
Felony
Dir.
Matthew Saville
Feature Film
2013
In "Felony," the intricate layers of sound design and mixing craft a gripping auditory experience that mirrors the film's tense narrative. Robert Mackenzie, as the Re-Recording Mixer, plays a pivotal role in weaving together the film's sonic elements, creating an immersive atmosphere that heightens the emotional stakes. The film's soundscape, recognized with accolades from the Australian Screen Sound Guild and the AACTA Awards, underscores the moral complexities faced by the characters. Each sound cue and ambient layer is meticulously balanced, drawing the audience deeper into the unfolding drama and the internal struggles of the detectives.
Awarded
OST of the Year
Australian Screen Sound Guild
Awarded
Best Sound Mixing
Australian Screen Sound Guild
Sound Credits
Supervising Sound Editor: | Andrew Plain, William Ward |
Re-Recording Mixer: | Robert Mackenzie |
Re-Recording Engineer: | Glenn Butler |
Head of Sound: | Angus Robertson |
Supervising Dialogue Editor: | Jenny T. Ward |
Sound Effects Editor: | Stuart Morton |
Dialogue Editor: | Rick Lisle |
Foley Artist: | Les Fiddess |
Foley Editor: | Les Fiddess |
Foley Recordist: | Martin Oswin |
Stage Recordist: | Duncan McRae |
Second Sound Re-Recording Mixer: | Sam Hayward |
Assistant Sound Editor: | Thom Kellar |
Sound Editor: | Thom Kellar |
ADR: | Rich Macar |
Sound: | Grant Shepherd |