
Drift
In "Drift," the soundscape immerses viewers in the tumultuous journey of two brothers navigating the surf culture of 1960s Australia. Robert Mackenzie, as Supervising Sound Editor, crafts an auditory experience that captures the raw energy of the ocean and the tension of their struggles. The sound design, complemented by Andy Wright's re-recording mixing, seamlessly blends the roar of the waves with the subtle nuances of dialogue and ambient sounds. This intricate sound tapestry enhances the film's narrative, drawing audiences into the brothers' world as they chase their dreams amidst societal challenges and personal turmoil.
Sound Credits
Supervising Sound Editor: Robert Mackenzie
Re-Recording Mixer: Andy Wright
Sound Editor: Justine Angus, Brooke Trezise
Foley Editor: Steve Burgess
Sound Effects Editor: Peter Climpson
Dialogue Supervisor: Leah Katz
Boom Operator: Auryn Lacy
ADR Recordist: Liesl Pieterse
Foley Artist: Mario Vaccaro
Foley Recordist: Adam Connelly
Post Sound Facility Coordinator: Jasmin Cornford