In "Blessed," the night streets of working-class Melbourne come alive with the haunting echoes of lost children and the silent cries of their mothers. Robert Mackenzie, as the re-recording mixer, crafts an immersive auditory landscape that captures the raw emotions and tensions of familial bonds. The sound design, led by Glenn Newnham, intricately weaves the ambient city sounds with the intimate whispers of maternal instincts. Andy Neil's sound effects editing and Alex Stewart's foley work further enrich the narrative, creating a visceral experience that resonates with the audience, highlighting the unspoken struggles and connections between mothers and their children.