
The Power of the Dog
In "The Power of the Dog," the soundscape intricately weaves tension and emotion into the fabric of rural Montana. Robert Mackenzie, as Supervising Sound Editor and Re-Recording Mixer, crafts an auditory experience that mirrors the film's psychological depth. The subtle rustle of the prairie, the creak of the ranch house, and the haunting echoes of Phil Burbank's presence are meticulously layered to enhance the narrative's intensity. Recognized by the Australian Screen Sound Guild, Cinema Audio Society, and Motion Picture Sound Editors, the film's sound design is a testament to the team's ability to evoke fear and empathy through sound.
Best Dialogue/ADR
Motion Picture Sound Editors
Best Sound
Academy Awards
Best Sound
Australian Screen Sound Guild
Best Sound Mixing
Australian Screen Sound Guild
Best Sound Mixing
Cinema Audio Society
Sound Credits
Supervising Sound Editor: Robert Mackenzie
Re-Recording Mixer: Robert Mackenzie & Tara Webb
Sound Designer: Dave Whitehead
Production Sound Mixer: Richard Flynn
Dialogue Supervisor: Leah Katz
ADR Mixer: Simon Riley
ADR Recordist: Owen Grieve & Dan Larkin
Foley Artist: Mario Vaccaro
Foley Mixer: Steve Burgess
Foley Recordist: Alex Francis
Sound Editor: Mick Boraso
Assistant Sound Editor: Jessica Meier
Sound Effects Editor: Tara Webb
Re-Recording Engineer: Glenn Butler
Sound Assistant: Lisa Leota & Jessy McNamara
Boom Operator: Sandy Wakefield