
Felony
In "Felony," the intricate layers of sound design and mixing craft a gripping auditory experience that mirrors the film's tense narrative. Robert Mackenzie, as the Re-Recording Mixer, plays a pivotal role in weaving together the film's sonic elements, creating an immersive atmosphere that heightens the emotional stakes. The film's soundscape, recognized with accolades from the Australian Screen Sound Guild and the AACTA Awards, underscores the moral complexities faced by the characters. Each sound cue and ambient layer is meticulously balanced, drawing the audience deeper into the unfolding drama and the internal struggles of the detectives.
OST of the Year
Australian Screen Sound Guild
Best Sound Mixing
Australian Screen Sound Guild
Sound Credits
Supervising Sound Editor: Andrew Plain, William Ward
Re-Recording Mixer: Robert Mackenzie
Re-Recording Engineer: Glenn Butler
Head of Sound: Angus Robertson
Supervising Dialogue Editor: Jenny T. Ward
Sound Effects Editor: Stuart Morton
Dialogue Editor: Rick Lisle
Foley Artist: Les Fiddess
Foley Editor: Les Fiddess
Foley Recordist: Martin Oswin
Stage Recordist: Duncan McRae
Second Sound Re-Recording Mixer: Sam Hayward
Assistant Sound Editor: Thom Kellar
Sound Editor: Thom Kellar
ADR: Rich Macar
Sound: Grant Shepherd