
Mao's Last Dancer
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Dir.
Bruce Beresford
Feature Film
2009
In "Mao's Last Dancer," the intricate tapestry of sound weaves through the journey of a young Chinese dancer navigating cultural and personal upheavals. The film's auditory landscape, recognized with the Australian Screen Sound Guild award for Best Achievement in Sound for Film Sound Recording, is a testament to the meticulous work of the sound team. Robert Mackenzie, as ADR Recordist, played a pivotal role in capturing the nuanced dialogue that breathes life into the characters' emotional arcs. The sound design, led by Andy Neil, immerses the audience in the contrasting worlds of Beijing and Houston, enhancing the narrative's emotional depth.
Sound Credits
Supervising Sound Editor / Sound Designer / Re-Recording Mixer: | Andy Neil |
Re-Recording Mixer: | Roger Savage |
Sound Mixer: | David Lee |
Supervising Dialogue Editor: | Yulia Akerholt |
Sound Effects Editor: | Mark Franken & Hongrui Ji |
ADR Mixer: | Miik Dinko & Alan Freedman |
ADR Recordist: | Robert Mackenzie & Liesl Pieterse & Andy Wright |
ADR Supervisor: | Ben Zhang |
Foley Artist: | Xu Miao & Mario Vaccaro |
Foley Editor: | Danielle Barron & Yanchao Yang |
Foley Recordist: | Ye Gong & Blair Slater |
Boom Operator: | Mark van Kool & Lizhong Wang & Jinbao Wang |
Sound Assistant: | Stacey Parish & Sheng Wang |
Sound Facilities Manager: | Asha Ardill |
Dolby Consultant: | Bruce Emery |
Sound Editing Assistant / Sound Mixing Assistant: | Brooke Trezise |
Assistant Dialogue Editor: | Yijing Zhang |
Sound Recordist: | Jiang Wu |