
Girl at the Window
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Dir.
Mark Hartley
Feature Film
2022
In "Girl at the Window," the tension of suburban suspicion is heightened through the intricate soundscape crafted by the talented team. Robert Mackenzie, as the Re-Recording Mixer and Sound Supervisor, orchestrates a symphony of suspense, weaving together the chilling whispers of the night with the unsettling creaks of a seemingly ordinary home. The sound design, led by Peter Climpson and Jessica Meier, immerses the audience in the protagonist's world, where every rustle and distant siren becomes a clue. Adrian Medhurst's foley work adds a tactile layer, making each footstep and door creak resonate with the viewer's own heartbeat.
Sound Credits
Sound Producer: | Monica Anderson |
Sound Designer/Sound Effects Editor: | Peter Climpson, Jessica Meier |
Boom Operator: | Cam Eason |
Re-Recording Mixer/Sound Supervisor: | Robert Mackenzie |
Foley Editor/Mixer/Foley Recordist: | Adrian Medhurst |
ADR Recordist: | Liesl Pieterse |
Second Boom Operator: | Lloyd Pratt |
Supervising Dialogue Editor: | Simon Rosenberg |
Sound Equipment Supplier/Sound Recordist: | Roger Van Wensveen |