
Son of a Gun
In "Son of a Gun," the tension of a high-stakes gold heist is amplified through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as a re-recording mixer, plays a pivotal role in immersing the audience in the film's gritty atmosphere. The sound design, recognized with a nomination for the Australian Screen Sound Guild Award for Feature Film Soundtrack of the Year (2014), weaves together the clamor of prison life and the suspense of the heist, creating an auditory experience that heightens the film's narrative. Each sound element, from dialogue to effects, is meticulously balanced to enhance the unfolding drama.
Sound Credits
Re-recording Mixer: Sam Hayward, Robert Mackenzie
Re-recording Engineer: Glenn Butler, Duncan McRae
Supervising Sound Editor: William Ward
Supervising Dialogue Editor: Jenny T. Ward
Sound Effects Editor: Stuart Morton
Dialogue Editor: Leah Katz
Foley Artist: Dan Johnston
Foley Recordist: Duncan McAllister
Foley Editor: Andrew Simmons
Foley Mixer: Blair Slater
Boom Operator: Aron Dyer, Andy Newton
Sound Recordist: Trevor Hope
Assistant Sound Editor: Mick Boraso, Thom Kellar
Sound Editor: Thom Kellar
Head of Sound: Angus Robertson
Sound Assistant: Claire Healy