Peter Rabbit
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Dir.
Will Gluck
Feature Film
2018
In "Peter Rabbit," the vibrant soundscape springs to life under the meticulous guidance of Robert Mackenzie, whose dual role as Supervising Sound Editor and Re-recording Mixer crafts an auditory experience that immerses audiences in the whimsical world of the Lake District. The film's sound design, recognized with an ASSG Award for Best Film Sound Editing, captures the playful mischief of Peter and his friends, while the dynamic mix of sound effects, dialogue, and Foley work, nominated for a Golden Reel Award, enhances the comedic tension between the rabbits and Mr. McGregor. Mackenzie's expertise ensures each rustle and hop resonates with charm and clarity.
Sound Credits
| Supervising Sound Editor: | Robert Mackenzie, & Andy Wright |
| Re-recording Mixer: | Robert Mackenzie, Kevin O'Connell, Paul Williams, & Andy Wright |
| Supervising Dialogue and ADR Editor: | Mark Franken |
| Supervising ADR Editor: | Ulrika Akander |
| ADR Mixer: | Garret Farrell, Jay Fisher, Aaron Hasson, Jeff Levy, Howard London, & Jean McGrath |
| ADR Recordist: | David Lucarelli |
| ADR Editor: | Mia Stewart |
| ADR Coordinator: | Mhairi Wyles-Lang |
| Dialogue Editor: | Leah Katz |
| Assistant Dialogue ADR Editor: | Mia Stewart |
| Re-recording Mix Technician: | Kyle Arzt |
| Re-recording Technician: | Diego Ruiz |
| Mix Stage Engineer: | Justin Herman |
| Sound Mixer: | Gary Dodkin, & Ben Osmo |
| Sound Effects Editor: | Mick Boraso, Steve Burgess, & Tara Webb |
| Foley Artist: | Adam Connelly, & Mario Vaccaro |
| Foley Editor: | Adam Connelly, Alex Francis, & Tara Webb |
| Foley Recordist: | Michael Grisold |
| Sound Recordist Second Unit: | Mario Gabrieli, & James Nowiczewski |
| Second Assistant Sound: | Peter Davis |
| Assistant Sound Editor: | Ines Richter |
| Boom Operator: | Jake Chilcott |
| Post Production Sound: | Tim Kuzniar II |
| Sound Attachment: | Sam Whittaker |