In "Visitors," the vastness of the ocean becomes a character of its own, enveloping Georgia Perry in an auditory landscape that blurs the line between reality and hallucination. Robert Mackenzie, alongside Roger Savage, crafts a soundscape that immerses the audience in Perry's solitary voyage. The creaking of the boat, the whispers of the wind, and the haunting echoes of imagined voices create a palpable tension. Each sound element, from the subtle to the surreal, is meticulously woven to reflect Perry's psychological descent, making the audience question what is real and what is imagined in her isolated world.