Top of the Lake
In "Top of the Lake," the haunting echoes of a remote New Zealand town are brought to life through the meticulous sound post-production work led by Robert Mackenzie. As the chilling mystery of a missing 12-year-old girl unfolds, the soundscape immerses viewers in the tension and isolation of the setting. The collaboration of sound designers and mixers, including Tony Vaccher and John Dennison, crafts an auditory experience that underscores the narrative's emotional depth. Each sound element, from the whispers of the wind to the distant calls of nature, enhances the story's suspense and the protagonist's introspective journey.
Sound Credits
Head of Sound: Angus Robertson
Re-recording Mixer: Tony Vaccher, John Dennison, Robert Mackenzie & Luke Mynott
Sound Designer: Tony Vaccher
Dialogue Editor: Tony Vaccher & Justine Angus
Sound Editor: Andrew Simmons, Adrian Bilinsky & Michael Newton
Foley Editor: Andrew Simmons, Blair Slater, Luisa Hadley & Miki Takahashi
Foley Artist: Andrew Simmons, Dan Johnston & Daniell Johnston
Foley Recordist: Andrew Simmons & Duncan McAllister
Foley Supervisor: Blair Slater
Foley Recording Engineer: Duncan McAllister
Sound Effects Designer: Craig Butters
Sound Effects Editor: Craig Butters
ADR Supervisor: Danny Longhurst
ADR Mixer: Samet Yavuz, Martin Oswin, Rob Davidsson & J. Seeman
ADR Recordist: Cihan Saral, Dylan Barfield, Brendan Croxon & Eamon O'Neil
Boom Operator: Matt Cuirc & Gerry Nucifora
Second Boom Operator: Emma Barham
Sound Recordist: Richard Flynn & Benoît Hardonniere
Sound Post Consultant: Tom Pastro
Sound: David Lee