
The Power of the Dog
Dir.
Jane Campion
Feature Film
2021
In "The Power of the Dog," the soundscape intricately weaves tension and emotion into the fabric of rural Montana. Robert Mackenzie, as Supervising Sound Editor and Re-Recording Mixer, crafts an auditory experience that mirrors the film's psychological depth. The subtle rustle of the prairie, the creak of the ranch house, and the haunting echoes of Phil Burbank's presence are meticulously layered to enhance the narrative's intensity. Recognized by the Australian Screen Sound Guild, Cinema Audio Society, and Motion Picture Sound Editors, the film's sound design is a testament to the team's ability to evoke fear and empathy through sound.
Nominated
Best Dialogue/ADR
Motion Picture Sound Editors
Nominated
Best Sound
Academy Awards
Awarded
Best Sound
Australian Screen Sound Guild
Awarded
Best Sound Mixing
Australian Screen Sound Guild
Nominated
Best Sound Mixing
Cinema Audio Society
Sound Credits
Supervising Sound Editor: | Robert Mackenzie |
Re-Recording Mixer: | Robert Mackenzie & Tara Webb |
Sound Designer: | Dave Whitehead |
Production Sound Mixer: | Richard Flynn |
Dialogue Supervisor: | Leah Katz |
ADR Mixer: | Simon Riley |
ADR Recordist: | Owen Grieve & Dan Larkin |
Foley Artist: | Mario Vaccaro |
Foley Mixer: | Steve Burgess |
Foley Recordist: | Alex Francis |
Sound Editor: | Mick Boraso |
Assistant Sound Editor: | Jessica Meier |
Sound Effects Editor: | Tara Webb |
Re-Recording Engineer: | Glenn Butler |
Sound Assistant: | Lisa Leota & Jessy McNamara |
Boom Operator: | Sandy Wakefield |