canonical URL: https://www.rms.studio/work/go-karts ## Headings Structure: H1: Go Karts H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Go Karts H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Go Karts," the roar of engines and the thrill of the race are brought to life through the intricate soundscape crafted by Robert Mackenzie and his team. As the young protagonist navigates the high-stakes world of go-kart racing, Mackenzie's sound design captures every rev, skid, and cheer, immersing the audience in the visceral experience of the track. The collaboration between sound designers and mixers, including Phil Heywood and Angus Robertson, ensures that each moment resonates with authenticity and energy, driving the narrative forward and highlighting the emotional journey of ambition and growth. Supervising Sound Editor: Angus Robertson Sound Designer: Robert Mackenzie Re-Recording Mixer: Phil Heywood Re-Recording Engineer: Sam Hayward Sound Recordist: Trevor Hope Foley Supervisor: Blair Slater Foley Artist: Dan Johnston Foley Editor: Luisa Hadley & Miki Takahashi Foley Recordist: Duncan McAllister Dialogue Editor: Danielle Wiessner Sound Effects Editor: Mick Boraso Additional Sound Effects Editor: Tara Webb ADR Mixer: Alex Birch & Michael Fragomeni Boom Operator: Ben Cowman Audio Description Recordist: Michael Alcantara --- ### Page: https://www.rms.studio/work/hacksaw-ridge Title: Hacksaw Ridge | Sound Post Production | RMS Meta Description: Immerse in Hacksaw Ridge's soundscape by Robert Mackenzie, capturing war's chaos and serenity under Mel Gibson's direction. Language: en-AU Canonical URL: https://www.rms.studio/work/hacksaw-ridge ## Headings Structure: H1: Hacksaw Ridge H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hacksaw Ridge H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Hacksaw Ridge," the visceral soundscape crafted by Robert Mackenzie immerses audiences in the harrowing realities of war. As the sound designer and supervising sound effects editor, Mackenzie orchestrates a symphony of chaos and silence, capturing the tension of battle and the serenity of Desmond Doss's convictions. The film's sound design, recognized with numerous accolades including the Academy Award for Best Achievement in Sound Mixing and the BAFTA for Best Sound, underscores the emotional and physical landscapes of the narrative. Each auditory element, from the clash of combat to the quiet moments of reflection, is meticulously woven to enhance the storytelling. International Sound & Film Music Festival Association of Motion Picture Sound Hamilton Behind the Camera Awards Australian Screen Sound Guild Australian Screen Sound Guild Australian Screen Sound Guild Online Film & Television Association Soundtrack of the Year Australian Screen Sound Guild Australian Screen Sound Guild Online Film & Television Association International Online Cinema Awards Online Film & Television Association Best Sound Effects and Foley Motion Picture Sound Editors Best Dialogue and ADR Motion Picture Sound Editors British Academy of Film and Television Arts International Press Academy Satellite Awards Re-recording Mixer: Robert Mackenzie, Kevin O'Connell & Andy Wright Sound Supervisor: Andy Wright Sound Designer: Robert Mackenzie Supervising Sound Effects Editor: Robert Mackenzie Supervising ADR Editor: Justine Angus ADR Supervisor: Kimberly Harris ADR Mixer: Peter Gleaves, Howard London, Brian Smith & Patrick Christensen Sound Recordist: Peter Grace Sound Recordist: Second Unit: Martin Pashley Dialogue Editor: Jed M. Dodge Sound Effects Editor: Steve Burgess, Liam Price & Tara Webb Foley Editor: Steve Burgess Foley Artist: Mario Vaccaro Foley Recordist: Alex Francis ADR Recordist: Harry Platford & Diego Ruiz Boom Operator: Shanti Burn, Andy Duncan & Sue Kerr Mix Technician: George Alamaras & Dan Sharp Sound Post Coordinator: Michelle Kaszai & Jasmine Turnbull Sound Assistant: Ben Yeadon & Michael Grisold Additional ADR Editor: Michele Perrone Additional: Glenn Finnan Sound Attachment: Tania Payne --- ### Page: https://www.rms.studio/work/hail Title: Hail | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie crafts an immersive soundscape in Hail, enhancing Dan and Leanne's journey under Amiel Courtin-Wilson's direction. Language: en-AU Canonical URL: https://www.rms.studio/work/hail ## Headings Structure: H1: Hail H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hail H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Hail," the soundscape crafted by Robert Mackenzie immerses the audience in the raw and intimate world of Dan and Leanne. As Dan steps out of a Melbourne jail, the nuanced layers of sound design and mixing capture the couple's tender moments and the vibrant energy of their surroundings. Mackenzie's work seamlessly blends the ambient sounds of the city with the emotional undertones of the narrative, creating an auditory experience that enhances the film's exploration of redemption and love. The sound design becomes a character in itself, guiding viewers through the couple's journey with subtlety and depth. Re-recording Mixer: Robert Mackenzie Sound Designer: Robert Mackenzie Sound Recordist: Ben Travers Additional Sound Recordist: Steven Bond, Ed Denton & Lachlan Harris --- ### Page: https://www.rms.studio/work/hero Title: Hero | Sound Post Production | RMS Meta Description: Award-winning sound design by Robert Mackenzie enhances the emotional depth of Yimou Zhang's Hero, immersing viewers in ancient China's drama. Language: en-AU Canonical URL: https://www.rms.studio/work/hero ## Headings Structure: H1: Hero H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hero H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the evocative landscape of ancient China, "Hero" weaves a tale of intrigue and ambition, brought to life through its award-winning sound design. The film's auditory experience, recognized with the Golden Rooster Award for Best Sound and the Motion Picture Sound Editors, USA award for Best Sound Editing in Foreign Features, immerses viewers in the tension and drama of the Warring States period. Robert Mackenzie, as a Sound Effects Editor, plays a pivotal role in crafting the film's sonic tapestry, blending the clash of swords and the whisper of the wind to enhance the narrative's emotional depth and historical authenticity. Re-recording Mixer / Supervising Sound Editor: Roger Savage Sound Effects Editor: Wei He, Robert Mackenzie, Andy Neil, Paul Pirola Sound Editor: Steve Burgess, Francis Ward Lindsay, Glenn Newnham, Jing Tao Foley Mixer & Editor / Foley Recordist: Blair Slater Foley Artist: Mario Vaccaro Dolby Consultant: Bruce Emery Sound Technician: Lai Jia Bin, Tao Jun Jie Sound Assistant: Li Pei Gen, Yu Hou, Peng Jiang, Guoli Si, Li Wen, Wang Yu Assistant Re-recording Mixer: Andy Wright First Sound Assistant: Zhigang Zhang Sound Effects Editor / Sound Post-Production Engineer: Wei He --- ### Page: https://www.rms.studio/work/holding-the-man Title: Holding the Man | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie crafts an immersive auditory experience in Holding the Man, enhancing Neil Armfield's emotional narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/holding-the-man ## Headings Structure: H1: Holding the Man H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Holding the Man H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Holding the Man," the soundscape weaves an intimate tapestry that echoes the emotional depth of Tim and John's enduring love story. Robert Mackenzie, as the sound designer and re-recording mixer, crafts an auditory experience that captures the nuances of their journey, from the bustling school corridors to the quiet moments of introspection. The film's sound design, recognized with a nomination for the Australian Screen Sound Guild Award, immerses the audience in a world where every whisper and heartbeat resonates with authenticity. Mackenzie's work, alongside the talented sound team, elevates the narrative, allowing the story to transcend the screen. Sound Supervisor: William Ward Supervising Sound Editor: William Ward Re-Recording Mixer: Glenn Butler & Robert Mackenzie Sound Designer: Robert Mackenzie Supervising Dialogue Editor: Jed M. Dodge ADR Editor: Justine Angus Foley Editor: Luisa Hadley Foley Artist: Dan Johnston Sound Effects Editor: Tara Webb Production Sound Mixer: Mark Cornish ADR Recordist: Doron Kipen Boom Operator: Nicole Lazaroff & Dan Lustri & Helen McGrath Foley Recordist: Duncan McAllister --- ### Page: https://www.rms.studio/work/i-am-woman Title: I Am Woman | Sound Post Production | RMS Meta Description: Sound Designer Robert Mackenzie crafts a vibrant 60s-70s soundscape in I Am Woman, directed by Unjoo Moon, capturing Helen Reddy's era. Language: en-AU Canonical URL: https://www.rms.studio/work/i-am-woman ## Headings Structure: H1: I Am Woman H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: I Am Woman H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "I Am Woman," the soundscape is a vibrant tapestry that immerses the audience in the era of Helen Reddy's rise. Robert Mackenzie, as the Sound Designer, crafts an auditory journey that echoes the spirit of the 1960s and 70s, capturing the essence of Reddy's iconic anthem. The film's sound team, including Ben Osmo and Pete Smith, weaves together live performances and intimate moments, earning nominations from the Motion Picture Sound Editors and the Australian Academy of Cinema and Television Arts. The ARIA Music Award-winning soundtrack underscores the film's powerful narrative, resonating with the fight for change. Australian Academy of Cinema and Television Arts Motion Picture Sound Editors Sound Designer: Robert Mackenzie Production Sound Mixer: Ben Osmo Co-Supervising Sound Editor: Tara Webb Re-Recording Mixer: Pete Smith Dialogue Editor: Jed M. Dodge ADR Mixer: Jeffrey Roy & Justin Spasevski Mix Assistant: Carlos Manrique Clavijo Playback Operator: Nicholas Reich --- ### Page: https://www.rms.studio/work/judy-punch Title: Judy & Punch | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie and team create an immersive, chaotic soundscape in Judy & Punch, directed by Mirrah Foulkes. Language: en-AU Canonical URL: https://www.rms.studio/work/judy-punch ## Headings Structure: H1: Judy & Punch H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Judy & Punch H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Judy & Punch," the chaotic soundscape of Seaside is brought to life through the meticulous work of sound designer Robert Mackenzie. The film's auditory experience immerses the audience in a world teetering on the edge of chaos, where the clamor of the town's "stoning day" and the intimate whispers of the puppeteers' world collide. Mackenzie, alongside dialogue and ADR supervisor Leah Katz and sound effects editor Tara Webb, crafts a rich tapestry of sound that underscores the tension and emotion of the narrative. The sound team’s work elevates the film, creating an atmosphere that is both haunting and immersive. Sound Designer: Robert Mackenzie Dialogue and ADR Supervisor: Leah Katz Sound Effects Editor: Tara Webb Sound Recordist: Andrew Ramage Boom Operator: Dan Giles & Hugh Palmer Foley Recordist: Megan Howieson --- ### Page: https://www.rms.studio/work/krrish Title: Krrish | Sound Post Production | RMS Meta Description: Sound design by Robert Mackenzie, Baylon Fonseca, and Nakul Kamte enhances Krrish with an immersive auditory experience. Language: en-AU Canonical URL: https://www.rms.studio/work/krrish ## Headings Structure: H1: Krrish H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Krrish H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Krrish," the soundscape is a dynamic force, weaving through the narrative of a young hero's journey. The film's auditory experience, recognized with multiple awards, is a testament to the intricate work of the sound team. Robert Mackenzie, as a sound editor, played a pivotal role in crafting the film's immersive sound environment. His contributions, alongside those of Baylon Fonseca and Nakul Kamte, elevate the tension and emotion, from the bustling streets of Singapore to the climactic confrontations. The sound design and mixing create a vivid auditory backdrop that enhances the film's exploration of power and responsibility. Sound Designer: Baylon Fonseca, Nakul Kamte Supervising Sound Editor: Nakul Kamte Sound Engineer: John Stewart Eduri, Satya Hinduja, Aftad Khan Sound Recordist: Jitendra Chaudhary, Aftab Khan, Julian Mascarenhas Dialogue Editor: Royston D'Lima Sound Re-recordist: Anup Dev Associate Re-recording Mixer: Subir Kumar Das Sound Effects Editor: Vikram Biswas Sound Editor: Robert Mackenzie, Paul Pirola, Shankar Singh Supervising Foley Editor: Baylon Fonseca Foley Editor: Vijay Kumar Foley Artist: Karnail Singh Background Premix Engineer: S.k Agarwal Sound Mix Assistant: Aftad Khan Assistant Sound: Basant Kumar, Arvind Raihore Location Sound Recordist: Arvind Rathod Mix Mastering: Ashish Manchanda Sound Remix: Salim Merchant Dubbing Matching: Shankar Singh --- ### Page: https://www.rms.studio/work/kung-fu-hustle Title: Kung Fu Hustle | Sound Post Production | RMS Meta Description: Sound design in Kung Fu Hustle by Robert Mackenzie enhances 1940s Canton with dynamic kung-fu battles and comedy, earning a Golden Reel nod. Language: en-AU Canonical URL: https://www.rms.studio/work/kung-fu-hustle ## Headings Structure: H1: Kung Fu Hustle H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Kung Fu Hustle H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Kung Fu Hustle," the vibrant soundscape transports audiences to 1940s Canton, where the clash between the notorious Axe Gang and hidden kung-fu masters unfolds. Robert Mackenzie, as Sound Effects Editor, intricately weaves the auditory elements, enhancing the explosive kung-fu battles and the film's comedic undertones. The film's sound design, recognized with a Golden Reel Award nomination, captures the essence of each character's martial arts prowess, from the resonant echoes of the Landlady's Lion's Roar to the rhythmic intensity of the mystical assassins' Guqin. This auditory journey immerses viewers in a world where sound becomes a pivotal character. Re-recording Mixer: Steve Burgess, Robert Mackenzie, Paul Pirola Sound Designer: Steve Burgess, Paul Pirola, Steven Ticknor Supervising Sound Editor: Steve Burgess Sound Editor: Chris Goodes, Vic Kaspar, Jo Mion, Andy Neil, Stan Yau Foley Artist: Jason Mannell, Mario Vaccaro Dolby Consultant: Bruce Emery Sound Effects Editor: Robert Mackenzie --- ### Page: https://www.rms.studio/work/lantana Title: Lantana | Sound Post Production | RMS Meta Description: Discover the intricate soundscape of Lantana by Robert Mackenzie and Andrew Plain, enriching Ray Lawrence's narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/lantana ## Headings Structure: H1: Lantana H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Lantana H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Lantana," the intricate soundscape weaves through the unraveling lives of four couples, echoing their emotional turmoil and the mystery of a young woman's death. The film's auditory experience, recognized by the Australian Screen Sound Guild with an award for Best Achievement in Sound, is a testament to the meticulous work of the sound team. Robert Mackenzie, as an ADR Artist, played a pivotal role in crafting the film's dialogue, ensuring each word resonated with authenticity and depth. The sound design, led by Andrew Plain, immerses the audience in a world where every whisper and ambient noise adds layers to the unfolding drama. Sound Designer: Andrew Plain Sound Mixer: Martin Oswin, Roger Savage & Robert Sullivan Sound Recordist: Syd Butterworth Sound Attachment: Paul Korber ADR Artist: Robert Mackenzie, Michael Thompson & Andy Wright Boom Operator: Graham McKinney Dialogue Editor: Nada Mikas Atmosphere Editor: Linda Murdoch Assistant Sound Editor: Bronwyn Murphy & Lidia Tamplenizza Stereo Sound Consultant: Steve Murphy Sound Effects Editor: Mark Ward Foley Artist: John Simpson Sound Mixer: Syd Butterworth (uncredited) ADR Mixer: Greg Steele (uncredited) --- ### Page: https://www.rms.studio/work/last-man-standing Title: Last Man Standing | Sound Post Production | RMS Meta Description: The sound team of Last Man Standing (2005) crafts an immersive audio experience, led by Robert Mackenzie, enhancing the series' tension and drama. Language: en-AU Canonical URL: https://www.rms.studio/work/last-man-standing ## Headings Structure: H1: Last Man Standing H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Last Man Standing H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Adrian Holmes, Daniel Nettheim, Declan Eames, Elise McCredie, Emma Freeman, Grant Brown, Ian Gilmour, Jeffrey Walker, Pino Amenta, Steve Jodrell In the TV series "Last Man Standing" (2005), the soundscape is a testament to the intricate