Hacksaw Ridge
In "Hacksaw Ridge," the visceral soundscape crafted by Robert Mackenzie immerses audiences in the harrowing realities of war. As the sound designer and supervising sound effects editor, Mackenzie orchestrates a symphony of chaos and silence, capturing the tension of battle and the serenity of Desmond Doss's convictions. The film's sound design, recognized with numerous accolades including the Academy Award for Best Achievement in Sound Mixing and the BAFTA for Best Sound, underscores the emotional and physical landscapes of the narrative. Each auditory element, from the clash of combat to the quiet moments of reflection, is meticulously woven to enhance the storytelling.
Best Sound Editing
International Sound & Film Music Festival
Best Sound
Association of Motion Picture Sound
Best Sound
Gold Derby Awards
Best Sound Mixing
Hamilton Behind the Camera Awards
Best Sound Recording
Australian Screen Sound Guild
Members Choice Award
Australian Screen Sound Guild
Best Sound Design
Australian Screen Sound Guild
Best Sound Editing
Online Film & Television Association
Soundtrack of the Year
Australian Screen Sound Guild
Best Sound Mixing
Australian Screen Sound Guild
Best Sound
Online Film & Television Association
Best Sound Editing
International Online Cinema Awards
Best Sound Mixing
Online Film & Television Association
Best Sound Mixing
Cinema Audio Society
Best Sound Effects and Foley
Motion Picture Sound Editors
Best Sound
Best Sound Editing
Academy Awards
Best Dialogue and ADR
Motion Picture Sound Editors
Best Sound
British Academy of Film and Television Arts
Best Sound Mixing
Academy Awards
Best Sound
International Press Academy Satellite Awards
Sound Credits
Re-recording Mixer: Robert Mackenzie, Kevin O'Connell & Andy Wright
Sound Supervisor: Andy Wright
Sound Designer: Robert Mackenzie
Supervising Sound Effects Editor: Robert Mackenzie
Supervising ADR Editor: Justine Angus
ADR Supervisor: Kimberly Harris
ADR Mixer: Peter Gleaves, Howard London, Brian Smith & Patrick Christensen
Sound Recordist: Peter Grace
Sound Recordist: Second Unit: Martin Pashley
Dialogue Editor: Jed M. Dodge
Sound Effects Editor: Steve Burgess, Liam Price & Tara Webb
Foley Editor: Steve Burgess
Foley Artist: Mario Vaccaro
Foley Recordist: Alex Francis
ADR Recordist: Harry Platford & Diego Ruiz
Boom Operator: Shanti Burn, Andy Duncan & Sue Kerr
Mix Technician: George Alamaras & Dan Sharp
Sound Post Coordinator: Michelle Kaszai & Jasmine Turnbull
Sound Assistant: Ben Yeadon & Michael Grisold
Additional ADR Editor: Michele Perrone
Additional: Glenn Finnan
Sound Attachment: Tania Payne