In "Let's Get Skase," the tension of a high-stakes pursuit is brought to life through the intricate soundscape crafted by Robert Mackenzie and his team. The sound mixer, alongside Steve Burgess, weaves a tapestry of immersive audio that captures the essence of the chase. John Penders' sound effects editing adds layers of intensity, while Peter Burgess' dialogue editing ensures every word resonates with clarity. The Foley work by Steve Burgess and Gerry Long, combined with Scott Montgomery's sound recording, creates a vivid auditory experience. This film's sound design is a testament to the collaborative artistry of its post-production team.