work of the sound post-production team. Robert Mackenzie, as the re-recording mixer, orchestrates a seamless blend of dialogue, ambient sounds, and effects, creating an immersive auditory experience. The sound effects editors, James Harvey and Chris Goodes, craft a rich tapestry of sounds that enhance the narrative's tension and drama. Foley artist Natalie Choo adds depth with meticulously synchronized sound effects, while sound recordists Andrew Ramage and Gretchen Thornburn capture the essence of each scene. The collaborative effort results in a sound design that elevates the storytelling. Re-recording Mixer: Robert Mackenzie Sound Effects Editor: James Harvey, Chris Goodes Foley Artist: Natalie Choo Sound Recordist: Andrew Ramage & Gretchen Thornburn Boom Operator: Mark Williams --- ### Page: https://www.rms.studio/work/lets-get-skase Title: Let's Get Skase | Sound Post Production | RMS Meta Description: Experience the high-stakes pursuit in Let's Get Skase through Robert Mackenzie's intricate soundscape. Directed by Matthew George. Language: en-AU Canonical URL: https://www.rms.studio/work/lets-get-skase ## Headings Structure: H1: Let's Get Skase H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Let's Get Skase H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Let's Get Skase," the tension of a high-stakes pursuit is brought to life through the intricate soundscape crafted by Robert Mackenzie and his team. The sound mixer, alongside Steve Burgess, weaves a tapestry of immersive audio that captures the essence of the chase. John Penders' sound effects editing adds layers of intensity, while Peter Burgess' dialogue editing ensures every word resonates with clarity. The Foley work by Steve Burgess and Gerry Long, combined with Scott Montgomery's sound recording, creates a vivid auditory experience. This film's sound design is a testament to the collaborative artistry of its post-production team. Sound Mixer: Robert Mackenzie & Steve Burgess Sound Effects Editor: John Penders Dialogue Editor: Peter Burgess Foley: Steve Burgess & Gerry Long Sound Recordist: Scott Montgomery ADR Recordist: Andy Neil Boom Operator: Lee Ucich Sound Assistant: Ben Hoadley --- ### Page: https://www.rms.studio/work/letters-to-ali Title: Letters to Ali | Sound Post Production | RMS Meta Description: The soundscape in this Clara Law documentary immerses viewers in an alien-invaded NYC, with Robert Mackenzie's mixing heightening suspense. Language: en-AU Canonical URL: https://www.rms.studio/work/letters-to-ali ## Headings Structure: H1: Letters to Ali H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Letters to Ali H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Letters to Ali," the soundscape becomes a character of its own, immersing the audience in the tension of an alien-invaded New York City. Robert Mackenzie's re-recording mixing crafts an auditory experience that heightens the suspense and urgency of Sam's journey. The intricate layering of sound elements, from the subtle rustle of footsteps to the distant echoes of chaos, draws viewers into the film's world. Alongside Livia Ruzic's sound design, the film's audio narrative captures the raw emotion and intensity of survival, making the audience feel every heartbeat and breath in this gripping documentary by Clara Law. Narration Recordist: Chris Goodes Re-recording Mixer: Robert Mackenzie --- ### Page: https://www.rms.studio/work/lil-horrors Title: Li'l Horrors | Sound Post Production | RMS Meta Description: Sound in Li'l Horrors is expertly crafted by Robert Mackenzie, Paul Pirola, and Francis Ward Lindsay, enhancing Ralph Strasser's whimsical series. Language: en-AU Canonical URL: https://www.rms.studio/work/lil-horrors ## Headings Structure: H1: Li'l Horrors H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Li'l Horrors H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the whimsical world of "Li'l Horrors," sound becomes a character of its own, weaving through each episode with precision and creativity. Under the expert guidance of Re-recording Mixer Robert Mackenzie, the series transforms everyday sounds into an immersive auditory experience. Collaborating with Sound Supervisor Paul Pirola and Foley Artist Francis Ward Lindsay, Mackenzie crafts a soundscape that brings the quirky, spooky adventures to life. Each creak, whisper, and giggle is meticulously layered, enhancing the narrative and drawing viewers into the eerie yet charming universe of "Li'l Horrors." Sound Supervisor: Paul Pirola Re-recording Mixer: Robert Mackenzie Foley Artist: Francis Ward Lindsay Sound Editor: Francis Ward Lindsay --- ### Page: https://www.rms.studio/work/lion Title: Lion | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie creates an immersive audio experience in Lion, enhancing Saroo's journey from Calcutta to Tasmania. Language: en-AU Canonical URL: https://www.rms.studio/work/lion ## Headings Structure: H1: Lion H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Lion H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Lion," the soundscape becomes a narrative force, guiding audiences through Saroo's poignant journey from the bustling streets of Calcutta to the serene landscapes of Tasmania. Robert Mackenzie, as the sound designer and supervising sound editor, crafts an auditory experience that captures the chaos and isolation of Saroo's early life and the emotional resonance of his search for home. The film's sound design, recognized with multiple awards from the Australian Screen Sound Guild and the Motion Picture Sound Editors, USA, immerses viewers in Saroo's world, where every sound detail echoes his internal and external struggles, culminating in a powerful reunion. Australian Academy of Cinema and Television Arts Sound Designer: Robert Mackenzie Supervising Sound Editor: Robert Mackenzie Re-Recording Mixer: Steve Burgess, Robert Mackenzie Re-Recording Engineer: Chris Goodes Sound Mixer: Nakul Kamte Dialogue Supervisor: Glenn Newnham Sound Effects Editor: James Ashton Foley Artist: Adam Connelly, Mario Vaccaro Foley Recordist & Editor: Alex Francis ADR Mixer: James Drake, Max Greene, Jonathan Jost, J. Seeman ADR Recordist: Liesl Pieterse, Diego Ruiz, David Williams ADR Engineer: Aravind Vijayakumar Boom Operator: Ashraf Khan, Chris O'Shea Utility Sound Technician: Tobi Armbruster Sound Post Producer: Helen Field Sound Associate: Gautier Isern Dolby Consultant: Bruce Emery Sound Recordist: Andrew Ramage Additional Recordist: Jayesh Dhakan ADR Mixer: London: James Drake --- ### Page: https://www.rms.studio/work/lore Title: Lore | Sound Post Production | RMS Meta Description: Sound design in Lore by Robert Mackenzie and Sam Petty immerses viewers in war-torn Germany, enriching Cate Shortland's story. Language: en-AU Canonical URL: https://www.rms.studio/work/lore ## Headings Structure: H1: Lore H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Lore H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Lore," the soundscape intricately weaves the haunting echoes of war-torn Germany with the intimate whispers of a family's struggle for survival. Robert Mackenzie, alongside Sam Petty, crafts a sonic journey that immerses the audience in the visceral realities of the era. The film's sound design, recognized with nominations from the Asia-Pacific Film Festival and the Australian Screen Sound Guild, captures the tension and vulnerability of a world in flux. Each sound element, from the subtle rustle of leaves to the distant rumble of conflict, is meticulously mixed to enhance the narrative's emotional depth and authenticity. Sound Designer: Sam Petty Sound Mixer: Robert Mackenzie & Sam Petty Supervising Sound Editor: Sam Petty Dialogue Editor: Yulia Akerholt & Antony Gray Foley Editor: Lucas Bone Sound Recordist: Michael Busch Foley Recordist: Adam Connelly Facility Manager: Jasmin Cornford Dolby Consultant: Bruce Emery ADR Recordist: Uwe Engel & Liesl Pieterse Atmospheres Editor: Jasmine Guffond Boom Swinger: Michael Janssen Mix Assistant: Liesl Pieterse Effects Editor: Brooke Trezise Foley Walker: Mario Vaccaro Sound Department Trainee: Nikolai Voigt --- ### Page: https://www.rms.studio/work/mallboy Title: Mallboy | Sound Post Production | RMS Meta Description: Sound design in Mallboy captures Melbourne's northern suburbs' essence, enhancing Shaun's journey. Directed by Vincent Giarrusso. Language: en-AU Canonical URL: https://www.rms.studio/work/mallboy ## Headings Structure: H1: Mallboy H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mallboy H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mallboy," the soundscape intricately weaves the ambient hum of Melbourne's northern suburbs with the intimate sounds of a young boy's tumultuous journey. Robert Mackenzie, as Assistant Sound Mixer, played a pivotal role in crafting the film's auditory experience, ensuring each sound detail resonated with authenticity. The collaboration between sound designers and mixers, including Philip Brophy and Steve Burgess, brings to life the bustling shopping centers and the quiet moments of introspection. This short film invites audiences to listen closely, as the nuanced sound design amplifies the emotional depth of Shaun's transition from adolescence to adulthood. Sound Designer: Philip Brophy Sound Mixer: Steve Burgess Sound Recordist: Jock Healy Assistant Sound Mixer: Robert Mackenzie Assistant Sound Editor: Adam Milburn Boom Operator: Chris O'Shea Sound Effects Recording: Jenny Sochackyj --- ### Page: https://www.rms.studio/work/maos-last-dancer Title: Mao's Last Dancer | Sound Post Production | RMS Meta Description: Explore the award-winning sound design in Mao's Last Dancer, directed by Bruce Beresford, capturing cultural contrasts and emotional depth. Language: en-AU Canonical URL: https://www.rms.studio/work/maos-last-dancer ## Headings Structure: H1: Mao's Last Dancer H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mao's Last Dancer H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mao's Last Dancer," the intricate tapestry of sound weaves through the journey of a young Chinese dancer navigating cultural and personal upheavals. The film's auditory landscape, recognized with the Australian Screen Sound Guild award for Best Achievement in Sound for Film Sound Recording, is a testament to the meticulous work of the sound team. Robert Mackenzie, as ADR Recordist, played a pivotal role in capturing the nuanced dialogue that breathes life into the characters' emotional arcs. The sound design, led by Andy Neil, immerses the audience in the contrasting worlds of Beijing and Houston, enhancing the narrative's emotional depth. Supervising Sound Editor / Sound Designer / Re-Recording Mixer: Andy Neil Re-Recording Mixer: Roger Savage Sound Mixer: David Lee Supervising Dialogue Editor: Yulia Akerholt Sound Effects Editor: Mark Franken & Hongrui Ji ADR Mixer: Miik Dinko & Alan Freedman ADR Recordist: Robert Mackenzie & Liesl Pieterse & Andy Wright ADR Supervisor: Ben Zhang Foley Artist: Xu Miao & Mario Vaccaro Foley Editor: Danielle Barron & Yanchao Yang Foley Recordist: Ye Gong & Blair Slater Boom Operator: Mark van Kool & Lizhong Wang & Jinbao Wang Sound Assistant: Stacey Parish & Sheng Wang Sound Facilities Manager: Asha Ardill Dolby Consultant: Bruce Emery Sound Editing Assistant / Sound Mixing Assistant: Brooke Trezise Assistant Dialogue Editor: Yijing Zhang Sound Recordist: Jiang Wu --- ### Page: https://www.rms.studio/work/mary-magdalene Title: Mary Magdalene | Sound Post Production | RMS Meta Description: Sound design by Robert Mackenzie in Mary Magdalene immerses viewers in Judea's ancient world, enhancing Garth Davis's narrative with rich audio. Language: en-AU Canonical URL: https://www.rms.studio/work/mary-magdalene ## Headings Structure: H1: Mary Magdalene H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mary Magdalene H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mary Magdalene," the soundscape intricately weaves the ancient world of Judea with the intimate journey of a woman seeking autonomy. Robert Mackenzie, as both Sound Designer and Supervising Sound Editor, crafts an auditory experience that immerses the audience in the tension and tranquility of Mary's path. The subtle interplay of ambient sounds and dialogue, enhanced by the meticulous work of the sound team, underscores the emotional depth of her encounters with Jesus and the disciples. Each sound element, from the rustle of robes to the distant echoes of Jerusalem, enriches the narrative, inviting viewers to listen as much as they watch. Production Sound Mixer: Stuart Wilson Sound Designer: Robert Mackenzie Supervising Sound Editor: Robert Mackenzie Re-Recording Mixer: Chris Goodes Sound Mixer: Paul Williams Dialogue Editor: Glenn Newnham ADR Editor: Andy Neil ADR Mixer: Thibault Arnold & Rob Davidsson ADR Recordist: Liesl Pieterse Sound Editor: James Ashton, Dylan Burgess & Steve Burgess Foley Editor: Lee Yee Foley Recordist: Michael Grisold Main Boom Operator: Orin Beaton Boom Operator: Lee Sharp Second Assistant Sound: David Giles Sound Recordist: Paul Paragon --- ### Page: https://www.rms.studio/work/mercury Title: Mercury | Sound Post Production | RMS Meta Description: Experience the suspenseful soundscape of Mercury, crafted by Robert Mackenzie, as it heightens the tension in this gripping thriller. Language: en-AU Canonical URL: https://www.rms.studio/work/mercury ## Headings Structure: H1: Mercury H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mercury H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading The search results do not provide information about the director for the production with the IMDb title ID tt1765912. However, you can find the director's name by visiting the IMDb page directly. In the short thriller film "Mercury," the tension is palpable as one man races against time to thwart an international conspiracy. The soundscape, crafted by Robert Mackenzie, immerses the audience in a world of suspense and urgency. As both the sound editor and mixer, Mackenzie intricately weaves together layers of sound, from the subtle rustle of a clandestine meeting to the heart-pounding intensity of a high-stakes chase. His work elevates the narrative, drawing viewers into the protagonist's perilous journey and enhancing the film's gripping atmosphere. Sound Editor: Robert Mackenzie Sound Mixer: Robert Mackenzie --- ### Page: https://www.rms.studio/work/mercy Title: Mercy | Sound Post Production | RMS Language: en-AU Canonical URL: https://www.rms.studio/work/mercy ## Headings Structure: H1: Mercy H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mercy H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading --- ### Page: https://www.rms.studio/work/mortal-kombat Title: Mortal Kombat | Sound Post Production | RMS Meta Description: Experience the meticulously crafted soundscape of Mortal Kombat, led by Robert Mackenzie, with award-winning sound design. Language: en-AU Canonical URL: https://www.rms.studio/work/mortal-kombat ## Headings Structure: H1: Mortal Kombat H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mortal Kombat H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mortal Kombat," the soundscape becomes a battlefield of its own, where every clash and whisper is meticulously crafted. Robert Mackenzie, as Supervising Sound Editor and Sound Designer, orchestrates a symphony of tension and release, immersing audiences in the visceral world of Earthrealm and Outworld. His collaboration with re-recording mixers Phil Heywood and Matt Gruber, among others, earned the film the 2021 ASSG Award for Best Film Sound Mixing and the AACTA Award for Best Sound in Film. The sound design, a tapestry of elemental forces and martial artistry, elevates the narrative, making each moment resonate with intensity. Australian Screen Sound Guild Australian Screen Sound Guild Australian Academy of Cinema and Television Arts Re-Recording Mixer: Phil Heywood, Robert Mackenzie, Matt Gruber Sound Designer: James Ashton, Mick Boraso, Steve Burgess, Robert Mackenzie Supervising Sound Editor: Robert Mackenzie Dialogue & ADR Supervisor: Jed M. Dodge ADR Mixers: James Bowman, Vic Kaspar, Liam Moses, Angus Robertson, Napatz Singkarat, Aaron Southerland, Chris Whiteside, Tami Treadwell ADR Editor: Leah Katz ADR Recordist: Pete Best, Ben Stewart Sound Editor: Dylan Burgess Assistant Sound Editor: Jessica Meier, Christopher Vetrisano Sound Effects Editor: Tara Webb Foley Artist: Adrian Medhurst, Sam Rogers Foley Editor: Adrian Medhurst, Ryan Squires Assistant Foley Editor: Sam Rogers Foley Mixer: Duncan Campbell Sound Recordist: Des Kenneally, Will Sheridan Boom Operators: Marco Arlotta, Leigh Kenyon, Jack Rodrigues, Travis Williamson, Nick Steele, Aimee Mullins --- ### Page: https://www.rms.studio/work/mortal-kombat-2 Title: Mortal Kombat II | Sound Post Production | RMS Language: en-AU Canonical URL: https://www.rms.studio/work/mortal-kombat-2 ## Headings