
Son of a Gun
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Dir.
Julius Avery
Feature Film
2014
In "Son of a Gun," the tension of a high-stakes gold heist is amplified through the intricate soundscape crafted by the talented sound team. Robert Mackenzie, as a re-recording mixer, plays a pivotal role in immersing the audience in the film's gritty atmosphere. The sound design, recognized with a nomination for the Australian Screen Sound Guild Award for Feature Film Soundtrack of the Year (2014), weaves together the clamor of prison life and the suspense of the heist, creating an auditory experience that heightens the film's narrative. Each sound element, from dialogue to effects, is meticulously balanced to enhance the unfolding drama.
Sound Credits
Re-recording Mixer: | Sam Hayward, Robert Mackenzie |
Re-recording Engineer: | Glenn Butler, Duncan McRae |
Supervising Sound Editor: | William Ward |
Supervising Dialogue Editor: | Jenny T. Ward |
Sound Effects Editor: | Stuart Morton |
Dialogue Editor: | Leah Katz |
Foley Artist: | Dan Johnston |
Foley Recordist: | Duncan McAllister |
Foley Editor: | Andrew Simmons |
Foley Mixer: | Blair Slater |
Boom Operator: | Aron Dyer, Andy Newton |
Sound Recordist: | Trevor Hope |
Assistant Sound Editor: | Mick Boraso, Thom Kellar |
Sound Editor: | Thom Kellar |
Head of Sound: | Angus Robertson |
Sound Assistant: | Claire Healy |