In "The Goddess of 1967," the Australian Outback becomes a symphony of sound, where every rustle and whisper tells a story. Robert Mackenzie's work as the ADR Recordist breathes life into the characters' voices, capturing the raw emotion of their journey. The soundscape, crafted by a talented team including Sound Mixer Roger Savage and Sound Effects Designer Gareth Vanderhope, immerses the audience in the desolate beauty of the landscape. Each sound element, from the hum of the Citroën DS to the subtle nuances of the environment, weaves a rich auditory tapestry that enhances the film's narrative depth.