Structure: H1: Mortal Kombat II H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mortal Kombat II H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading --- ### Page: https://www.rms.studio/work/mountain Title: Mountain | Sound Post Production | RMS Meta Description: Experience the majestic soundscape of Mountain, crafted by Robert Mackenzie and Detlef Halaski, enhancing Jennifer Peedom's visual narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/mountain ## Headings Structure: H1: Mountain H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mountain H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mountain," the soundscape becomes a character of its own, enveloping viewers in the awe-inspiring world of peaks and valleys. Robert Mackenzie, alongside Detlef Halaski, crafts an auditory journey that mirrors the film's visual grandeur. The subtle crunch of snow underfoot, the distant echo of avalanches, and the whispering winds are meticulously woven to enhance the narrative's existential themes. This intricate sound design, recognized with the AACTA Award for Best Sound in a Documentary, invites audiences to not just see, but truly feel the mountains' majesty and the human connection to these towering giants. Re-recording Mixer: Detlef Halaski, Robert Mackenzie Foley Artist: Dan Johnston Foley Recordist: Duncan McAllister Foley Editor: Andrew Simmons Foley Supervision: Blair Slater --- ### Page: https://www.rms.studio/work/mountain-quest Title: Mountain Quest | Sound Post Production | RMS Meta Description: Experience an immersive soundscape in Mountain Quest, with Robert Mackenzie's mixing and Jennifer Peedom's direction, capturing mountain beauty. Language: en-AU Canonical URL: https://www.rms.studio/work/mountain-quest ## Headings Structure: H1: Mountain Quest H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mountain Quest H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mountain Quest," the soundscape becomes a character of its own, guiding audiences through the film's breathtaking journey. Robert Mackenzie, as the Re-Recording Mixer, crafts an immersive auditory experience that captures the raw power and serene beauty of the mountains. The meticulous work of Foley Supervisor Blair Slater and Foley Artist Dan Johnston brings authenticity to every crunch of snow and whisper of wind. Tara Webb's sound editing seamlessly integrates these elements, while Duncan McAllister's foley recordings add depth and texture. This collaboration results in a sound design that elevates the visual narrative, making "Mountain Quest" a truly captivating experience. Foley Supervisor and Editor: Blair Slater Foley Artist: Dan Johnston Re-Recording Mixer: Robert Mackenzie Foley Recordist: Duncan McAllister Foley Editor: Andrew Simmons Sound Editor: Tara Webb --- ### Page: https://www.rms.studio/work/mr-inbetween Title: Mr Inbetween | Sound Post Production | RMS Meta Description: Sound design in Mr Inbetween by Robert Mackenzie immerses viewers in Ray Shoesmith's dual life, enhancing Nash Edgerton's narrative with depth. Language: en-AU Canonical URL: https://www.rms.studio/work/mr-inbetween ## Headings Structure: H1: Mr Inbetween H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mr Inbetween H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mr Inbetween," the soundscape intricately weaves the duality of Ray Shoesmith's life, capturing the tension of his criminal undertakings and the tenderness of his personal relationships. Robert Mackenzie, as Re-Recording Mixer and Sound Supervisor, crafts an auditory experience that immerses viewers in Ray's world, balancing the stark contrast between his violent profession and his softer side. The series' sound design, recognized with the 2021 Australian Screen Sound Guild Award for Best Sound in a Drama or Comedy, enhances the narrative's dark humor and complex character dynamics, making the audience feel every pulse of Ray's multifaceted existence. Sound Recordist: Nathaniel Watkins Boom Operator: Andy Duncan, Gerry Nucifora & Piotr Wasilewski Re-Recording Mixer: Tom Heuzenroeder, Robert Mackenzie, Simon Rosenberg & Paul Pirola Sound Supervisor: Tom Heuzenroeder & Robert Mackenzie Sound Effects Editor: Duncan Campbell, Stuart Morton, Justin Spasevski & Mick Boraso Foley Artist: Adrian Medhurst & Les Fiddess Foley Editor: Adrian Medhurst, Brendan Hill & Troy Mauri Foley Recordist: Liam Moses, Duncan Campbell & Ryan Squires Dialogue Editor: Jed M. Dodge, Simon Rosenberg & Samuel Baker ADR Recordist: Liam Moses, James Andrews, Thom Kellar & Ben Stewart Sound Designer: Paul Pirola Assistant Sound Editor: Niels Gabriels Sound Assistant: Jessica Meier --- ### Page: https://www.rms.studio/work/mystify-michael-hutchence Title: Mystify/ Michael Hutchence | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie crafts an immersive journey in Mystify, capturing Michael Hutchence's life. Directed by Richard Lowenstein. Language: en-AU Canonical URL: https://www.rms.studio/work/mystify-michael-hutchence ## Headings Structure: H1: Mystify/ Michael Hutchence H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Mystify/ Michael Hutchence H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Mystify: Michael Hutchence," the soundscape becomes a narrative force, weaving through the tumultuous life of the INXS frontman. Robert Mackenzie, as both sound designer and re-recording mixer, crafts an auditory journey that echoes Hutchence's emotional depth and complexity. The documentary's sound design, recognized with the Australian Screen Sound Guild award for Best Sound, immerses viewers in a world where music and personal turmoil collide. Mackenzie's nuanced layering of sound elements, alongside Mick Boraso and the team, transforms archival footage and interviews into a visceral experience, capturing the essence of a troubled yet brilliant soul. Sound Designer: Mick Boraso, Robert Mackenzie Re-recording Mixer: Robert Mackenzie Sound Recordist: Richard Lowenstein Dialogue Editor: Simon Rosenberg Sound Mixer: Darcy Taranto Additional Sound Design: Lynn-Maree Milburn --- ### Page: https://www.rms.studio/work/not-quite-hollywood Title: Not Quite Hollywood | Sound Post Production | RMS Meta Description: Explore the vibrant resurgence of 1970s-80s Australian cinema through immersive soundscapes by Robert Mackenzie in Mark Hartley's documentary. Language: en-AU Canonical URL: https://www.rms.studio/work/not-quite-hollywood ## Headings Structure: H1: Not Quite Hollywood H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Not Quite Hollywood H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Not Quite Hollywood," the vibrant resurgence of the Australian film industry is brought to life through the lens of its audacious 1970s and 1980s exploitation films. The documentary immerses viewers in the era's raw energy, with Robert Mackenzie’s re-recording mixing playing a pivotal role in capturing the gritty essence of sex comedies, horror, and action genres. The soundscape, crafted by a talented team including Sound Supervisor Helen Field and Sound Mixer Mat Dennis, echoes the guerrilla filmmaking spirit, transporting audiences into the heart of this influential cinematic movement. Sound Supervisor: Helen Field Re-recording Mixer: Robert Mackenzie Sound Mixer: Mat Dennis Sound Recordist: Jock Healy Additional Sound Recordist: Ben Banks & David Glasser Sound Editor: Peter Mills --- ### Page: https://www.rms.studio/work/partisan Title: Partisan | Sound Post Production | RMS Meta Description: Sound design in Partisan by Robert Mackenzie enhances tension and mystery, immersing viewers in Ariel Kleiman's narrative of doubt and defiance. Language: en-AU Canonical URL: https://www.rms.studio/work/partisan ## Headings Structure: H1: Partisan H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Partisan H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Partisan," the soundscape intricately weaves through the narrative, amplifying the tension and mystery of a secluded commune. Robert Mackenzie, as the Re-recording Mixer and Sound Designer, crafts an auditory experience that immerses the audience in Alexander's world of doubt and defiance. The subtle layering of sound elements underscores the psychological depth of the characters, particularly in the confrontations between Alexander and Gregori. Nominated for Best Sound at the AACTA Awards, the film's sound design plays a pivotal role in revealing the dark undercurrents of this isolated society, making the audience feel every whisper of unease and every crescendo of conflict. Head of Sound: Angus Robertson Re-recording Mixer/Sound Designer: Robert Mackenzie Re-recording Engineer/Re-recording Engineer: Deluxe Stageone: Sam Hayward & Duncan McRae Production Sound Mixer/Sound Recordist: Dane Cody Dialogue Editor: James Ashton Foley Engineer: George Alamaras Foley Editor: Alex Francis Foley Artist: Mario Vaccaro ADR Recordist: Brendan Croxon & Bar On Shelly Boom Operator: Helen McGrath & Davit Sikharulidze Playback Operator/Utility Sound Person: Michael Taylor Sound Recordist: Ivane Gvaradze Sound Assistant: Levan Maisuradze Additional Voices: Ijsbrand Cocu, Paul Moder, Tony Nikolakopoulos, Gabriel Tokarev & Sima Tsyskin --- ### Page: https://www.rms.studio/work/patrick-evil-awakens Title: Patrick/ Evil Awakens | Sound Post Production | RMS Meta Description: Sound Designer Robert Mackenzie crafts an eerie soundscape in Patrick: Evil Awakens, blurring reality and the supernatural. Language: en-AU Canonical URL: https://www.rms.studio/work/patrick-evil-awakens ## Headings Structure: H1: Patrick/ Evil Awakens H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Patrick/ Evil Awakens H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Patrick: Evil Awakens," the eerie silence of a psychiatric ward is shattered by the unsettling soundscape crafted by Robert Mackenzie. As both Sound Designer and Supervising Sound Editor, Mackenzie weaves an auditory tapestry that blurs the line between reality and the supernatural. The film's tension is heightened by the meticulous work of Re-Recording Mixers James Ashton and Andy Neil, who layer the chilling whispers and haunting echoes that follow the young nurse's descent into chaos. Each sound element, from the subtle rustle of sheets to the ominous hum of medical equipment, immerses the audience in a world where sound becomes a harbinger of dread. Sound Designer: Robert Mackenzie Supervising Sound Editor: Robert Mackenzie Re-Recording Mixer: James Ashton & Andy Neil Dialogue Editor: James Ashton Sound Effects Editor: James Ashton Sound Editor: Alex Francis Sound Recordist: Jock Healy & Gretchen Thornburn Sound Engineer: Marco Streccioni Boom Operator: Jenny Sutcliffe Foley Recordist: George Alamaras Foley Artist: Mario Vaccaro --- ### Page: https://www.rms.studio/work/peter-rabbit Title: Peter Rabbit | Sound Post Production | RMS Meta Description: Sound design in Peter Rabbit by Robert Mackenzie enhances whimsy and comedic tension in the Lake District. Language: en-AU Canonical URL: https://www.rms.studio/work/peter-rabbit ## Headings Structure: H1: Peter Rabbit H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Peter Rabbit H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Peter Rabbit," the vibrant soundscape springs to life under the meticulous guidance of Robert Mackenzie, whose dual role as Supervising Sound Editor and Re-recording Mixer crafts an auditory experience that immerses audiences in the whimsical world of the Lake District. The film's sound design, recognized with an ASSG Award for Best Film Sound Editing, captures the playful mischief of Peter and his friends, while the dynamic mix of sound effects, dialogue, and Foley work, nominated for a Golden Reel Award, enhances the comedic tension between the rabbits and Mr. McGregor. Mackenzie's expertise ensures each rustle and hop resonates with charm and clarity. Supervising Sound Editor: Robert Mackenzie, & Andy Wright Re-recording Mixer: Robert Mackenzie, Kevin O'Connell, Paul Williams, & Andy Wright Supervising Dialogue and ADR Editor: Mark Franken Supervising ADR Editor: Ulrika Akander ADR Mixer: Garret Farrell, Jay Fisher, Aaron Hasson, Jeff Levy, Howard London, & Jean McGrath ADR Recordist: David Lucarelli ADR Editor: Mia Stewart ADR Coordinator: Mhairi Wyles-Lang Dialogue Editor: Leah Katz Assistant Dialogue ADR Editor: Mia Stewart Re-recording Mix Technician: Kyle Arzt Re-recording Technician: Diego Ruiz Mix Stage Engineer: Justin Herman Sound Mixer: Gary Dodkin, & Ben Osmo Sound Effects Editor: Mick Boraso, Steve Burgess, & Tara Webb Foley Artist: Adam Connelly, & Mario Vaccaro Foley Editor: Adam Connelly, Alex Francis, & Tara Webb Foley Recordist: Michael Grisold Sound Recordist Second Unit: Mario Gabrieli, & James Nowiczewski Second Assistant Sound: Peter Davis Assistant Sound Editor: Ines Richter Boom Operator: Jake Chilcott Post Production Sound: Tim Kuzniar II Sound Attachment: Sam Whittaker --- ### Page: https://www.rms.studio/work/peter-rabbit-2-the-runaway Title: Peter Rabbit 2 The Runaway | Sound Post Production | RMS Meta Description: Experience the vibrant soundscape of Peter Rabbit 2, crafted by Robert Mackenzie, enhancing Will Gluck's film with dynamic sound design. Language: en-AU Canonical URL: https://www.rms.studio/work/peter-rabbit-2-the-runaway ## Headings Structure: H1: Peter Rabbit 2 The Runaway H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Peter Rabbit 2 The Runaway H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Peter Rabbit 2: The Runaway," the vibrant soundscape crafted by Robert Mackenzie and his team immerses audiences in Peter's adventurous journey from the garden to the bustling city. The meticulous sound design captures the essence of each setting, from the rustling leaves of the countryside to the clamor of the city streets. The dynamic mix, led by Kevin O'Connell and Andy Wright, seamlessly blends dialogue, sound effects, and music, enhancing the film's emotional depth and comedic timing. This auditory experience invites viewers to explore Peter's world, where every sound tells a story of mischief, discovery, and self-discovery. Supervising Sound Editor: Robert Mackenzie, Andy Wright Re-Recording Mixer: Kevin O'Connell, Andy Wright, Shijil p Nair (uncredited) Production Sound Mixer: Ben Osmo Sound Mixer: Gary Dodkin Sound Editor: Steve Urban Sound Effects Editor: Mick Boraso, Stuart Morton, Tara Webb Dialogue Editor: Justine Angus, Leah Katz Foley Artist: Adam Connelly Foley Editor: Adam Connelly Foley Recordist: Alex Francis Supervising ADR Editor: Ulrika Akander ADR Recordist: Diego Ruiz, Phil Castellano Jr. (uncredited), Kristin Catuogno (uncredited), Tony Crowe (uncredited) ADR Mixer: Jean McGrath (uncredited) Dialogue Recordist: James Bowman Original Dialogue Mixer: Mark DeSimone (uncredited) Re-Recording Mix Technician: Kyle Arzt Re-Recording Mix Assistant: Owen Grieve Assistant Re-Recording Mixer: Amal a Kumar Assistant Sound Editor: Beth Bezzina, Megan Howieson, Jessica Meier First Assistant Sound: Dash Mason-Malik, Hosea Ntaborwa Second Assistant Sound: Jordan Feemster Boom Operator: Todd Moore Sound Editorial: Tim Kuzniar II Mix Stage Engineer: Justin Herman (uncredited) --- ### Page: https://www.rms.studio/work/porcelain-war Title: Porcelain War | Sound Post Production | RMS Meta Description: Experience Porcelain War, a soundscape of art and conflict in Ukraine, co-supervised by Robert Mackenzie. Directed by Bellomo & Leontyev. Language: en-AU Canonical URL: https://www.rms.studio/work/porcelain-war ## Headings Structure: H1: Porcelain War H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Porcelain War H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Brendan Bellomo, Slava Leontyev In "Porcelain War," the soundscape becomes a poignant narrative force, capturing the juxtaposition of art and conflict in Ukraine. Under the co-supervision of Robert Mackenzie, the sound design intricately weaves the thunder of fighter jets with the delicate sounds of artistic creation. The film's auditory experience, recognized with awards from the Australian Screen Sound Guild and the Hollywood Professional Association, immerses viewers in a world where beauty and resilience echo amid chaos. Each sound element, from the subtle rustle of a paintbrush to the distant rumble of war, is crafted to evoke the indomitable spirit of its subjects. Australian Screen Sound Guild Hollywood Professional Association Awards Co-Supervising Sound Editor: Jared Dwyer Dialogue Supervisor: Jared Dwyer Sound Designer: Jared Dwyer, Robert Mackenzie & Andrew Miller Re-Recording Mixer: Sam Hayward Sound Effects Editor: Alex Francis & Joe Mount Foley Artist: Diana Alexeyko, Adrian Medhurst & Diana Oleksiiko Foley Mixer: Duncan Campbell & Karina Rezhevska Sound Recordist: Slava Leontyev & Andrey Stefanov Assistant Sound Editor: Matthew Lee & Sean Walker RMS Producer: Monica Anderson Foley Editor: