In "FIRE FRONT," the auditory landscape is meticulously crafted, immersing viewers in a world where sound becomes a character of its own. Under the expert guidance of Sound Supervisor and Re-recording Mixer Robert Mackenzie, the film's soundscape captures the raw intensity and subtle nuances of each scene. Collaborating with Re-recording Mixer and Sound Designer Tara Webb, Mackenzie weaves a tapestry of sound that enhances the narrative's emotional depth. Dialogue Editor Jessica Meier ensures every word resonates with clarity, while Sound Post Producer Helen Field orchestrates the seamless integration of these elements, creating an unforgettable auditory experience. Directed by Eddie Martin.