Bait
In "Bait," the soundscape immerses viewers in a tense, aquatic nightmare, where the roar of a tsunami and the menacing silence of a submerged supermarket create a gripping atmosphere. Robert Mackenzie, as the Supervising Sound Designer and Re-recording Mixer, crafts an auditory experience that heightens the suspense and terror of a great white shark lurking in the flooded aisles. The intricate layering of sound elements, from the creaking of submerged shelves to the visceral splashes of water, draws audiences into the survivors' desperate struggle. Mackenzie's work ensures that every sound detail amplifies the film's tension and emotional impact.
Sound Credits
Sound Designer: Steve Burgess, Robert Mackenzie
Sound Effects Editor: Steve Burgess, Peter Climpson
Foley Artist: Adam Connelly, Mario Vaccaro
ADR Mixer: Matt Dawson
Sound Supervisor: Bruce Emery
Sound Assistant: Belle Galpin, Jesse Rigby
Sound Editor: Rennie Gomes
Loop Group Editor: Leah Katz
Re-recording Mixer: Robert Mackenzie
Supervising Sound Designer: Robert Mackenzie
Dialogue Editor: Tony Murtagh
ADR Editor: Liesl Pieterse
ADR Recordist: Liesl Pieterse
Boom Operator: Aaron Price
Sound Technician: Gerard Leong, Edward Tan
Sound Engineer: Kelvin Singh
Assistant Sound Engineer: Wee Zheo Tay, Edmond Wee
Foley Editor: Brooke Trezise
Sound Recordist: Craig Walmsley
Foley Recordist: Andy Wright