Pavel Niv'evskiy --- ### Page: https://www.rms.studio/work/red-cliff Title: Red Cliff | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of Red Cliff, crafted by Robert Mackenzie, where each sound detail enhances the epic drama of John Woo's film. Language: en-AU Canonical URL: https://www.rms.studio/work/red-cliff ## Headings Structure: H1: Red Cliff H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Red Cliff H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Red Cliff," the soundscape becomes a battlefield of its own, where Robert Mackenzie's re-recording mixing crafts an auditory experience that immerses the audience in the epic clashes of the Han Dynasty's final days. The film's sound design, recognized with accolades from the Satellite Awards and Hong Kong Film Awards, weaves together the chaos of war and the subtlety of strategic whispers. Each clash of swords and rustle of armor is meticulously layered, creating a vivid tapestry of sound that enhances the narrative's tension and drama. Mackenzie's contribution ensures that every auditory detail resonates with the film's grand scale. Re-recording Mixer / Supervising Sound Designer: Steve Burgess & Roger Savage Re-recording Mixer: Robert Mackenzie Sound Effects Editor: Chris Goodes, James Harvey, Peter Mills, Huijia Mo, Andy Neil, Glenn Newnham & Paul Pirola Foley Mixer & Editor: Blair Slater Foley Editor: Danielle Barron Dialogue Premixer: Wei He Dialogue Editor: Doris Wang ADR Editing Supervisor: Qiuxia Sun & Ben Zhang Sound Designer: Bo Wen SFX Recordist / Sound Effects Editor: Andy Neil Assistant Sound: Huijun Cao, Yuejun Cao, Wei Hu, Qinruo Mao, Yongsheng Ren, Lizhong Wang, Sam Wang, Sheng Wang, Jiang Wu & Shihe Yan Studio Assistant: Liesl Pieterse Premixing: Terry Tu & Sam Wang Post Production Supervisor: Ling Wu --- ### Page: https://www.rms.studio/work/red-cliff-ii Title: Red Cliff II | Sound Post Production | RMS Meta Description: Experience the epic battle of Red Cliff II through immersive sound design by Bo Wen and Robert Mackenzie, directed by John Woo. Language: en-AU Canonical URL: https://www.rms.studio/work/red-cliff-ii ## Headings Structure: H1: Red Cliff II H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Red Cliff II H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Red Cliff II," the clash of kingdoms is brought to life through an intricate tapestry of sound. Robert Mackenzie, as Re-recording Mixer, crafts an auditory landscape that immerses the audience in the epic battle at Red Cliff. The sound design, led by Bo Wen, and the meticulous editing by Glenn Newnham and Terry Tu, create a vivid sonic experience. The collaboration of the sound team, including Steve Burgess and Sam Wang, ensures every clash of swords and whisper of strategy resonates with authenticity, drawing viewers into the heart of the conflict. Re-recording Mixer / Supervising Sound Editor: Steve Burgess Re-recording Mixer: Robert Mackenzie Assistant Sound: Huijun Cao, Yuejun Cao, Wei Hu, Qinruo Mao, Yongsheng Ren, Lizhong Wang, Sheng Wang, Jiang Wu, Shihe Yan Dialogue Editor: Wei He, Shuo Zhang Sound Effects Editor: Glenn Newnham, Terry Tu Foley Mixer & Editor: Blair Slater Sound Effects Editing Supervisor: Sam Wang Sound Designer: Bo Wen --- ### Page: https://www.rms.studio/work/redfern-now Title: Redfern Now | Sound Post Production | RMS Meta Description: Experience the immersive sound design of Redfern Now, crafted by Robert Mackenzie, capturing the essence of life in Sydney's Redfern. Language: en-AU Canonical URL: https://www.rms.studio/work/redfern-now ## Headings Structure: H1: Redfern Now H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Redfern Now H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading The directors for the production "Redfern Now" include Rachel Perkins, Wayne Blair, Leah Purcell, Catriona McKenzie, Adrian Russell Wills, and Beck Cole. In the evocative series "Redfern Now," the soundscape becomes a character of its own, weaving through the lives of indigenous Australians in Sydney's Redfern. The intricate sound design, led by Robert Mackenzie as Re-Recording Mixer, captures the raw essence of each story, from the subtle hum of the city to the intimate whispers of personal moments. Awarded Best Sound for a Television Drama by the Australian Screen Sound Guild, the series showcases the collaborative efforts of sound designers and mixers, creating an immersive auditory experience that resonates with the emotional depth and complexity of the narrative. Supervising Sound Editor: Wes Chew, Luke Mynott Re-Recording Mixer: Robert Mackenzie Sound Editor: Sam Gain-Emery, Luke Mynott Dialogue Editor: Tom Herdman, Sam Gain-Emery Sound Effects Editor: Tom Herdman, Mick Boraso, Thom Kellar, Damian Del Borrello Foley Editor: Andrew Simmons, Luisa Hadley Foley Recordist: Duncan McAllister, Blair Slater Foley Artist: Dan Johnston ADR Editor: Sam Gain-Emery Boom Operator: Shanti Burn, Todd Moore Sound Recordist: Paul 'Salty' Brincat Cable Puller/Second Boom Operator: Ruth Vance --- ### Page: https://www.rms.studio/work/relic Title: RELIC | Sound Post Production | RMS Meta Description: Sound design in RELIC, by Robert Mackenzie, creates a chilling atmosphere, earning a 2020 AACTA nod. Directed by Natalie Erika James. Language: en-AU Canonical URL: https://www.rms.studio/work/relic ## Headings Structure: H1: RELIC H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: RELIC H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the haunting feature film "RELIC," the soundscape plays a pivotal role in immersing the audience in its chilling atmosphere. Under the expert guidance of Robert Mackenzie, who served as both Sound Designer and Supervising Sound Editor, the film's auditory elements weave seamlessly with its narrative. The intricate layers of sound, from the subtle creaks of an old house to the unsettling whispers of the unknown, create a palpable tension that lingers throughout. Recognized for its exceptional sound work, "RELIC" was nominated for the AACTA Award for Best Sound in 2020, showcasing the team's dedication to crafting an unforgettable auditory experience. Australian Academy of Cinema and Television Arts Sound Designer: Robert Mackenzie Supervising Sound Editor: Robert Mackenzie Supervising Dialogue Editor: Glenn Newnham Re-Recording Mixer: Steve Burgess, Chris Goodes Sound Effects Editor: Mick Boraso, Ryan Granger, Adam Hunt Foley Artist: Alex Francis, Mario Vaccaro Foley Engineer: Alex Francis ADR Mixer: Tristan Baylis, Will Carroll ADR Recordist: James Andrews ADR Engineer: Matthew Kabby Kabakoff Sound Recordist: John Wilkinson Additional Sound Recordist: Dane Cody Mix Assistant: Owen Grieve Post Audio Assist: Ed Killmond French Dubbing Dialogue Editor: Marvin Lormel French Dubbing Mixer: Marvin Lormel Foley Editor: Michael Zachariou Boom Operator: Lewis O'Brien --- ### Page: https://www.rms.studio/work/run-rabbit-run Title: Run Rabbit Run | Sound Post Production | RMS Meta Description: Sound design by Robert Mackenzie & Tom Heuzenroeder in Run Rabbit Run heightens tension, immersing viewers in Daina Reid's chilling tale. Language: en-AU Canonical URL: https://www.rms.studio/work/run-rabbit-run ## Headings Structure: H1: Run Rabbit Run H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Run Rabbit Run H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Run Rabbit Run," the unsettling atmosphere is crafted through the meticulous sound design led by Robert Mackenzie and Tom Heuzenroeder. The film's auditory landscape immerses viewers in a world where reality blurs with haunting memories. The sound team, including ADR recordists Vinny Alfano and Miles Henry, and sound effects editor Justin Spasevski, weaves a tapestry of eerie whispers and unsettling silences. Dialogue editor Liesl Pieterse and Foley editor Lee Yee enhance the tension, while assistant sound editor Jessica Meier ensures seamless transitions. This intricate soundscape amplifies the psychological tension, drawing audiences deeper into the film's chilling narrative. Sound Designer: Tom Heuzenroeder, Robert Mackenzie ADR Recordist: Vinny Alfano, Miles Henry Sound Effects Editor: Justin Spasevski Dialogue Editor: Liesl Pieterse Foley Editor: Lee Yee Assistant Sound Editor: Jessica Meier Boom Operator: Lewis O'Brien Technical Assistant: Owen Grieve --- ### Page: https://www.rms.studio/work/save-your-legs Title: Save Your Legs! | Sound Post Production | RMS Meta Description: Immerse in Save Your Legs! soundscape by Robert Mackenzie, enhancing Boyd Hicklin's tale of friendship and self-discovery. Language: en-AU Canonical URL: https://www.rms.studio/work/save-your-legs ## Headings Structure: H1: Save Your Legs! H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Save Your Legs! H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Save Your Legs!", the soundscape crafted by Robert Mackenzie and his team transports audiences from suburban cricket fields to the vibrant streets of India. The film's auditory journey captures the essence of cricket's rhythmic allure and the bustling energy of an Indian tournament. Mackenzie's sound design, alongside Angus Robertson's supervision and Glenn Butler's mixing, weaves a tapestry of immersive sound that underscores Teddy's emotional and spiritual journey. The meticulous work of the sound team, including dialogue editing by Cameron Grant and atmospheric effects by William Ward, enriches the narrative, making the film's exploration of friendship and self-discovery resonate deeply. Sound Designer: Robert Mackenzie Sound Supervisor: Angus Robertson Re-Recording Mixer: Glenn Butler Supervising Dialogue Editor: Cameron Grant Sound Mixer: Girjashanker Vohra Sound Recordist: Girjashanker Vohra & John Wilkinson ADR Mixer: Nick Bozzone ADR Recordist: Kevin McAlpine ADR Engineer-India: Aravind Vijayakumar Dialogue: ADR & Loop Editor: Leah Katz Foley Recordist: Adam Connelly FX/Atmos Editor: William Ward Sound Effects Editor: William Ward --- ### Page: https://www.rms.studio/work/saving-general-yang Title: Saving General Yang | Sound Post Production | RMS Meta Description: Sound design in Saving General Yang immerses viewers in ancient China, with Robert Mackenzie enhancing the film's audio under Ronny Yu. Language: en-AU Canonical URL: https://www.rms.studio/work/saving-general-yang ## Headings Structure: H1: Saving General Yang H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Saving General Yang H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Saving General Yang," the soundscape transports audiences to ancient China, where the clash of swords and the whispers of the wind on Wolf Mountain become palpable. Robert Mackenzie, as the Additional Sound Re-recording Mixer, enhances the film's auditory depth, weaving together the intricate layers of battle cries and the haunting silence of anticipation. Collaborating with sound designers James Ashton and Huijia Mo, Mackenzie helps create an immersive experience that captures the tension and emotion of the Yang family's perilous journey. The sound design intricately mirrors the narrative's intensity, drawing viewers into the heart of the Northern Song dynasty's epic tale. Sound Designer: James Ashton, Huijia Mo Re-recording Mixer/Supervising Sound Editor: Steve Burgess French Dubbing Recordist: Romain Drouillon Sound Effects Editor: Chris Goodes Additional Sound Re-recording Mixer: Robert Mackenzie Sound Editor: Wei Wang On-set Sound Recordist: Zhe Wang --- ### Page: https://www.rms.studio/work/see-you-tomorrow Title: See You Tomorrow | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie and team create an immersive auditory experience in See You Tomorrow, directed by Jiajia Zhang. Language: en-AU Canonical URL: https://www.rms.studio/work/see-you-tomorrow ## Headings Structure: H1: See You Tomorrow H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: See You Tomorrow H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "See You Tomorrow," the auditory landscape is a pivotal narrative force, sculpted by the deft hands of sound designer Robert Mackenzie. The film, which earned the Hong Kong Film Award for Best Sound Design, immerses viewers in the bustling world of Chen Mo, a bar owner confronting his past. Mackenzie, alongside re-recording mixers James Ashton and Traithep Wongpaiboon, crafts a rich tapestry of sound that echoes the emotional depth of each character's journey. The intricate sound design, from the subtle ambiance of the bar to the poignant silences, invites audiences to experience the story beyond the visual realm. Re-recording Mixer: James Ashton, Robert Mackenzie & Traithep Wongpaiboon Sound Effects Editor: James Ashton & Peter Climpson Foley Artist: Supawit Bhovijitra Assistant Re-recording Mixer: Chalida Buranabanpot & Narubett Peamyai Production Sound Mixer: Guang Chen, Xun Huang, Jiajia Ren & Lei Zhou Supervising Dialogue/ADR Editor: Guang Chen Sound Designer: Robert Mackenzie Dialogue Editor: Napatz Singkarat Sound Editor: Chawakorn Thongkua Production Sound Assistant: Dahu Cao, Huijun Cao, Zhigang Liang, Lijie Liu, Peng Liu, Peng Ren, Chaoyang Si, Bo Wang, Chunyang Wang, Zhuo Wang, Meng Zhang & Hang Zhao --- ### Page: https://www.rms.studio/work/seven-swords Title: Seven Swords | Sound Post Production | RMS Meta Description: Experience the intricate soundscape of Seven Swords, crafted by Robert Mackenzie, Chris Goodes, and Vic Kaspar, under director Hark Tsui. Language: en-AU Canonical URL: https://www.rms.studio/work/seven-swords ## Headings Structure: H1: Seven Swords H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Seven Swords H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Seven Swords," the clash of swords and the whispers of betrayal are brought to life through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, alongside Chris Goodes and Vic Kaspar, weaves a tapestry of tension and emotion, capturing the essence of a world on the brink of chaos. The film's auditory experience, recognized with the Golden Bauhinia Award for Best Sound Effects, immerses the audience in the perilous journey of warriors and spies. Each footstep, clash, and breath is meticulously designed, drawing viewers deeper into the heart of 1600s China. Re-recording Mixer / Supervising Sound Editor: Steve Burgess, Chris Goodes, Wei He Dubbing Editor: Kam-Ching Cheung Sound Editor: Chris Goodes, Vic Kaspar, Robert Mackenzie, Ye Shu, Rainbow Wang Sound Effects Editor: Qianqian Ke, Huijia Mo, Blair Slater, Terry Tu, Mario Vaccaro, Gavin Myers Dialogue Editor: Siu Yu Lam, Qiuxia Sun, Kwok-Leung Yau Sound: Chung-Hau Leung, Chung-Wai Leung Foley Recordist: Blair Slater Foley Artist: Terry Tu, Mario Vaccaro Dialogue Recording Supervisor: Bin Zhang --- ### Page: https://www.rms.studio/work/sherpa Title: Sherpa | Sound Post Production | RMS Meta Description: Soundscape in Sherpa by Robert Mackenzie immerses viewers in Everest's perilous world, enhancing Jennifer Peedom's narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/sherpa ## Headings Structure: H1: Sherpa H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Sherpa H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Sherpa," the soundscape becomes a powerful narrative force, immersing viewers in the perilous world of Mount Everest. Robert Mackenzie, as the re-recording mixer, crafts an auditory experience that captures the raw intensity of the mountain's environment and the emotional depth of the Sherpas' journey. The sound design, recognized with the Screen Music Award for Best Soundtrack Album, weaves together the haunting echoes of avalanches and the intimate whispers of personal stories. Each sound element, from the crunch of snow underfoot to the distant rumble of impending danger, enriches the documentary's exploration of cultural tensions and resilience. Head of Sound: Angus Robertson Re-recording Mixer: Robert Mackenzie Sound Recordist: Nick Emond Dialogue Editor: Nathalie Resciniti & Tara Webb Additional Sound Design: Nathalie Resciniti & Tara Webb ADR Recordist: Dan Brown Audio Description Editor: Airi Mori --- ### Page: https://www.rms.studio/work/silk Title: Silk | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie, with Steve Burgess and Paul Pirola, creates an immersive auditory experience in Silk, directed by Chao-Bin Su. Language: en-AU Canonical URL: https://www.rms.studio/work/silk ## Headings Structure: H1: Silk H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Silk H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In the atmospheric depths of "Silk," the soundscape becomes a character of its own, weaving through the haunting corridors of an old Taipei building. Robert Mackenzie, as both sound designer and mixer, crafts an auditory experience that captures the ethereal presence of a child's spirit. His work, alongside Steve Burgess and Paul Pirola, immerses the audience in a world where whispers of the past echo through the walls. The intricate layering