Peter Rabbit
In "Peter Rabbit," the vibrant soundscape springs to life under the meticulous guidance of Robert Mackenzie, whose dual role as Supervising Sound Editor and Re-recording Mixer crafts an auditory experience that immerses audiences in the whimsical world of the Lake District. The film's sound design, recognized with an ASSG Award for Best Film Sound Editing, captures the playful mischief of Peter and his friends, while the dynamic mix of sound effects, dialogue, and Foley work, nominated for a Golden Reel Award, enhances the comedic tension between the rabbits and Mr. McGregor. Mackenzie's expertise ensures each rustle and hop resonates with charm and clarity.
Sound Credits
Supervising Sound Editor: Robert Mackenzie, & Andy Wright
Re-recording Mixer: Robert Mackenzie, Kevin O'Connell, Paul Williams, & Andy Wright
Supervising Dialogue and ADR Editor: Mark Franken
Supervising ADR Editor: Ulrika Akander
ADR Mixer: Garret Farrell, Jay Fisher, Aaron Hasson, Jeff Levy, Howard London, & Jean McGrath
ADR Recordist: David Lucarelli
ADR Editor: Mia Stewart
ADR Coordinator: Mhairi Wyles-Lang
Dialogue Editor: Leah Katz
Assistant Dialogue ADR Editor: Mia Stewart
Re-recording Mix Technician: Kyle Arzt
Re-recording Technician: Diego Ruiz
Mix Stage Engineer: Justin Herman
Sound Mixer: Gary Dodkin, & Ben Osmo
Sound Effects Editor: Mick Boraso, Steve Burgess, & Tara Webb
Foley Artist: Adam Connelly, & Mario Vaccaro
Foley Editor: Adam Connelly, Alex Francis, & Tara Webb
Foley Recordist: Michael Grisold
Sound Recordist Second Unit: Mario Gabrieli, & James Nowiczewski
Second Assistant Sound: Peter Davis
Assistant Sound Editor: Ines Richter
Boom Operator: Jake Chilcott
Post Production Sound: Tim Kuzniar II
Sound Attachment: Sam Whittaker