
Top of the Lake
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Dir.
Jane Campion, Garth Davis, Ariel Kleiman.
TV Series
2017
In "Top of the Lake," the haunting echoes of a remote New Zealand town are brought to life through the meticulous sound post-production work led by Robert Mackenzie. As the chilling mystery of a missing 12-year-old girl unfolds, the soundscape immerses viewers in the tension and isolation of the setting. The collaboration of sound designers and mixers, including Tony Vaccher and John Dennison, crafts an auditory experience that underscores the narrative's emotional depth. Each sound element, from the whispers of the wind to the distant calls of nature, enhances the story's suspense and the protagonist's introspective journey.
Sound Credits
Head of Sound: | Angus Robertson |
Re-recording Mixer: | Tony Vaccher, John Dennison, Robert Mackenzie & Luke Mynott |
Sound Designer: | Tony Vaccher |
Dialogue Editor: | Tony Vaccher & Justine Angus |
Sound Editor: | Andrew Simmons, Adrian Bilinsky & Michael Newton |
Foley Editor: | Andrew Simmons, Blair Slater, Luisa Hadley & Miki Takahashi |
Foley Artist: | Andrew Simmons, Dan Johnston & Daniell Johnston |
Foley Recordist: | Andrew Simmons & Duncan McAllister |
Foley Supervisor: | Blair Slater |
Foley Recording Engineer: | Duncan McAllister |
Sound Effects Designer: | Craig Butters |
Sound Effects Editor: | Craig Butters |
ADR Supervisor: | Danny Longhurst |
ADR Mixer: | Samet Yavuz, Martin Oswin, Rob Davidsson & J. Seeman |
ADR Recordist: | Cihan Saral, Dylan Barfield, Brendan Croxon & Eamon O'Neil |
Boom Operator: | Matt Cuirc & Gerry Nucifora |
Second Boom Operator: | Emma Barham |
Sound Recordist: | Richard Flynn & Benoît Hardonniere |
Sound Post Consultant: | Tom Pastro |
Sound: | David Lee |