of sound elements guides viewers through the narrative, revealing the emotional turmoil and spectral mysteries that lie beneath the surface. Sound Designer / Sound Mixer: Steve Burgess, Robert Mackenzie, Paul Pirola Sound Designer: Robert Mackenzie Sound Mixer: Robert Mackenzie Sound Transfer Department Manager: Varavudh Buranasilpin Boom Operator: Cheng Yi Hsu, Tse Kang Tu Optical Sound Transfer: Paitoon Jermmora Sound Editor: Duu-Chih Tu --- ### Page: https://www.rms.studio/work/so-close Title: So Close | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of espionage in So Close, crafted by Robert Mackenzie, enhancing Corey Yuen's intense action narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/so-close ## Headings Structure: H1: So Close H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: So Close H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "So Close," the intricate dance of sound weaves seamlessly with the high-octane action, immersing viewers in a world of espionage and betrayal. Robert Mackenzie, as the re-recording mixer, crafts an auditory landscape that heightens the tension between assassin sisters and their relentless pursuers. The precision of each footstep, the subtlety of whispered secrets, and the explosive clashes are brought to life through the collaborative efforts of sound designers and mixers. This film's soundscape not only complements the visual spectacle but also deepens the narrative, making every moment resonate with intensity and emotion. Dubbing Supervisor: Henry Dobson Dolby Consultant: Bruce Emery Sound Editor: Chris Goodes, James Harvey & Francis Ward Lindsay Sound: Chung-Wai Leung Re-recording Mixer: Robert Mackenzie & Paul Pirola Foley Mixer: Blair Slater Foley Editor: Blair Slater Dubbing Editor: Doris Wang --- ### Page: https://www.rms.studio/work/son-of-a-gun Title: Son of a Gun | Sound Post Production | RMS Meta Description: The intricate soundscape in Son of a Gun, mixed by Robert Mackenzie, enhances the film's tension and atmosphere, earning award recognition. Language: en-AU Canonical URL: https://www.rms.studio/work/son-of-a-gun ## Headings Structure: H1: Son of a Gun H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Son of a Gun H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Son of a Gun," the tension of a high-stakes gold heist is amplified through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as a re-recording mixer, plays a pivotal role in immersing the audience in the film's gritty atmosphere. The sound design, recognized with a nomination for the Australian Screen Sound Guild Award for Feature Film Soundtrack of the Year (2014), weaves together the clamor of prison life and the suspense of the heist, creating an auditory experience that heightens the film's narrative. Each sound element, from dialogue to effects, is meticulously balanced to enhance the unfolding drama. Re-recording Mixer: Sam Hayward, Robert Mackenzie Re-recording Engineer: Glenn Butler, Duncan McRae Supervising Sound Editor: William Ward Supervising Dialogue Editor: Jenny T. Ward Sound Effects Editor: Stuart Morton Dialogue Editor: Leah Katz Foley Artist: Dan Johnston Foley Recordist: Duncan McAllister Foley Editor: Andrew Simmons Foley Mixer: Blair Slater Boom Operator: Aron Dyer, Andy Newton Sound Recordist: Trevor Hope Assistant Sound Editor: Mick Boraso, Thom Kellar Sound Editor: Thom Kellar Head of Sound: Angus Robertson Sound Assistant: Claire Healy --- ### Page: https://www.rms.studio/work/south-of-the-clouds Title: South of the Clouds | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of South of the Clouds, crafted by Robert Mackenzie and Roger Savage, under Zhu Wen's direction. Language: en-AU Canonical URL: https://www.rms.studio/work/south-of-the-clouds ## Headings Structure: H1: South of the Clouds H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: South of the Clouds H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "South of the Clouds," the auditory landscape is a journey in itself, crafted with precision and depth. Robert Mackenzie, alongside Roger Savage, orchestrates a symphony of sound that immerses the audience in the film's emotional core. The meticulous work of sound effects editors Steve Burgess and Wei He, combined with Sam Wang's contributions as a Foley artist, sound editor, and mix assistant, creates a rich tapestry of auditory experiences. Each sound element is woven seamlessly into the narrative, enhancing the film's storytelling and transporting viewers to the heart of its world. Re-recording Mixer: Robert Mackenzie, Roger Savage Sound Effects Editor: Steve Burgess, Wei He Foley Artist: Sam Wang Sound Editor: Sam Wang Sound Mix Assistant: Sam Wang --- ### Page: https://www.rms.studio/work/storm-warning Title: Storm Warning | Sound Post Production | RMS Meta Description: Intricate sound design by Robert Mackenzie and team heightens suspense in Jamie Blanks' film, immersing viewers in a chilling escape narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/storm-warning ## Headings Structure: H1: Storm Warning H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Storm Warning H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Storm Warning," the tension of a yuppie couple's harrowing escape from a sinister farmhouse is heightened by the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as the Sound Effects Editor, meticulously weaves the unsettling ambiance of the marsh and the creaking, ominous farmhouse into the narrative, immersing the audience in the couple's perilous journey. The sound design, led by Paul Pirola, complements the visual storytelling, while Livia Ruzic and Alan Freedman ensure the dialogue and ADR seamlessly blend into the chilling atmosphere. This film showcases the power of sound in amplifying suspense and dread. Sound Designer: Paul Pirola Sound Effects Editor: Robert Mackenzie Dialogue Editor: Livia Ruzic ADR Mixer: Alan Freedman --- ### Page: https://www.rms.studio/work/the-book-of-revelation Title: The Book of Revelation | Sound Post Production | RMS Meta Description: Experience the intricate soundscape of Daniel's journey in The Book of Revelation, crafted by Robert Mackenzie and led by director Ana Kokkinos. Language: en-AU Canonical URL: https://www.rms.studio/work/the-book-of-revelation ## Headings Structure: H1: The Book of Revelation H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Book of Revelation H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Book of Revelation," the haunting echoes of Daniel's ordeal are brought to life through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as Sound Editor, meticulously weaves together layers of auditory tension, capturing the psychological turmoil and obsession that drive Daniel's quest. The film's sound design, led by Paul Pirola, immerses the audience in a world where every whisper and footstep resonates with meaning. This auditory journey, supported by the expertise of Foley Artist Natalie Choo and Dialogue Editor Livia Ruzic, transforms the narrative into an evocative experience, highlighting the power of sound in storytelling. Sound Designer: Paul Pirola Re-recording Mixer: Paul Pirola Sound Editor: Robert Mackenzie, Glenn Newnham Foley Artist: Natalie Choo Boom Operator: Perry Dwyer Dolby Consultant: Bruce Emery Re-recording Mix Assistant: Chris Goodes Foley Mixer: Andy Neil Dialogue Editor: Livia Ruzic Foley Recordist: Blair Slater Sound Recordist: John Wilkinson ADR Recordist: Andy Wright --- ### Page: https://www.rms.studio/work/the-cat-piano Title: The Cat Piano | Sound Post Production | RMS Meta Description: Sound design in The Cat Piano immerses viewers in mystery. Directed by Ari Gibson & Eddie White. Language: en-AU Canonical URL: https://www.rms.studio/work/the-cat-piano ## Headings Structure: H1: The Cat Piano H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Cat Piano H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Ari Gibson, Eddie White In "The Cat Piano," the city hums with the haunting melodies of feline performers, only to be disrupted by a sinister force. The soundscape, crafted by Tom Heuzenroeder and elevated by Robert Mackenzie's supervision, immerses the audience in a world where every note and whisper holds weight. Pete Smith's mixing further enhances the tension, weaving an auditory tapestry that echoes the film's mysterious undertones. Nominated for Best Music for a Short Film at the Screen Music Awards, Australia, this short film's sound design is a testament to the power of audio in storytelling, drawing viewers into its enigmatic narrative. Sound Designer: Tom Heuzenroeder Supervising Sound Designer: Robert Mackenzie Re-recording Mixer: Pete Smith Sound Mixer: Pete Smith --- ### Page: https://www.rms.studio/work/the-eye-of-the-storm Title: The Eye of the Storm | Sound Post Production | RMS Meta Description: Sound design in The Eye of the Storm by Robert Mackenzie and Glenn Newnham captures familial tension and legacy, directed by Fred Schepisi. Language: en-AU Canonical URL: https://www.rms.studio/work/the-eye-of-the-storm ## Headings Structure: H1: The Eye of the Storm H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Eye of the Storm H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Eye of the Storm," the soundscape intricately weaves through the opulent yet decaying Sydney mansion, echoing the tension between Elizabeth Hunter and her estranged children. Robert Mackenzie, as both Sound Editor and Re-recording Mixer, crafts an auditory experience that captures the subtlety of whispered secrets and the starkness of familial discord. The sound design, led by Glenn Newnham, immerses the audience in the film's emotional depth, while dialogue editing by James Harvey ensures every word resonates with clarity. The collaborative efforts of the sound team bring to life the film's exploration of legacy and estrangement. Supervising Sound Editor: Glenn Newnham Re-recording Mixer: Robert Mackenzie Sound Editor: Robert Mackenzie Dialogue Editor: James Harvey ADR Mixer: Steven Ghouti, Chris Goodes & Liesl Pieterse --- ### Page: https://www.rms.studio/work/the-flowers-of-war Title: The Flowers of War | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of war and sanctuary in The Flowers of War, crafted by Robert Mackenzie. Directed by Yimou Zhang. Language: en-AU Canonical URL: https://www.rms.studio/work/the-flowers-of-war ## Headings Structure: H1: The Flowers of War H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Flowers of War H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Flowers of War," the harrowing sounds of war and sanctuary intertwine, creating an immersive auditory experience that captures the tension and hope within a besieged church in Nanking. Robert Mackenzie, as a Sound Effects Editor, played a pivotal role in crafting the film's intricate soundscape, which earned accolades including the Golden Reel Award for Outstanding Achievement in Sound Editing. The meticulous layering of sound effects, dialogue, and foley work transports the audience into the heart of the conflict, highlighting the resilience and sacrifice of those seeking refuge. This film stands as a testament to the power of sound in storytelling. Re-recording Mixer: James Ashton, James Austin, Steve Burgess, Wei He, Roger Savage, Jorge Sánchez Supervising Sound Editor: Steve Burgess, Wei He, Jing Tao Dialogue Editor: James Ashton, Baiyang Wang, Yijing Zhang Sound Effects Editor: Chris Goodes, Wei He, Zheng 'Joe' Huang, Hongrui Ji, Robert Mackenzie, Yong Tian, Yinan Tu, Vincent Zhai Foley Editor: Zheng 'Joe' Huang, Wei Wang, Yanchao Yang Foley Artist: Xu Miao, Mario Vaccaro Boom Operator: Huijun Cao, Bingyang Mao, Lizhong Wang Sound Recordist: Gang Hao, Lillian Luan, Zhigang Zhang Music Recording Engineer: Martin Igelström, Adam Munoz ADR Mixer: Michael Miller Sound Mixer: Jing Tao, Jing Xiao Sound Re-recording Engineer: Danial Shimiaei Sound Attachment: Peter Climpson --- ### Page: https://www.rms.studio/work/the-forbidden-kingdom Title: The Forbidden Kingdom | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of ancient China in The Forbidden Kingdom, crafted by Robert Mackenzie and team, directed by Rob Minkoff. Language: en-AU Canonical URL: https://www.rms.studio/work/the-forbidden-kingdom ## Headings Structure: H1: The Forbidden Kingdom H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Forbidden Kingdom H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Forbidden Kingdom," the soundscape transports audiences to ancient China, where the clash of swords and the whispers of legends come alive. Robert Mackenzie, alongside Ian McLoughlin, Roger Savage, and Andy Wright, crafts an immersive auditory experience, blending the rhythmic cadence of martial arts with the mystical echoes of the Monkey King's world. The intricate sound design, led by Jing Tao, and the seamless mixing elevate the narrative, capturing the essence of each battle and the serenity of the journey. This auditory journey is a testament to the team's dedication, making the film a standout in sound post-production. Sound Supervisor: Jing Tao Re-Recording Mixer: Robert Mackenzie & Ian McLoughlin & Roger Savage & Andy Wright Sound Mixer: David Wyman ADR Supervisor: Christopher Sheldon Post-Production Audio Manager: Sylvain Loiseau Dialogue Editor: Paul Timothy Carden & Sarah Payan & Shuo Zhang Sound Effects Editor: Wei He & Will He & Hongrui Ji & Peter Mills & Huijia Mo & Glenn Newnham & Terry Tu & Rainbow Wang Foley Editor: Xia Ai & Danielle Barron & Yanchao Yang Foley Recordist/Editor: Blair Slater ADR Mixer: Yagmur Kaplan Mix Assistant: Justin Flynn Datasat Sound Mastering Engineer: Jordan O'Neill Sound Editing Assistant: Yong Tian & Fifi Wang Special Sound Effects Editor: Sam Wang Dubbing Recordist: Shaun-Nicholas Gallagher --- ### Page: https://www.rms.studio/work/the-goddess-of-1967 Title: The Goddess of 1967 | Sound Post Production | RMS Meta Description: Explore the Australian Outback's soundscape in The Goddess of 1967, with ADR by Robert Mackenzie and direction by Clara Law. Language: en-AU Canonical URL: https://www.rms.studio/work/the-goddess-of-1967 ## Headings Structure: H1: The Goddess of 1967 H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Goddess of 1967 H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Goddess of 1967," the Australian Outback becomes a symphony of sound, where every rustle and whisper tells a story. Robert Mackenzie's work as the ADR Recordist breathes life into the characters' voices, capturing the raw emotion of their journey. The soundscape, crafted by a talented team including Sound Mixer Roger Savage and Sound Effects Designer Gareth Vanderhope, immerses the audience in the desolate beauty of the landscape. Each sound element, from the hum of the Citroën DS to the subtle nuances of the environment, weaves a rich auditory tapestry that enhances the film's narrative depth. Sound Mixer: Roger Savage Sound Effects Designer: Gareth Vanderhope Sound Editor: Livia Ruzic Assistant Sound Editor: Skye Ritchie Foley Artist: Gerry Long Foley Recordist: Steve Burgess Sound Recordist: Peter Grace ADR Recordist: Robert Mackenzie Boom Operator: Sue Kerr & Shigeo Nagai --- ### Page: https://www.rms.studio/work/the-grandmaster Title: The Grandmaster | Sound Post Production | RMS Meta Description: Sound designer Robert Mackenzie crafts an immersive audio experience in The Grandmaster, enhancing Wong Kar-Wai's martial arts narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/the-grandmaster ## Headings Structure: H1: The Grandmaster H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Grandmaster H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Grandmaster," the soundscape is a vivid tapestry that immerses the audience in the world of martial arts. Robert Mackenzie, as both sound designer and re-recording mixer, crafts an auditory experience that captures the intensity of rain-soaked battles and the quiet introspection of the grandmaster's journey. The film's sound design, recognized with awards from the Golden Rooster Awards and Motion Picture Sound Editors, USA, seamlessly blends Foley, dialogue, and ADR to enhance the narrative's emotional depth. Each sound element, from the clash of fists to the whisper of memories, is meticulously woven to reflect the film's rich cultural tapestry. Production Sound Mixer: Guang Chen Supervising Dialogue & ADR Editor: Guang Chen Re-Recording Mixer: Nopawat Likitwong, Robert Mackenzie & Traithep Wongpaiboon Sound Designer: Nopawat Likitwong & Robert Mackenzie Supervising Foley Editor: John Simpson Sound Editor: James Ashton, Steve Burgess & Chris Goodes Sound Effects Editor: Ekaratt Chungsanga, Luke Mynott, Narubett Peamyai & Sam Petty Dialogue Production Supervisor: Ling Wu Dialogue Editor: Jifu Li & Shuo Zhang ADR Recordist: Kun Chen Foley Artist: Chumnan Choponkrang, Sam Rogers & Wipooh Wisaritpaisan Sound Recordist: Wipooh