In "Girl at the Window," the tension of suburban suspicion is heightened through the intricate soundscape crafted by the talented team. Robert Mackenzie, as the Re-Recording Mixer and Sound Supervisor, orchestrates a symphony of suspense, weaving together the chilling whispers of the night with the unsettling creaks of a seemingly ordinary home. The sound design, led by Peter Climpson and Jessica Meier, immerses the audience in the protagonist's world, where every rustle and distant siren becomes a clue. Adrian Medhurst's foley work adds a tactile layer, making each footstep and door creak resonate with the viewer's own heartbeat.