Wisaritpaisan --- ### Page: https://www.rms.studio/work/the-guests Title: THE GUESTS | Sound Post Production | RMS Meta Description: Sound design in The Guests by Shane Danielsen immerses viewers in isolation and tension, thanks to Mackenzie and Slater's expert audio. Language: en-AU Canonical URL: https://www.rms.studio/work/the-guests ## Headings Structure: H1: THE GUESTS H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: THE GUESTS H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Guests," the soundscape becomes a character of its own, enveloping the audience in the protagonist's isolation and unease. Robert Mackenzie's re-recording mixing subtly amplifies the tension, weaving together the intricate layers of sound crafted by William Ward's design. Blair Slater's foley artistry adds an authentic texture, grounding the surreal experience in reality. As the new mother navigates her unsettling encounters, the auditory elements guide the viewer through her emotional journey, creating an immersive atmosphere that lingers long after the film ends. Re-recording Mixer: Robert Mackenzie Foley Artist: Blair Slater Sound Designer: William Ward --- ### Page: https://www.rms.studio/work/the-hunter Title: The Hunter | Sound Post Production | RMS Meta Description: The Hunter's soundscape by Robert Mackenzie captures the tension and isolation of Tasmania. Directed by Daniel Nettheim. Language: en-AU Canonical URL: https://www.rms.studio/work/the-hunter ## Headings Structure: H1: The Hunter H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Hunter H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Hunter," the dense Tasmanian wilderness comes alive through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as the re-recording mixer, plays a pivotal role in weaving the film's auditory tapestry, capturing the tension and isolation of the mercenary's journey. The sound design, recognized with a nomination for the Australian Screen Sound Guild Award, immerses the audience in the natural and emotional landscapes, from the rustling leaves to the haunting calls of the elusive Tasmanian tiger. Each sound element, meticulously mixed, enhances the narrative's depth, drawing viewers into the film's gripping and atmospheric world. Head of Sound: Angus Robertson Re-recording Mixer: Robert Mackenzie Re-recording Engineer: Glenn Butler & Sam Hayward Sound Designer: Liam Egan & Sam Petty Sound Effects Editor: Tom Heuzenroeder Dialogue Editor: Tony Murtagh Dialog Mixer: Stephen Webster ADR Engineer: Andy Wright Foley Artist: Les Fiddess Foley Mixer: Martin Oswin Foley Engineer: Martin Oswin & Mitchell Willard Boom Operator: Gerry Nucifora Audio Post Producer: Jenna Lange Dolby Consultant: Bruce Emery Additional FX Recording: Mran-Maree Laing & Sam Petty Sound Attachment: Peter Climpson --- ### Page: https://www.rms.studio/work/the-king Title: The King | Sound Post Production | RMS Meta Description: Experience the immersive soundscape of 15th-century England in The King, crafted by Robert Mackenzie and team, under director David Michôd. Language: en-AU Canonical URL: https://www.rms.studio/work/the-king ## Headings Structure: H1: The King H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The King H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The King," the soundscape is a battlefield of its own, where Robert Mackenzie’s expertise as Supervising Sound Editor and Sound Designer crafts an auditory journey through 15th-century England. The film's sound design, recognized with multiple Australian Screen Sound Guild awards, immerses the audience in the clamor of war and the hushed whispers of palace intrigue. Mackenzie, alongside Re-Recording Mixers Noah Kowalski and Sam Petty, weaves a tapestry of sound that captures the tension and drama of King Henry V's tumultuous reign. Each clash of swords and rustle of royal robes is meticulously rendered, bringing the historical narrative to life. Soundtrack of the Year Australian Screen Sound Guild Australian Screen Sound Guild Australian Screen Sound Guild Australian Screen Sound Guild Production Sound Mixer: Gareth John Re-Recording Mixer: Noah Kowalski, Sam Petty, Robert Mackenzie Re-Recording Engineer: Alex Birch, Sam Hayward Sound Designer: Sam Petty, Robert Mackenzie Supervising Sound Editor: Robert Mackenzie Dialogue/ADR Supervisor: Leah Katz ADR Mixer: George Atkins ADR Recordist: Chris Basta, Simon Diggins, Tamás Kontor, Tim Ryan, Robert Searl, Karl Sveinsson ADR Coordinator: Sarita Gold ADR Artist: Jay Simon Sound Effects Editor: Mick Boraso, Tara Webb Foley Artist: Mario Vaccaro Foley Recordist: Alex Francis Foley Editor: Stuart Morton Loop Editor: Lee Herrick Sound Recordist: Paul O'Kelly Sound Engineer: János Köporosy Dolby Consultant: Bruce Emery Foreign Dialogue Re-Recording Mixer: Ian Chase, Timothy Preston Foreign Dialogue Editor: Bradley Elliott Crowd Editor: Milos Stojanovic, Marek Forreiter Audio Description Recordist: Michael Alcantara Boom Operator: Sámuel Csóka, Csongor Fazekas, Nándor Szirtes First Assistant Sound: Lee Grainge Key First Assistant Sound: Tom Harrison Second Assistant Sound: Tom Wilkin Sound Assistant: Csaba Zubonyai --- ### Page: https://www.rms.studio/work/the-last-anniversary Title: The Last Anniversary | Sound Post Production | RMS Meta Description: Explore our sound post-production work on The Last Anniversary, featuring immersive audio design, dialogue editing, and final mix. Language: en-AU Canonical URL: https://www.rms.studio/work/the-last-anniversary ## Headings Structure: H1: The Last Anniversary H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Last Anniversary H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading The Last Anniversary is a six‑part Australian comedy‑drama set on the fictional Scribbly Gum Island, where journalist Sophie Honeywell (Teresa Palmer) inherits a house from her ex‑boyfriend’s great‑aunt and stumbles into long‑buried family secrets tied to a decades‑old disappearance. Packed with dry humour, intergenerational tension and psychological intrigue, the stellar ensemble cast—including Miranda Richardson, Danielle Macdonald and Helen Thomson—brings Moriarty’s tale of motherhood, mystery and family legacy richly to life. Re-recording Mixer: Sam Hayward Sound Designers: Brendan Croxon, Troy Mauri Assistant Sound Editor: Milo Fisher Foley Recordist: Simon Koehn Foley Artist: Adrian Medhurst Foley Editor: Adrian Medhurst, Brendan Hill ADR Mixer: Mike Tehrani Sound Recordist: Phil Keros ADR Recordist: Barbara Cochetas Dialogue Editor: Glenn Newnham --- ### Page: https://www.rms.studio/work/the-legend-of-the-shadowless-sword Title: The Legend of the Shadowless Sword | Sound Post Production | RMS Meta Description: Experience the rich soundscape of ancient Korea in The Legend of the Shadowless Sword, crafted by Robert Mackenzie and Steve Burgess. Language: en-AU Canonical URL: https://www.rms.studio/work/the-legend-of-the-shadowless-sword ## Headings Structure: H1: The Legend of the Shadowless Sword H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Legend of the Shadowless Sword H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Legend of the Shadowless Sword," the soundscape weaves a rich tapestry of tension and emotion, immersing viewers in ancient Korea's tumultuous world. Robert Mackenzie, alongside Steve Burgess, crafts a sonic journey that echoes the clash of swords and the whisper of secrets. The sound design captures the essence of each scene, from the subtle rustle of leaves to the thunderous charge of the Killer Blade Army. The meticulous layering of sound elements enhances the narrative, drawing audiences into the warrior's perilous quest. This film's auditory experience stands as a testament to the artistry of its sound team. Re-recording Mixer: Steve Burgess Sound Designer: Steve Burgess & Robert Mackenzie Supervising Sound Editor: Steve Burgess Dolby Consultant: Bruce Emery Sound Effects Editor: Huijia Mo Foley Artist: Terry Tu Sound Editor: Sam Wang --- ### Page: https://www.rms.studio/work/the-lost-flowers-of-alice-hart Title: The Lost Flowers of Alice Hart | Sound Post Production | RMS Meta Description: Sound design by Robert Mackenzie and James Ashton enhances Alice's journey in Glendyn Ivin's film, weaving emotion and mystery into the narrative. Language: en-AU Canonical URL: https://www.rms.studio/work/the-lost-flowers-of-alice-hart ## Headings Structure: H1: The Lost Flowers of Alice Hart H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Lost Flowers of Alice Hart H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Lost Flowers of Alice Hart," the soundscape intricately weaves through the haunting echoes of a young girl's tumultuous past. Robert Mackenzie, alongside James Ashton, crafts a sonic tapestry that captures the raw emotion and hidden secrets of the Australian landscape. The delicate interplay of native wildflowers and the ominous undertones of a mysterious fire are brought to life through their meticulous sound design. Each rustle and whisper is a testament to the depth of Alice's journey, enveloping the audience in a world where sound becomes a powerful narrative force. Best Sound in Television Australian Academy of Cinema and Television Arts Re-recording Mixer: James Ashton Sound Effects Editor: James Ashton Sound Designer: James Ashton & Robert Mackenzie Boom Operator: Matthew Ault ADR Mixer: Hamed Hokamzadeh & Chris Navarro Assistant Sound Editor: Jessica Meier & Matthew Lee Foley Editor: Lee Yee & Michael Zachariou Dialogue Editor: Lauren Ligovich & Glenn Newnham & Leah Katz ADR Recordist: Liam Moses ADR Editor: Mick Boraso Sound Recordist: David Lee Sound Assistant: Kara Moolman & Sonja Stojkov --- ### Page: https://www.rms.studio/work/the-loved-ones Title: The Loved Ones | Sound Post Production | RMS Meta Description: Experience the haunting soundscape of Brent's ordeal in Sean Byrne's film, crafted by Robert Mackenzie, blending diegetic and non-diegetic elements. Language: en-AU Canonical URL: https://www.rms.studio/work/the-loved-ones ## Headings Structure: H1: The Loved Ones H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Loved Ones H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Loved Ones," the unsettling silence of Brent's ordeal is punctuated by the meticulous soundscape crafted by Robert Mackenzie and his team. The film's auditory experience immerses viewers in the tension and terror of Brent's captivity, with every creak, whisper, and scream meticulously designed to heighten the suspense. Mackenzie's dual role as Sound Designer and Re-recording Mixer ensures a seamless blend of diegetic and non-diegetic elements, creating an atmosphere that is both haunting and immersive. The sound design plays a crucial role in conveying the psychological horror, making the audience feel every moment of Brent's harrowing journey. Sound Designer: James Harvey & Robert Mackenzie Re-recording Mixer: Robert Mackenzie Sound Recordist: John McKerrow Sound Recordist: Lloyd Carrick Boom Operator: Georgina Hanley & Malcolm Hughes ADR Recordist: Ralph Ortner & Simon Rosenberg Sound Editor: Liesl Pieterse Foley: Alex Stewart & Mario Vaccaro Consultant: Bruce Emery Facility Manager: Helen Field Sound Attachment: Auryn Lacy --- ### Page: https://www.rms.studio/work/the-missing Title: The Missing | Sound Post Production | RMS Meta Description: Sound design in The Missing by Manuela Alberti captures small-town life and complex emotions. Mix Assistant Robert Mackenzie enhances authenticity. Language: en-AU Canonical URL: https://www.rms.studio/work/the-missing ## Headings Structure: H1: The Missing H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Missing H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Missing," the soundscape intricately weaves the emotional tapestry of a young man's return to his hometown. As he reconnects with old friends, the auditory experience captures the essence of small-town life and the complexities of friendship and love. Robert Mackenzie, as the Mix Assistant, played a pivotal role in crafting the film's immersive sound environment, ensuring each misadventure resonates with authenticity. The collaboration of sound designers and mixers, including Steve Burgess and Roger Savage, brings depth to the narrative, allowing audiences to feel the subtle nuances of the characters' journeys through expertly layered sound design. Sound Mixer: Steve Burgess & Roger Savage Foley Recordist: Steve Burgess Sound Recordist: Lloyd Carrick Assistant Sound Editor: Ella Fairbairn Boom Operator: Malcolm Hughes Foley Artist: Gerry Long Mix Assistant: Robert Mackenzie Dialogue Editor: Gavin Myers ADR Recordist: Andy Neil & Paul Pirola Sound Editor: Glenn Newnham --- ### Page: https://www.rms.studio/work/the-monkey-king Title: The Monkey King | Sound Post Production | RMS Meta Description: Sound design by Robert Mackenzie in The Monkey King immerses viewers in a mystical journey, enhancing Soi Cheang's narrative with vivid audio. Language: en-AU Canonical URL: https://www.rms.studio/work/the-monkey-king ## Headings Structure: H1: The Monkey King H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Monkey King H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Soi Cheang (as Pou-Soi Cheang) and Jack Lai (executive director) In "The Monkey King," the soundscape is a vivid tapestry that breathes life into the mystical journey of a monk and his protector. Robert Mackenzie, as Sound Effects Editor, crafts an auditory experience that immerses the audience in the film's enchanting world. The rustle of the wasteland, the echo of distant threats, and the clash of mythical battles are meticulously woven together. This intricate sound design, recognized with a Hong Kong Film Award for Best Sound Design, elevates the narrative, drawing viewers into a realm where every sound tells a story. Re-recording Mixer / Sound Designer: Steve Burgess Re-recording Mixer: Chris Goodes, Jay Yin Sound Supervisor: Jay Yin Post Production Sound Producer: Helen Field, Simon Zhang Sound Effects Editor: James Ashton, Robert Mackenzie Foley Recordist: Adam Connelly, Alex Francis Foley Editor: Xu Feng, Diego Ruiz Foley Artist: Xu Miao, Yuan Sun, Mario Vaccaro --- ### Page: https://www.rms.studio/work/the-monkey-king-havoc-in-heavens-palace Title: The Monkey King Havoc in Heaven's Palace | Sound Post Production | RMS Meta Description: Dynamic sound design by Robert Mackenzie and team immerses viewers in Sun Wukong's journey, enhancing Soi Cheang's epic with celestial precision. Language: en-AU Canonical URL: https://www.rms.studio/work/the-monkey-king-havoc-in-heavens-palace ## Headings Structure: H1: The Monkey King Havoc in Heaven's Palace H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Monkey King Havoc in Heaven's Palace H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Soi Cheang (as Pou-Soi Cheang) In "The Monkey King: Havoc in Heaven's Palace," the soundscape is a dynamic force, guiding audiences through Sun Wukong's epic journey. Robert Mackenzie, alongside James Ashton and Steve Burgess, crafts an auditory experience that immerses viewers in the celestial and demonic realms. The intricate sound design, recognized with the Best Sound award at the Hamilton Behind the Camera Awards in China, captures the clash of gods and demons with precision. Re-recording mixers Chris Goodes and Steve Burgess enhance the narrative's intensity, while Jay Yin's supervision ensures a seamless auditory adventure, making the film's sound a pivotal element of its storytelling. Sound Designer: James Ashton, Robert Mackenzie & Steve Burgess Re-Recording Mixer: Chris Goodes & Steve Burgess Sound Supervisor: Jay Yin Sound Recordist: Dukar Tserang --- ### Page: https://www.rms.studio/work/the-nightingale Title: The Nightingale | Sound Post Production | RMS Meta Description: Experience the haunting soundscape of the Tasmanian wilderness in The Nightingale, crafted by Robert Mackenzie, under Jennifer Kent's direction. Language: en-AU Canonical URL: https://www.rms.studio/work/the-nightingale ## Headings Structure: H1: The Nightingale H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Nightingale H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Nightingale," the haunting echoes of the Tasmanian wilderness come alive through the meticulous soundscape crafted by Robert Mackenzie and his team. As Clare and Billy traverse the unforgiving terrain, the sound design immerses the audience in their harrowing journey, capturing every rustle of leaves and distant call of wildlife. The film's auditory experience, recognized with the 2019 ASSG Award for Best Achievement in Mixing for a Feature Film, underscores the tension and raw emotion of their quest for vengeance. Each sound element, from the subtle to the stark, weaves a narrative as compelling as the visuals themselves. Sound Designer: Robert Mackenzie Mixer / Re-recording Mixer: Pete Smith Dialogue Editor: Jed M. Dodge & Leah Katz Sound Effects Editor: Tara Webb ADR Recordist: Danielle Adams Additional ADR Editor: Belinda Trimboli Boom Operator: Mark Lavery Sound Recordist: Francis Byrne, Glenn Finnan, Nicole Lazaroff & Dean Ryan Mix Assistant: Victor Ivchenko & Carlos Manrique Clavijo Additional Sound Assistant: Tobi Armbruster Sound Attachment: Jack Weltman-Jansen --- ### Page: https://www.rms.studio/work/the-power-of-the-dog Title: The Power of the Dog | Sound Post Production | RMS Meta Description: Sound design in The Power of the Dog by Robert Mackenzie enhances tension and emotion, reflecting Jane Campion's vision with meticulous detail. Language: en-AU Canonical URL: https://www.rms.studio/work/the-power-of-the-dog ## Headings Structure: H1: The Power of the Dog H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Power of the Dog H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Power of the Dog," the soundscape intricately weaves tension and emotion into the fabric of rural Montana. Robert Mackenzie, as Supervising Sound Editor and Re-Recording Mixer, crafts an auditory experience that mirrors the film's psychological depth. The subtle rustle of the prairie, the creak of the ranch house, and the haunting echoes of Phil Burbank's presence are meticulously layered to enhance the narrative's intensity. Recognized by the Australian Screen Sound Guild, Cinema Audio Society, and Motion Picture Sound Editors, the film's sound design is a testament to the team's ability to evoke fear and empathy through sound. Motion Picture Sound Editors Australian Screen Sound Guild Australian Screen Sound Guild Supervising Sound Editor: Robert Mackenzie Re-Recording Mixer: Robert Mackenzie & Tara Webb Sound Designer: Dave Whitehead Production Sound Mixer: Richard Flynn Dialogue Supervisor: Leah Katz ADR Mixer: Simon Riley ADR Recordist: Owen Grieve & Dan Larkin Foley Artist: Mario Vaccaro Foley Mixer: Steve Burgess Foley Recordist: Alex Francis Sound Editor: Mick Boraso Assistant Sound Editor: Jessica Meier Sound Effects Editor: Tara Webb Re-Recording Engineer: Glenn Butler Sound Assistant: Lisa Leota & Jessy McNamara Boom Operator: Sandy Wakefield --- ### Page: https://www.rms.studio/work/the-road-home Title: The Road Home | Sound Post Production | RMS Meta Description: Sound Editor Robert Mackenzie, with Qian Lin and Lala Wu, creates an immersive auditory landscape in The Road Home, directed by Yimou Zhang. Language: en-AU Canonical URL: https://www.rms.studio/work/the-road-home ## Headings Structure: H1: The Road Home H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Road Home H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Road Home," the delicate interplay of sound transports audiences to a rural village, where the echoes of past love and loss resonate deeply. Robert Mackenzie, serving as both Sound Editor and Assistant Mixer, crafts an auditory landscape that captures the film's emotional depth. His meticulous attention to detail ensures that every rustle of leaves and distant call is felt as much as heard, enhancing the narrative's poignant exploration of memory and time. Collaborating with Qian Lin and Lala Wu, Mackenzie's work envelops viewers in a rich tapestry of sound, elevating the film's storytelling to an immersive experience. Dolby Consultant: Bruce Emery Sound Editor: Qian Lin, Robert Mackenzie Assistant Mixer: Robert Mackenzie --- ### Page: https://www.rms.studio/work/the-rover Title: The Rover | Sound Post Production | RMS Meta Description: Intricate sound design by Sam Petty and Robert Mackenzie immerses viewers in The Rover, directed by David Michôd, capturing a desolate outback. Language: en-AU Canonical URL: https://www.rms.studio/work/the-rover ## Headings Structure: H1: The Rover H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Rover H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Rover," the desolate Australian outback becomes a character of its own, brought to life through the intricate soundscape crafted by the talented team, including Robert Mackenzie as Re-recording Mixer. The film's auditory experience, recognized with awards from the Australian Screen Sound Guild and AACTA, immerses viewers in a post-apocalyptic world where every footstep and distant echo tells a story. The sound design, led by Sam Petty, captures the tension and isolation of a lawless wasteland, while Mackenzie's mixing weaves these elements into a haunting narrative, enhancing the film's exploration of desperation and survival. Australian Academy of Cinema and Television Arts Australian Screen Sound Guild Supervising Sound Editor: Sam Petty Sound Designer: Sam Petty Re-recording Mixer: Robert Mackenzie, Sam Petty & Pepe Pleguezuelos Foley Supervisor: Les Fiddess Foley Artist: Les Fiddess Foley Editor: Les Fiddess Sound Effects Editor: Francis Ward Lindsay & Brooke Trezise Additional Dialogue Editor: Yulia Akerholt Supervising Dialogue Editor: Justine Angus Boom Operator: Marco Arlotta Mix Facility Coordinator: Jasmin Cornford Dolby Consultant: Bruce Emery Assistant Sound Editor: Thom Kellar Sound Recordist: Des Kenneally Foley Engineer: Martin Oswin ADR Recordist: Diego Ruiz Director: Castilian/Spanish: Javier Valdés Final Mix Engineer: Andy Wright Sound Editor: Thom Kellar (uncredited) Field Sound Effects: Rob Nokes (uncredited) --- ### Page: https://www.rms.studio/work/the-square Title: The Square | Sound Post Production | RMS Meta Description: Sound design by Robert Mackenzie heightens suspense in Nash Edgerton's The Square, blending suburban life with looming disaster. Language: en-AU Canonical URL: https://www.rms.studio/work/the-square ## Headings Structure: H1: The Square H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Square H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "The Square," the tension of a suburban affair and a dangerous heist is amplified through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as the Re-Recording Mixer, plays a pivotal role in immersing the audience in the film's suspenseful atmosphere. The film's sound design, recognized with an IF Award for Best Sound, intricately weaves together the ambient noises of suburban life with the crackling intensity of impending disaster. Each sound element, from whispered conspiracies to the roar of flames, is meticulously balanced, drawing viewers deeper into the moral complexities faced by the characters. Supervising Sound Editor: Sam Petty Re-Recording Mixer: Robert Mackenzie Sound Effects Editor: Michael McMenomy Dialogue Editor: Yulia Akerholt Foley Editor: Danielle Barron Sound Recordist: Peter Grace Foley Recordist: Alex Stewart Assistant Sound Editor: Rosie Chase Boom Operator: Manel López --- ### Page: https://www.rms.studio/work/the-turning Title: The Turning | Sound Post Production | RMS Meta Description: Sound design in The Turning by Robert Mackenzie and team immerses viewers in Tim Winton's stories, enhancing themes of time and regret. Language: en-AU Canonical URL: https://www.rms.studio/work/the-turning ## Headings Structure: H1: The Turning H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: The Turning H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Jonathan auf der Heide, Tony Ayres, Jub Clerc, Robert Connolly, Shaun Gladwell, Rhys Graham, Justin Kurzel, Yaron Lifschitz. In "The Turning," the soundscape intricately weaves through Tim Winton's evocative stories, capturing the essence of time, regret, and obsession. Robert Mackenzie, as Supervising Sound Editor and Re-recording Mixer, crafts an auditory journey that immerses the audience in the film's emotional depth. The sound design, a collaborative effort with Emma Bortignon and others, subtly underscores the narrative's exploration of past and present. Each sound element, from the faintest whisper to the most resonant echo, is meticulously placed, enhancing the film's thematic resonance and drawing viewers into its contemplative world. Supervising Sound Editor: Robert Mackenzie, Andrew Plain Re-recording Mixer: Chris Goodes, Andy Wright, Robert Mackenzie Sound Designer: Emma Bortignon, Chris Goodes, Tom Heuzenroeder, Frank Lipson, Erin McKimm, Brooke Trezise, Robert Mackenzie Sound Editor: Brendan Croxon, Jamie Famularo, Sam Gain-Emery, Cameron Grant, Tara Webb Sound Recordist: Steven Bond, Paul Finlay, Trevor Hope, Daniel Miau, Scott Montgomery Sound Mixer: Doron Kipen, Andrew McGrath Boom Operator: Jordan Gilbert, Brett Stayt, J.B. Williams Foley Recordist: Sam Rogers, Ryan Squires Assistant Foley Editor: Ryan Squires Sound Supervisor: Paul Pirola --- ### Page: https://www.rms.studio/work/top-end-wedding Title: Top End Wedding | Sound Post Production | RMS Meta Description: Experience the vibrant soundscape of Australia's north in Top End Wedding, crafted by Robert Mackenzie and team, under director Wayne Blair. Language: en-AU Canonical URL: https://www.rms.studio/work/top-end-wedding ## Headings Structure: H1: Top End Wedding H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Top End Wedding H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Top End Wedding," the vibrant sounds of Australia's remote north come alive through the meticulous work of the sound post-production team. Robert Mackenzie, as Supervising Sound Editor, crafts an immersive auditory journey that echoes the cultural richness and emotional depth of the narrative. The film's soundscape, from the bustling streets of Darwin to the serene landscapes of the Tiwi Islands, is intricately woven with the expertise of sound designers and mixers. Each sound element, from dialogue to ambient noise, is seamlessly integrated, enhancing the story of love, heritage, and reconciliation without overshadowing the visual storytelling. Supervising Dialogue Editor: Jed M. Dodge ADR Mixer: Gibran Farrah Sound Effects Editor: Tom Heuzenroeder Supervising Sound Editor: Robert Mackenzie & Tara Webb Mix Assistant: Carlos Manrique Clavijo Boom Operator: Aimee Mullins & Nick Steele Sound Recordist: Will Sheridan Foley Artist: John Simpson Re-Recording Mixer: Pete Smith --- ### Page: https://www.rms.studio/work/top-of-the-lake Title: Top of the Lake | Sound Post Production | RMS Meta Description: Meticulous sound post-production by Robert Mackenzie and team enhances the tension and isolation in Top of the Lake, directed by Jane Campion. Language: en-AU Canonical URL: https://www.rms.studio/work/top-of-the-lake ## Headings Structure: H1: Top of the Lake H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Top of the Lake H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Jane Campion, Garth Davis, Ariel Kleiman. In "Top of the Lake," the haunting echoes of a remote New Zealand town are brought to life through the meticulous sound post-production work led by Robert Mackenzie. As the chilling mystery of a missing 12-year-old girl unfolds, the soundscape immerses viewers in the tension and isolation of the setting. The collaboration of sound designers and mixers, including Tony Vaccher and John Dennison, crafts an auditory experience that underscores the narrative's emotional depth. Each sound element, from the whispers of the wind to the distant calls of nature, enhances the story's suspense and the protagonist's introspective journey. Head of Sound: Angus Robertson Re-recording Mixer: Tony Vaccher, John Dennison, Robert Mackenzie & Luke Mynott Sound Designer: Tony Vaccher Dialogue Editor: Tony Vaccher & Justine Angus Sound Editor: Andrew Simmons, Adrian Bilinsky & Michael Newton Foley Editor: Andrew Simmons, Blair Slater, Luisa Hadley & Miki Takahashi Foley Artist: Andrew Simmons, Dan Johnston & Daniell Johnston Foley Recordist: Andrew Simmons & Duncan McAllister Foley Supervisor: Blair Slater Foley Recording Engineer: Duncan McAllister Sound Effects Designer: Craig Butters Sound Effects Editor: Craig Butters ADR Supervisor: Danny Longhurst ADR Mixer: Samet Yavuz, Martin Oswin, Rob Davidsson & J. Seeman ADR Recordist: Cihan Saral, Dylan Barfield, Brendan Croxon & Eamon O'Neil Boom Operator: Matt Cuirc & Gerry Nucifora Second Boom Operator: Emma Barham Sound Recordist: Richard Flynn & Benoît Hardonniere Sound Post Consultant: Tom Pastro --- ### Page: https://www.rms.studio/work/true-legend Title: True Legend | Sound Post Production | RMS Meta Description: Experience the Qing dynasty's martial arts world through Robert Mackenzie's intricate sound design in Yuen Woo-Ping's True Legend. Language: en-AU Canonical URL: https://www.rms.studio/work/true-legend ## Headings Structure: H1: True Legend H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: True Legend H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "True Legend," the soundscape is a vivid tapestry that immerses viewers in the Qing dynasty's martial arts world. Robert Mackenzie, as the Sound Editor, intricately weaves together the clashing of swords, the rustle of ancient forests, and the haunting echoes of Su Qi-Er's internal battles. The auditory experience is both a reflection of the protagonist's tumultuous journey and a testament to the meticulous sound design and mixing team. Each sound element, from the subtle whispers of the "Eight Immortals" to the thunderous confrontations, is crafted to enhance the film's emotional depth and narrative intensity. Supervising Sound Editor: Jing Tao Sound Designer: Jing Tao Sound Post-Production Manager: Wei He Re-Recording Mixer: Sona Balam Sound Effects Editor: Steve Burgess, Xiang Chen, Cici Cui, Wei He, Hongrui Ji, Emma Long, Huijia Mo, Sam Wang Audio Systems Engineer: Martin Bayley, Xin Cai, Yue Chao, Wei Tao, Yinan Tu, Michael Xie, Van Zhang Sound Coordinator: Helen Field, Sarah Kong, Echo Lee, Jingjing Wang, Ben Zhang, Selina Zhang Dialogue Editor: Johny Liu, Qiuxia Sun, Shuo Zhang, Yijing Zhang Foley Artist: Xin Li, Xu Miao, Blair Slater, Mario Vaccaro, Yanchao Yang ADR Recordist: Johny Liu, Yong Tian Boom Operator: Huijun Cao, Xianfeng Liu, Baohua Xiao Sound Post-Production Coordinator: Zheng 'Joe' Huang Sound Supervisor Assistant: Niu Ma, Jing Xiao Sound Recordist: Jing Xiao Assistant Sound Recordist: Zhigang Zhang Sound Editor: Robert Mackenzie --- ### Page: https://www.rms.studio/work/truth Title: Truth | Sound Post Production | RMS Meta Description: Sound design in Truth immerses viewers in journalism's high-stakes world. Crafted by Robert Mackenzie, it enhances the film's tension and drama. Language: en-AU Canonical URL: https://www.rms.studio/work/truth ## Headings Structure: H1: Truth H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Truth H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Truth," the intricate layers of sound design immerse viewers in the high-stakes world of journalism. Robert Mackenzie, alongside Glenn Butler and Paul Pirola, crafts a compelling auditory landscape that underscores the tension and drama surrounding the "Killian Documents" controversy. The film's sound team, nominated for the Australian Screen Sound Guild's Feature Film Soundtrack of the Year, meticulously weaves dialogue, ambient sounds, and Foley effects to enhance the narrative's authenticity. Each auditory element, from the subtle rustle of paper to the echo of newsroom chatter, plays a crucial role in bringing the story of Dan Rather and Mary Mapes to life. Sound Supervisor: Angus Robertson Re-recording Mixer: Glenn Butler, Robert Mackenzie & Paul Pirola Sound Designer: Andy Neil & Paul Pirola Supervising Dialogue Editor: Jed M. Dodge Dialogue Editor: Justine Angus & Sebastien Lacheray ADR Editor: Justine Angus & John Matter Foley Artist: Dan Johnston & Andrew Simmons Foley Editor: Luisa Hadley & Blair Slater Foley Recordist: Duncan McAllister & Blair Slater Production Sound Mixer: David Lee Boom Operator: George Leong, Tim D. Lloyd & Gerry Nucifora ADR Recordist: Ron Bedrosian, Brendan Croxon, Cynthia Daniels, Edgard Rivera & William Ward ADR Mixer: Chris Navarro Group ADR Director: Joe Cappelletti Sound Assistant: Scott Bruce & Aron Dyer Sound Utility: Scott G. Fitzgerald ADR Assistant: Samuel R. Green & Geraldo Gutierrez Re-recording Engineer: Duncan McRae Sound Mixer: Zsolt Magyar & Daniel McIntosh Video Playback: Lionel Marks Sound: Mark Bergin & Richard Teague Assistant Sound Editor: Tara Webb --- ### Page: https://www.rms.studio/work/visitors Title: Visitors | Sound Post Production | RMS Meta Description: In Visitors, Mackenzie & Savage craft a soundscape blurring reality and hallucination in Perry's ocean voyage. Directed by Franklin. Language: en-AU Canonical URL: https://www.rms.studio/work/visitors ## Headings Structure: H1: Visitors H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Visitors H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Visitors," the vastness of the ocean becomes a character of its own, enveloping Georgia Perry in an auditory landscape that blurs the line between reality and hallucination. Robert Mackenzie, alongside Roger Savage, crafts a soundscape that immerses the audience in Perry's solitary voyage. The creaking of the boat, the whispers of the wind, and the haunting echoes of imagined voices create a palpable tension. Each sound element, from the subtle to the surreal, is meticulously woven to reflect Perry's psychological descent, making the audience question what is real and what is imagined in her isolated world. Supervising Sound Editor: Glenn Newnham Sound Mixer: Robert Mackenzie & Roger Savage Dialogue Editor: James Harvey Foley Artist: Steve Burgess & Gerry Long Sound Recordist: Lloyd Carrick Boom Operator: Malcolm Hughes ADR Recordist: Ralph Ortner --- ### Page: https://www.rms.studio/work/waiting-for-rain Title: Waiting for Rain | Sound Post Production | RMS Meta Description: Sound mixer Robert Mackenzie and editor William Ward craft an immersive auditory experience in Andrew Carbone's film, enhancing its emotional depth. Language: en-AU Canonical URL: https://www.rms.studio/work/waiting-for-rain ## Headings Structure: H1: Waiting for Rain H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Waiting for Rain H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Waiting for Rain," the auditory landscape is meticulously crafted, immersing viewers in a world where every raindrop and whisper carries weight. Robert Mackenzie, as the sound mixer, orchestrates a symphony of natural and urban sounds, blending them seamlessly to enhance the film's emotional depth. Alongside sound editor William Ward, Mackenzie creates a rich tapestry of sound that draws audiences into the film's atmospheric tension. The sound design plays a pivotal role, subtly guiding the narrative and enriching the visual storytelling. This feature film, directed by Andrew Carbone, showcases the nuanced artistry of sound in cinema. Sound Mixer: Robert Mackenzie Sound Editor: William Ward --- ### Page: https://www.rms.studio/work/was-it-love Title: Was It Love? | Sound Post Production | RMS Meta Description: Intricate sound design by Robert Mackenzie and team enhances Was It Love? under Lan Nguyen's direction, enriching the film's emotional depth. Language: en-AU Canonical URL: https://www.rms.studio/work/was-it-love ## Headings Structure: H1: Was It Love? H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Was It Love? H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Was It Love?", the intricate soundscape crafted by Robert Mackenzie immerses viewers in the nuanced world of two men navigating their relationships with women. Mackenzie's re-recording mixing subtly enhances the emotional depth of each scene, while Xoe Baird's precise dialogue and sound effects editing bring authenticity to the characters' interactions. The ambient sounds captured by Brett Stayt as the boom operator and sound recordist further enrich the film's auditory experience, creating a seamless blend of dialogue and environment. This short film's sound design invites audiences to explore the complexities of human connection through its carefully curated auditory elements. Re-recording Mixer: Robert Mackenzie Dialogue Editor: Xoe Baird Sound Effects Editor: Xoe Baird Boom Operator: Brett Stayt Sound Recordist: Brett Stayt --- ### Page: https://www.rms.studio/work/went-up-the-hill Title: Went Up The Hill | Sound Post Production | RMS Meta Description: Jack ventures to remote New Zealand for the funeral of his estranged mother and meets her widow Jill. Language: en-AU Canonical URL: https://www.rms.studio/work/went-up-the-hill ## Headings Structure: H1: Went Up The Hill H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Went Up The Hill H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading Jack ventures to remote New Zealand for the funeral of his estranged mother and meets her widow Jill. But his mother's spirit returns to inhabit each of their bodies, instigating a life-threatening three-way nocturnal dance. Sound Designer: Robert Mackenzie, Jessica Meier, Justin Spasevski Supervising Dialogue and ADR Editor: Leah Katz Foley Recordist: Simon Koehn Assistant Sound Editor: Matthew Lee 1st Assistant Sound: Jessy McNamara Foley Artist: Adrian Medhurst Foley Editor: Adrian Medhurst Sound Recordist: Chris Hiles Sound Trainee: Eilish Overweg --- ### Page: https://www.rms.studio/work/whoever-was-using-this-bed Title: Whoever Was Using This Bed | Sound Post Production | RMS Meta Description: Robert Mackenzie's sound design in Andrew Kotatko's film immerses viewers in a couple's night, winning Best Sound at Lonely Wolf Fest. Language: en-AU Canonical URL: https://www.rms.studio/work/whoever-was-using-this-bed ## Headings Structure: H1: Whoever Was Using This Bed H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Whoever Was Using This Bed H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Whoever Was Using This Bed," the soundscape becomes a character of its own, weaving through the narrative of a couple's sleepless night. Robert Mackenzie, serving as the re-recording mixer, sound designer, and sound editor, crafts an auditory experience that immerses the audience in the couple's emotional turmoil. The film's sound design, recognized with the Best Sound Design award at the Lonely Wolf International Film Festival, captures the tension and intimacy of the story. Each whisper and creak is meticulously placed, guiding viewers through a haunting exploration of love and fear, adapted from Raymond Carver's short story. Re-recording Mixer: Robert Mackenzie Sound Designer: Robert Mackenzie Sound Editor: Robert Mackenzie ADR Mixer: Thibault Arnold Sound Re-recording Engineer: Glenn Butler Sound Recordist: Peter Grace Dialogue Editor: Tom Herdman Boom Operator: Chris Keros --- ### Page: https://www.rms.studio/work/words-and-pictures Title: Words and Pictures | Sound Post Production | RMS Meta Description: Sound design by Mackenzie, Newnham, and Dary enriches Schepisi's Words and Pictures narrative of rivalry and romance. Language: en-AU Canonical URL: https://www.rms.studio/work/words-and-pictures ## Headings Structure: H1: Words and Pictures H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Words and Pictures H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Words and Pictures," the auditory landscape becomes a pivotal character, weaving through the narrative of rivalry and romance. Robert Mackenzie, as Re-Recording Mixer, crafts an immersive soundscape that captures the tension and tenderness between the flamboyant English teacher and the stoic art instructor. The nuanced sound design, led by Glenn Newnham and Marco Dary, enhances the emotional depth of the film, while the meticulous work of Foley artists and dialogue editors brings authenticity to the school setting. Each auditory element, from the rustle of paper to the echo of footsteps, enriches the story's exploration of connection and conflict. Supervising Sound Editor: Glenn Newnham Sound Supervisor: Marco Dary Re-Recording Mixer: Steve Burgess & Robert Mackenzie Sound Mixer: Darren Brisker & Ian Tarasoff Foley Editor: Steve Burgess & Alex Francis Dialogue Editor: James Harvey Foley Recordist: George Alamaras Foley Artist: Mario Vaccaro Sound Technical Manager: Bruce Emery Sound Post Producer: Helen Field Sound Assistant: Tricia Boer Facilities Coordinator: Melissa K. Lee Boom Operator: Darryl Marko Additional Boom Operator: Tysen Schieber ADR Mixer: Matt Dawson & Steven Ghouti & Travis MacKay --- ### Page: https://www.rms.studio/work/yolngu-boy Title: Yolngu Boy | Sound Post Production | RMS Meta Description: Yolngu Boy immerses viewers in Arnhem Land's soundscape, crafted by Robert Mackenzie and team. Directed by Stephen Johnson. Language: en-AU Canonical URL: https://www.rms.studio/work/yolngu-boy ## Headings Structure: H1: Yolngu Boy H2: Sound Credits H2: Latest Work H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H1: Heading H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Yolngu Boy H2: Sound Credits H2: Latest Work H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading H4: Heading H1: Heading H1: Heading H4: Heading In "Yolngu Boy," the soundscape intricately weaves the vibrant sounds of Arnhem Land with the emotional journey of three Indigenous teens. Robert Mackenzie, as the Mix Assistant, played a pivotal role in crafting the auditory experience, ensuring each rustle of the bush and echo of tribal chants resonated with authenticity. The collaboration between sound designers and mixers, including Andrew Belletty and Paul Pirola, brought the film's environment to life, immersing audiences in the characters' quest. The sound post-production team’s dedication to detail highlights the cultural richness and challenges faced by the protagonists on their transformative journey to Darwin. Sound Recordist: Andrew Belletty Supervising Sound Editor: Andrew Belletty Sound Mixer: Paul Pirola Special Sound Effects Editor: Paul Pirola Foley Artist: Francis Ward Lindsay Sound Editor: Craig Carter & Francis Ward Lindsay Foley Recordist: Steve Burgess Boom Operator: Nicole Lazaroff Mix Assistant: Robert Mackenzie Dolby Consultant: Bruce Emery --- ### Page: https://www.rms.studio/awards/aacta Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/aacta ## Headings Structure: H1: Australian Academy of Cinema and Television Arts H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Australian Academy of Cinema and Television Arts Best Dialogue and ADR Best Sound in Television The Lost Flowers of Alice Hart --- ### Page: https://www.rms.studio/awards/acca Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/acca ## Headings Structure: H1: Awards Circuit Community Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Awards Circuit Community Awards United States of America --- ### Page: https://www.rms.studio/awards/amps Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/amps ## Headings Structure: H1: Association of Motion Picture Sound H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Association of Motion Picture Sound --- ### Page: https://www.rms.studio/awards/aria Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/aria ## Headings Structure: H1: Australian Recording Industry Association H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Australian Recording Industry Association Best Original Soundtrack --- ### Page: https://www.rms.studio/awards/assg Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/assg ## Headings Structure: H1: Australian Screen Sound Guild H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Australian Screen Sound Guild Soundtrack of the Year Soundtrack of the Year --- ### Page: https://www.rms.studio/awards/astra-creative-arts-awards Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/astra-creative-arts-awards ## Headings Structure: H1: Astra Creative Arts Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Astra Creative Arts Awards --- ### Page: https://www.rms.studio/awards/bafta Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/bafta ## Headings Structure: H1: British Academy of Film and Television Arts H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: British Academy of Film and Television Arts --- ### Page: https://www.rms.studio/awards/cas Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/cas ## Headings Structure: H1: Cinema Audio Society H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Cinema Audio Society United States of America --- ### Page: https://www.rms.studio/awards/cygff Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/cygff ## Headings Structure: H1: Chinese Young Generation Film Forum H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Chinese Young Generation Film Forum --- ### Page: https://www.rms.studio/awards/dfca Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/dfca ## Headings Structure: H1: DiscussingFilm Critic Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: DiscussingFilm Critic Awards --- ### Page: https://www.rms.studio/awards/gba Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/gba ## Headings Structure: H1: Hong Kong Film Critics Society Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hong Kong Film Critics Society Awards --- ### Page: https://www.rms.studio/awards/gfa Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/gfa ## Headings Structure: H1: Global Film Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Global Film Awards United States of America --- ### Page: https://www.rms.studio/awards/gold-derby-awards-are-commonly-abbreviated-as--gda Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/gold-derby-awards-are-commonly-abbreviated-as--gda ## Headings Structure: H1: Gold Derby Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Gold Derby Awards United States of America --- ### Page: https://www.rms.studio/awards/golden-bauhinia Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/golden-bauhinia ## Headings Structure: H1: Golden Bauhinia Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Golden Bauhinia Awards Curse of the Golden Flower --- ### Page: https://www.rms.studio/awards/golden-roosters Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/golden-roosters ## Headings Structure: H1: China Golden Rooster Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: China Golden Rooster Awards --- ### Page: https://www.rms.studio/awards/gta Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/gta ## Headings Structure: H1: Golden Trailer Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Golden Trailer Awards United States of America --- ### Page: https://www.rms.studio/awards/hba Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/hba ## Headings Structure: H1: Hamilton Behind the Camera Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hamilton Behind the Camera Awards United States of America --- ### Page: https://www.rms.studio/awards/hkfa Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/hkfa ## Headings Structure: H1: Hong Kong Film Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hong Kong Film Awards --- ### Page: https://www.rms.studio/awards/hpa-awards Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/hpa-awards ## Headings Structure: H1: Hollywood Professional Association Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Hollywood Professional Association Awards United States of America --- ### Page: https://www.rms.studio/awards/if-design-award Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/if-design-award ## Headings Structure: H1: International Forum Design Award H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: International Forum Design Award United States of America --- ### Page: https://www.rms.studio/awards/inoca Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/inoca ## Headings Structure: H1: International Online Cinema Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: International Online Cinema Awards United States of America --- ### Page: https://www.rms.studio/awards/isfmf Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/isfmf ## Headings Structure: H1: International Sound & Film Music Festival H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: International Sound & Film Music Festival --- ### Page: https://www.rms.studio/awards/lonely-wolf-film-festival Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/lonely-wolf-film-festival ## Headings Structure: H1: Lonely Wolf International Film Festival H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Lonely Wolf International Film Festival --- ### Page: https://www.rms.studio/awards/mpse Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/mpse ## Headings Structure: H1: Motion Picture Sound Editors H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Motion Picture Sound Editors United States of America Best Sound Effects & Foley Curse of the Golden Flower Best Sound Effects and Foley --- ### Page: https://www.rms.studio/awards/ofta Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/ofta ## Headings Structure: H1: Online Film & Television Association H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Online Film & Television Association United States of America --- ### Page: https://www.rms.studio/awards/oscars Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/oscars ## Headings Structure: H1: Academy Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Academy Awards United States of America --- ### Page: https://www.rms.studio/awards/satellites Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/satellites ## Headings Structure: H1: International Press Academy Satellite Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: International Press Academy Satellite Awards United State of America --- ### Page: https://www.rms.studio/awards/screen-awards Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/screen-awards ## Headings Structure: H1: Screen Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Screen Awards --- ### Page: https://www.rms.studio/awards/zca Title: RMS Language: en-AU Canonical URL: https://www.rms.studio/awards/zca ## Headings Structure: H1: Zee Cine Awards H2: Explore H2: Studios H3: Sydney H3: Melbourne ## Main Content: H1: Zee Cine Awards ---